User manual YAMAHA PSR-19

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YAMAHA PSR-19 : Download the complete user guide (830 Ko)

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Manual abstract: user guide YAMAHA PSR-19

Detailed instructions for use are in the User's Guide.

[. . . ] 6 Automatische Wiedergabe des Demostückes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Spielen in der HARMONY-Betriebsart 9 Klangwahl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Anbringen und Abnehmen des Notenständers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Verwendung von Kopfhörer oder externem Verstärkersystem . . . . . . . . . . . . [. . . ] 23 Frases de improvisación automáticas23 Interpretación del PSR-19 . . . . . . . . . . . . 21 Reproducción automática de la canción de demostración . . . . . . . . . . . . . . . . . . 24 Localización y reparación de averías . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 English Taking Care of Your PortaTone Your PortaTone will give you years of playing pleasure if you follow the simple rules given below: 1. Avoid placing the PortaTone in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example. Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture. Connections between the PortaTone and any other device must be made with both pieces of equipment turned OFF. Do not subject the instrument to strong physical shocks, and avoid placing heavy objects on it. Since the PortaTone contains digital circuitry, it may cause interference if placed to close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment. Using An Optional Power Adaptor Plug the DC output cable from an optional PA-3, PA-4 or PA-40 Power Adaptor into the DC(9-12V)IN jack on the rear panel, then plug the adaptor into a convenient wall AC power socket. Use ONLY a Yamaha PA-3, PA-4 or PA-40 Power Adaptor to power your instrument from the AC mains. Attempting to use other AC adaptors could result in serious damage to your PSR-19. Setting Up & Removing the Music Stand The PSR-19 is supplied with a music stand that can be attached to the instrument by inserting the two pegs extending from its lower edge into the correponding holes on the rear-panel of the instrument. To remove the music stand, remove the pegs from the holes while leaning the stand toward the keyboard. Power Supply Your PSR-19 will run either from optional batteries or an optional power adaptor. Follow the instructions below according to the power source you intend to use. Using Batteries Six 1. 5V D size (SUM-1 or R-20) or equivalent batteries must first be installed in the battery compartment. Open the battery compartment cover located on the instrument's bottom panel. Insert the six batteries, being careful to follow the polarity markings on the cabinet. Replace the compartment cover, making sure that it locks firmly in place. Using Headphones or an External Sound System The Rear-panel HEADPHONES/AUX. OUT Jack A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the HEADPHONES/ AUX. OUT jack. The HEADPHONES/AUX. OUT jack can also be used to deliver the output of the PSR-19 to a keyboard amplifier, stereo sound system, mixing console or tape recorder. Use the optional Yamaha connecting cord to connect the HEADPHONES/AUX. OUT jack to your sound system. Caution: 1. [. . . ] Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. [. . . ]

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