User manual YAMAHA PSS290

[. . . ] ELEC. PRE2 (MSB=63, LSB=1) Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 A01 A02 A03 A04 A05 A06 A07 A08 A09 A10 A11 A12 A13 A14 A15 A16 B01 B02 B03 B04 B05 B06 B07 B08 B09 B10 B11 B12 B13 B14 B15 B16 C01 C02 C03 C04 C05 C06 C07 C08 C09 C10 C11 C12 C13 C14 C15 C16 D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 Voice Name LeftManual DrawContrl GosplSplit Soulemn Fully Progressy Crunchy Rocky DistFull Early Bird AnaDrwbr Tiny Paddy Mellow Org ResoDrbrs OrgPad Panther SawCombo 1967 Keys YD-45C Compact Spanish Nylon+Harm SimplSteel SteelCmprs Mute&Slide Ac&Harmnic SteelSwtch Mega Steel 2StlStrngs 12Strings 12Str Mono Mega 12str El 12Strng Strange 12 CleanEl&Ac Jazzy Pick JazzGtMelo Velo Jazz 2CoilAmp1 2CoilAmp2 60sClean1 60sClean2 CleanSlap Distant SomeHair MiddyTrem CompDream RotoGtr Alt Rocker Spanky Vin Strum 1CoilChors VinTremolo HitItHard PaddyClean Policia Rockabilly Rotator Baby TouchWah Mega Clean OverDriven TexBoogie Category Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Sub Category ELEC. A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR A. GTR E. GTR E. GTR A. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR 2 Data List Voice List PRE3 (MSB=63, LSB=2) Number 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 E01 E02 E03 E04 E05 E06 E07 E08 E09 E10 E11 E12 E13 E14 E15 E16 F01 F02 F03 F04 F05 F06 F07 F08 F09 F10 F11 F12 F13 F14 F15 F16 G01 G02 G03 G04 G05 G06 G07 G08 G09 G10 G11 G12 G13 G14 G15 G16 H01 H02 H03 H04 H05 H06 H07 H08 H09 H10 H11 H12 H13 H14 H15 H16 Voice Name DynamicAmp Drive SnakeFingr Feedbacker KilrWhammy Voodooman CrunchyGtr SmallAmp LatinLover Still Blue 59 Combo BlueLead Chugga Metal Mute OverTheTop Beater Mega OvrDv Mega Dist Upright Groovin'Bs VeloGrowl Mega Acous FingerPBs PrecFW RoundWound ActiveP FretBuzzy 3 Sixty Bs S-VeeTee GnarlyBs Reggae BaCement MidRngFngr HybridBs1 HybridBs2 PrecAmped FingBsAmp PBasFngDst FuzzBass MegaFngHrm Velo Bass SlapSwitch Mega Fingr Mega Slap Chilli PickOpen PickPull PickMuteDr New Pick Mega Pick FretlesDry FretlsSolo Mega Frtls Violin 1 Violin 2 Fiddler Viola 1 Viola 2 Cello 1 Cello 2 Solo 1 Solo 2 SoloSpicat ContraBass Category Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Gt Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba Ba St St St St St St St St St St St Sub Category E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR E. GTR A. BASS A. BASS A. BASS A. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS E. BASS SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO Number 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 A01 A02 A03 A04 A05 A06 A07 A08 A09 A10 A11 A12 A13 A14 A15 A16 B01 B02 B03 B04 B05 B06 B07 B08 B09 B10 B11 B12 B13 B14 B15 B16 C01 C02 C03 C04 C05 C06 C07 C08 C09 C10 C11 C12 C13 C14 C15 C16 D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 Voice Name 2 Violins 2 Violas 2 Cellos Cello Duet 2 Solos CelloEnsem ViolaEnsem ViolnEnsem CB. Sect SmallSect1 SmallSect2 MediumEns Violin Mix SpicaLines Hard Bow BackGround