User manual YAMAHA UD-STOMP

[. . . ] This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Failure to follow instructions could void your FCC authorization to use this product in the USA. [. . . ] Press the [EFFECT BAND 1] button (this selects Effect Band 1) then press the [CONNECT] button at which time "in" appears in the display. This indicates that the signal received by the delay circuit of Effect Band 1 is coming directly from the UD-Stomp's INPUT jack. Now, try setting the PAN of Effect Band 1 all the way to the left (L10. ) and the PAN of Effect Band 2 all the way to the right (r10. ). Now you've created a stereo ping-pong delay effect. 15 Using the UD-Stomp Now Effect Bands 1 and 2 are connected as shown in the illustration below. IN IN 1 4 BAND 1 BAND 8 BAND 3 BAND 4 BAND 5 BAND 6 BAND 7 BAND 2 BAND 1 BAND 2 IN 8 5 IN IN 3 You can hear a single short delay and a single long delay being produced. 2 4 BAND 5 BAND 6 BAND 7 BAND 8 BAND 2 2 19. Press the [EFFECT BAND 2] button, then hold the [CONNECT] button and press the [UP] button so that "1" is shown in the display. The output signal of Effect Band 1 (the original sound mixed with the delay sound) is now sent to the input of Effect Band 2. Effect Band 1 and Effect Band 2 are now connected in a series. IN IN BAND 4 3 4 BAND 3 3 IN BAND 1 Grouping Multiple Effect Bands (GROUP) The Group function makes possible longer delay times by combining multiple Effect Bands into a single delay circuit. BAND 1 1 BAND 2 Now you can hear a short delay applied to both the original sound and the long delay sound. 20. Now let's try and make a complex delay using these two Effect Band circuits. Set the Delay Time of Effect Band 2 to 419msec and increase the FEEDBACK of both Effect Bands equally. With the two Effect Bands connected in a series, the delay effect becomes more and more complex as the delay is repeated. Try changing Delay Time for each Effect Band to create some other effects. * Parallel and series connections can be mixed together. You can also synchronize the modulation between Effect Bands ( page 17) to create a more complex delay effect. 21. Let's try and make a long delay time. Recall patch "9. 11" and press the [EFFECT BAND 1] button, then use the TIME COARSE knob and TIME FINE knob to set the delay time to its maximum of "696. "msec. 22. Hold the [GROUP] button and use the [UP] button to set the parameter to "1-2". Now Effect Bands 1 and 2 are combined into a single delay circuit that is referred to as a Group. Rotate the TIME COARSE knob a little and notice that the Delay Time shown in the display is "143" (1430msec). Using this method, you can group together all 8 Effect Bands (set to "1-8") to create a maximum delay of "589" (5890msec). * When creating a Group, you must first select the Effect Band that will be at the head of the Group, then assign the Effect Band that is at the end of the Group. · Example Connections IN IN IN IN IN IN IN IN BAND 1 BAND 2 BAND 3 BAND 4 BAND 5 BAND 6 BAND 7 BAND 8 7 BAND 1 696msec BAND 2 696msec Delay Output Delay Output BAND 1-2 1430msec IN BAND 1 1 BAND 2 BAND 3~7 BAND 8 Delay Output Delay Output 16 Using the UD-Stomp Also, once a Group has been set, you can access any of the outputs from the individual delay units that make up the group. in the left channel but not in the right because Effect Band 2's SPEED setting is set to "0. 0". Confirm that Effect Bands 1 and 2 are still combined into a Group (1-2) as explained above. Since Effect Bands 1 and 2 the same delay time, two delay sounds, of the same level, can be heard simultaneously. Using the same technique as explained in the "Setting the Tap" section ( page 14) use the TAP knob to create a shuffle rhythm. The difference between the TAP setting and the previous one is that in this step, changing the Delay Time lets you alter the tempo of the shuffle rhythm without changing the rhythm itself. [. . . ] You can also hold the [BAND 1] button and move the EXP Pedal to set the position. * Due to the relationship between the maximum and minimum value, a value which results in a practical range (refer to the illustration below) of less than 128 can not be used. · oFF : MIDI is not transmitted · 1-32, 64-95 : Control change number that is to be transmitted. G Set the Maximum Value of the EXP Pedal Sets the maximum value that indicates the position of the EXP Pedal. 27 Error Messages If an error occurs during operation, one of the following error message numbers will appear in the display. Stop operation of the device and follow the proper solution described below. E 1: MIDI Receive Buffer Full CAUSE: Too much MIDI data is being received at one time. SOLUTION: Try reducing the amount of data being sent or, break the data into smaller blocks. E 2: Communication Error. CAUSE: An abnormality is detected during MIDI communications. and try again. E 3: Bulk Receive Check Sum Error. CAUSE: The check sum does not match the received MIDI bulk data. [. . . ]