User manual YAMAHA RX-V596RDS

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Manual abstract: user guide YAMAHA RX-V596RDS

Detailed instructions for use are in the User's Guide.

[. . . ] GB RX-V596RDS Natural Sound AV Receiver Ampli-tuner audio-vidéo OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. Install this unit in a cool, dry, clean place -- away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. To prevent fire or electrical shock, do not expose the unit to rain or water. When moving the unit, first disconnect the power cord and then the cables connected to other component. [. . . ] The selected program type name indicator lights up on the display. INTRODUCTION Note · This function can only be used when an RDS station that offers the EON data service is being received. When such a station is being received, the "EON" indicator lights up on the display. Lights up · If a preset RDS station of the selected program type starts broadcasting, the unit will automatically switch from the program being currently received to that program. The program type name indicator flashes. PREPARATION ­ + ­ + L R Flashes 2 1 Make sure that the "EON" indicator lights up on the display. If the "EON" indicator does not light up, tune in to another RDS station so that the "EON" indicator lights up. · When broadcasting of the required program ends, the previously received station (or another program on the same station) is recalled. BASIC OPERATION s To cancel this function Lights up Press EON repeatedly until no program type name lights up on the display. ADVANCED OPERATION APPENDIX English 33 RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE Recording adjustments and other operations are performed from the tape deck, MD recorder or VCR. Refer to the instructions for these components. y If a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD). 2 1, 4 Notes · The DSP program and the setting of VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded. · Composite video and S video signals pass independently through this unit's video circuits. Therefore, when recording or dubbing video signals, if your video source component is connected to provide only an S video (or only a composite video) signal, you can record only an S video (or only a composite video) signal by your VCR. · A source connected to this unit only through the digital terminals cannot be recorded by the tape deck, MD recorder or VCR connected to this unit. · A source connected to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded. · Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws. ­ + ­ + L R 2 4 If you play back a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals. 1 Set VOLUME to the "m" position. Front panel 2 Select the source you want to record. or Front panel Remote control 3 4 Begin recording by the tape deck, MD recorder or VCR connected to this unit. Play the source and then turn up the volume to confirm the input source. or Front panel Remote control 34 ADVANCED OPERATION SOUND FIELD PROGRAM This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this will, of course, depend on what you are listening to). When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned on according to which type of signals the source being played contains. The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments. · The input source given in the following table for programs 4 through 8 indicates that input source which each program is best suited for. · Select the DSP program that you feel sounds best regardless of the name and description given for it below. PREPARATION INTRODUCTION s For movie or audio/video sources (Program No. 1 PROGRAM q/DTS SURROUND SUBPROGRAM [1] PRO LOGIC/Normal ( o ) Dolby Surround 2-ch Dolby Digital · Output channel: 4 channels · DSP: -- [2] DOLBY DIGITAL/Normal ( g ) · Input source: Dolby Digital · Output channel: 5. 1 channels · DSP: -- [3] DTS DGTL SUR/Normal ( t ) · Input source: DTS · Output channel: 5. 1 channels · DSP: -- [4] PRO LOGIC/ENHANCED (ox) · Input source: Dolby Surround 2-ch Dolby Digital · Output channel: 4 channels · DSP: 1 (surround) [5] DOLBY DIGITAL/ENHANCED (gx) · Input source: Dolby Digital · Output channel: 5. 1 channels · DSP: 2 (surround L, R) [6] DTS DGTL SUR/ENHANCED (tx) · Input source: DTS · Output channel: 5. 1 channels · DSP: 2 (surround L, R) · Input source: FEATURES The built-in Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder precisely reproduces the sound and effect of a source encoded with Dolby Surround, Dolby Digital or DTS. [. . . ] 58 S SET MENU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Sleep timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39, 40 Speaker balance (test tone) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Placement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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