Hophead HoleString Ens Mix Hard Ens VeloString BigStrings Lush MutedSect BigSymphny 3 8ve Lush 3 8ve Hard BeautyHarp StereoHarp PizzEns PizzSect Oct Pizz OrchstrlPl PWMStrings Lightpad Noble Pad Romantic Stringy MournStrgs JP Strings 3Osc Vintg Superstrgs VP Soft PWM Simple DblChorus Old String PhaseStrgs Oct String 3 Octave StrMachine SS-40 TapeStrngs SlowSuckr TrpRomantc PiccoloTpt DynoTrumpt SoftJazzTp BaroqTrpt Phase Mute Legend 2 Trumpets Fluegel JazyFlugel Trombone Category St St St St St St St St St St St St St St St St St St St St St St St St St St St Gt Gt St St St St St St St St St St St St St St St St St St St St St St St St Br Br Br Br Br Br Br Br Br Br Br Sub Category ENSEM. SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH SYNTH ENSEM. [. . . ] Parameter Range Value Table No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Low Attack Low Release Low Threshold Low Ratio Low Gain Mid Attack Mid Release Mid Threshold Mid Ratio Mid Gain High Attack High Release High Threshold High Ratio High Gain Divide Freq 1ms ­ 200ms 10ms ­ 3000ms -54dB ­ -6dB 1 ­ 20. 0 - ­ +18dB 1ms ­ 200ms 10ms ­ 3000ms -54dB ­ -6dB 1 ­ 20. 0 - ­ +18dB 1ms ­ 200ms 10ms ­ 3000ms -54dB ­ -6dB 1 ­ 20. 0 - ­ +18dB 0 ­ 89 (0 ­ 29) (0 ­ 23) (73 ­ 121) (0 ­ 7) (0 ­ 55) (0 ­ 29) (0 ­ 23) (73 ­ 121) (0 ­ 7) (0 ­ 55) (0 ­ 29) (0 ­ 23) (73 ­ 121) (0 ­ 7) (0 ­ 55) (0 ­ 89) 8 9 10 15 8 9 10 15 8 9 10 15 16 01 02 03 10 Sensitive Cutoff Frequency Offset Resonance Dry / Wet Balance 0 ­ 127 0 ­ 127 1 ­ 12. 0 D63>W ­ D=W ­ D<W63 (0 ­ 127) (0 ­ 127) (10 ­ 120) (1 ­ 127) 06 ­ 09: Same as marked with *. TOUCH WAH+DISTORTION TOUCH WAH+OVERDRIVE No. Parameter Range Value Table No. 01 02 03 10 11 12 13 Sensitive Cutoff Frequency Offset Resonance Dry / Wet Balance Drive Dist Low Gain Dist Mid Gain LPF Cutoff Frequency Output Level 0 ­ 127 0 ­ 127 1 ­ 12. 0 D63>W ­ D=W ­ D<W63 0 ­ 127 -12dB ­ +12dB -12dB ­ +12dB 1. 0kHz ­ 20. 0kHz 0 ­ 127 (0 ­ 127) (0 ­ 127) (10 ­ 120) (1 ­ 127) (0 ­ 127) (52 ­ 76) (52 ­ 76) (34 ­ 60) (0 ­ 127) 3 06 ­ 09: Same as marked with *. PITCH CHANGE1 PITCH CHANGE2 No. Parameter Range Value Table No. 14 15 -24 ­ +24 0. 1ms ­ 400. 0ms -50 ­ +50 -50 ­ +50 -63 ­ +63 D63>W ­ D=W ­ D<W63 L63 ­ C ­ R63 0 ­ 127 L63 ­ C ­ R63 0 ­ 127 (40 ­ 88) (0 ­ 127) (14 ­ 114) (14 ­ 114) (1 ­ 127) (1 ­ 127) (1 ­ 127) (0 ­ 127) (1 ­ 127) (0 ­ 127) 7 01 02 03 04 05 10 11 12 13 14 Pitch Initial Delay Fine1 Fine2 Feedback Level Dry / Wet Balance PAN1 Output Level1 PAN2 Output Level2 VINTAGE TOUCH WAH 1 ­ 2 No. Parameter Range Value Table No. 01 02 03 04 05 06 07 08 11 13 Sensitivity Bottom Top Resonance Offset Direction Type OverDrive Output Attack Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 0 ­ 127 0 ­ 127 0 ­ 127 -12. 0 ­ +12. 0 up, down High, Mid, Low, Bass 0. 0dB ­ +40. 0dB -20. 0dB ­ +10. 0dB -5 ­ +5 32Hz ­ 2. 0kHz -12dB ­ +12dB 500Hz ­ 16. 0kHz -12dB ­ +12dB (0 ­ 127) (0 ­ 127) (0 ­ 127) (40 ­ 88) (0 ­ 1) (0 ­ 3) (0 ­ 80) (24 ­ 84) (59 ­ 69) (4 ­ 40) (52 ­ 76) (28 ­ 58) (52 ­ 76) 3 3 03: Fine 1 and 04: Fine 2 for PITCH CHANGE2 are described in cent. AUTO WAH No. Parameter Range Value Table No. 14 15 16 0. 0Hz ­ 39. 70Hz 0 ­ 127 0 ­ 127 1 ­ 12. 0 D63>W ­ D=W ­ D<W63 (0 ­ 127) (0 ­ 127) (0 ­ 127) (10 ­ 120) (1 ­ 127) 1 01 02 03 04 10 LFO Speed LFO Depth Cutoff Frequency Offset Resonance Dry / Wet Balance When Bottom > Top, the sound will not be modulated and only the Bottom value is available. 06 ­ 09: Same as marked with *. WAH+DIST+DELAY WAH+OVERDRIVE+DELAY No. Parameter Range Value Table No. 01 Delay Time Delay Feedback Level Delay mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry / Wet Balance Wah Sensitive Wah Cutoff Frequency Wah Resonance Wah Release 0. 1ms ­ 1638. 3ms -63 ­ +63 0 ­ 127 0 ­ 127 0 ­ 127 -12dB ­ +12dB -12dB ­ +12dB D63>W ­ D=W ­ D<W63 0 ­ 127 0 ­ 127 1 ­ 12. 0 10ms ­ 680ms (1 ­ 16383) (1 ­ 127) (0 ­ 127) (0 ­ 127) (0 ­ 127) (52 ­ 76) (52 ­ 76) (1 ­ 127) (0 ­ 127) (0 ­ 127) (10 ­ 120) (52 ­ 67) 12 AUTO WAH DISTORTION AUTO WAH OVERDRIVE No. Parameter Range Value Table No. 02 03 04 05 06 07 10 11 D63>W ­ D=W ­ D<W63 0 ­ 127 -12dB ­ +12dB -12dB ­ +12dB 1. 0kHz ­ 20. 0kHz 0 ­ 127 (1 ­ 127) (0 ­ 127) (52 ­ 76) (52 ­ 76) (34 ­ 60) (0 ­ 127) 3 12 13 14 0. 0Hz ­ 39. 70Hz 0 ­ 127 0 ­ 127 1 ­ 12. 0 (0 ­ 127) (0 ­ 127) (0 ­ 127) (10 ­ 120) 1 01 02 03 04 10 11 12 13 14 15 LFO Speed LFO Depth Cutoff Frequency Offset Resonance Dry / Wet Balance Drive Dist Low Gain Dist Mid Gain LPF Cutoff Frequency Output Level 06 ­ 09: Same as marked with *. LO-FI No. Parameter Range Value Table No. 01 Sampling Freq Control Word Length Output Gain Pre-LPF Cutoff Frequency Filter Type Pre-LPF Resonance Bit Assign Emphasis Dry / Wet Balance Input Mode 44. 1kHz ­ 344Hz 1 ­ 127 -6dB ­ +36dB 63Hz ­ 20. 0kHz thru, Power Bass, Radio, Telephone, Clean, Low 1 ­ 12. 0 0­6 off/on D63>W ­ D=W ­ D<W63 mono/stereo (0 ­ 127) (1 ­ 127) (0 ­ 42) (10 ­ 60) (0 ­ 5) (10 ­ 120) (0 ­ 6) (0 ­ 1) (1 ­ 127) (0 ­ 1) 13 VINTAGE AUTO WAH 1 ­ 2 No. Parameter Range Value Table No. 02 03 04 05 06 07 08 10 15 3 3 0. 100Hz ­ 20. 00Hz 0 ­ 127 0 ­ 127 -12. 0 ­ +12. 0 Sin, Trp High, Mid, Low, Bass 0. 0dB ­ +40. 0dB -20. 0dB ­ +10. 0dB 32Hz ­ 2. 0kHz -12dB ­ +12dB 500Hz ­ 16. 0kHz -12dB ­ +12dB (0 ­ 254) (0 ­ 127) (0 ­ 127) (40 ­ 88) (0 ­ 1) (0 ­ 3) (0 ­ 80) (24 ­ 84) (4 ­ 40) (52 ­ 76) (28 ­ 58) (52 ­ 76) 24 01 02 03 04 05 06 07 08 13 14 15 16 Speed Bottom Top Resonance Offset LFO Wave Type OverDrive Output EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 3 When Bottom > Top, the sound will not be modulated and only the Bottom value is available. Data List 33 Effect Parameter List LOW RESOLUTION No. Parameter Range Value Table No. 01 02 03 04 05 06 10 Mod Depth Mod Delay Offset Mod Feedback Resolution Mod Mix Balance Phase Inverse R Dry/Wet Balance 0 ­ 127 1 ­ 127 -63 ­ +63 1, 1/2 ­ 1/128 0 ­ 127 off, wet, wet+dry D63>W ­ D=W ­ D<W63 (0 ­ 127) (1 ­ 127) (1 ­ 127) (0 ­ 7) (0 ­ 127) (0 ­ 2) (1 ­ 127) 01 02 03 04 05 06 07 08 09 Mod Speed Mod Wave Type Mod Depth Mod Depth Ofst R HPF Frequency LPF Frequency Delay Time Delay Time Ofst R Delay Level Dry Mix Level Feedback Level FB Level Ofst R AM Speed AM Wave AM Depth AM Inverse R 0 ­ 127 typeA, typeB, typeC, typeD 0 ­ 127 -63 ­ +63 20Hz ­ 8. 0kHz 1. 0kHz ­ 20. 0kHz 0. 1 ­ 370. 0ms 0 ­ 884 0 ­ 127 0 ­ 127 -63 ­ +63 -63 ­ +63 0. 00Hz ­ 39. 7Hz tri, sine, saw up, saw down 0 ­ 127 normal, inverse (0 ­ 127) (0 ­ 3) (0 ­ 127) (1 ­ 127) (0 ­ 52) (34 ­ 60) (1 ­ 3700) (0 ­ 884) (0 ­ 127) (0 ­ 127) (1 ­ 127) (1 ­ 127) (0 ­ 127) (0 ­ 3) (0 ­ 127) (0 ­ 1) 1 3 3 NOISY No. Parameter Range Value Table No. 10 11 12 13 14 15 16 1 3 Mod Depth Mod Speed Mod Feedback Mod Mix Balance Drive AM Speed AM Depth LPF Frequency LPF Resonance Dry / Wet Balance EQ Frequency EQ Gain EQ Width 0 ­ 10 0 ­ 127 -63 ­ +63 1 ­ 127 0 ­ 127 0. 00Hz ­ 39. 7Hz 0 ­ 127 1. 0kHz ­ 20. 0kHz 1. 0 ­ 12. 0 D63>W ­ D=W ­ D<W63 100Hz ­ 10. 0kHz -12 ­ +12dB 1. 0 ­ 12. 0 (0 ­ 10) (0 ­ 127) (1 ­ 127) (1 ­ 127) (0 ­ 127) (0 ­ 127) (0 ­ 127) (34 ­ 60) (10 ­ 120) (1 ­ 127) (14 ­ 54) (52 ­ 76) (10 ­ 120) 3 01 02 03 04 05 06 07 08 09 10 11 12 13 TECH MODULATION No. Starts the Audio Mixer or moves the Audio Mixer Window to the front of the computer screen. Starts the Audio Mixer or moves the Audio Mixer Window to the front of the computer screen. Starts the MIDI Editor (such as the Multi Part Editor) or moves it to the front of the computer screen. Opens the AUX/BUS window or brings it to the front of the computer screen (when the Audio Mixer is active). Starts the Audio Mixer or brings it to the front of the computer screen. (Only PAN is available in the R settings. ) Scrolls through the track indication every eight channels. (This operation applies to the current song. ) Starts the Mixer window (Audio Mixer/Multi Part Editor) or brings it to the front of the computer screen. Opens the List window or brings it to the front of the computer screen. Opens the Piano Roll window or brings it to the front of the computer screen. Alternately hides/shows the Transport window (Transport Bar/ Location Bar/Record). Press briefly to move back one measure at a time, or hold to continuously rewind. [. . . ] The value "mm" is used to set the master volume (the value "ll" should be ignored). TG SEQ KBD MIDI IN/OUT = USB or mLAN To USB/mLAN From USB/mLAN Thru Port (3-6-3) PARAMETER CHANGE (3-6-3-1) XG SYSTEM ON 11110000 01000011 0001nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 0 11110111 F0 43 1n 4C 0 0 7E 0 F7 Exclusive Status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive Local Sw MIDI Out MIDI In TG Although three types of note on/note off data, received via MIDI, played by the internal sequencer and played on the keyboard will be distinguished, the other controllers (channel messages) equally affect the entire notes. ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via MIDI. The PLG100-XG Plug-in board installed to the instrument, will receive this message when the instrument is in the Song/Pattern mode and SYSTEM Receive GM/XG is set to on. The Part values will be reset according to the SYSTEM Internal Part settings. [. . . ]