User manual YAMAHA PROMIX 01

[. . . ] User's Guide Manuel de référence Bedienungsanleitung Manual de uso 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L ST IN R L 2TR IN R PAD 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB CUE/ 2TR IN ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 GAIN 1 GAIN 2 GAIN 3 GAIN 4 GAIN 5 GAIN 6 GAIN 7 GAIN 8 GAIN 9 GAIN 10 GAIN 11 GAIN 12 GAIN 13 GAIN 14 GAIN 15 GAIN 16 0 10 LEVEL 0 10 LEVEL MONITOR OUT PHONES PARAMETER SCENE MEMORY INC + STORE UTILITY MIDI ENTER RECALL DEC ­ GROUP PAIR FUNCTION METER PAN/ø COMP CUE MEMORY SEND 3 SEND 1 2 3 4 SEL CH SEND 4 RTN RTN 1 2 CLIP 15 12 9 6 3 0 ­6 ­12 ­18 ­24 ­40 EQ-LOW MID HIGH LIBRARY L R 1 SEL 2 SEL 3 SEL 4 SEL 5 SEL 6 SEL 7 SEL 8 SEL 9 SEL 10 SEL 11 SEL 12 SEL 13 SEL 14 SEL 15 SEL 16 SEL ST IN SEL RTN/ SEND SEL ST OUT SEL ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST IN RTN/ SEND ST OUT FCC INFORMATION (U. S. A. ) 1. This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. [. . . ] Compression ratios commonly used for vocals, piano, and bass range from 2:1 to 6:1. A stereo mix maybe compressed 2:1 to add punch and provide a more consistent volume level. Attack (0­120ms) This determines how soon the signal is compressed once the compressor has been triggered. With a slow attack time, however, the initial transient of a sound passes through unaffected. Release (0. 1­6. 0s) -- This determines how soon the compressor returns to its normal gain once the trigger signal level drops below the threshold. If the release time is too short, the gain will recover too quickly causing level pumping (i. e. If it is set too long, the compressor may not have time to recover before the next high level signal appears, and it will be compressed incorrectly. Out Gain (­18. . . +18dB) -- This sets the compressor's output signal level. Out Gain can be used to counter this level reduction and set an appropriate level for the next stage in the audio path. Limiter dB +20 +10 0 -10 Output level -20 -30 -40 -50 -60 -70 dB -70 -60 -50 -40 -30 -20 -10 0 +10+20 Input level Threshold = -20dB Compression ratio = 10:1 A limiter is essentially a compressor with a high ratio setting. Compression ratios above 10:1 are considered to limit signals rather than compress them. When an input signal exceeds the specified threshold level, its level is automatically reduced to the threshold level. This means that the limiter's output level never actually exceeds the threshold level. Limiters are often used to prevent signals from overloading amplifiers and tape recorders. A limiter with a relatively high threshold, for example, could be patched into the stereo outputs to prevent amplifier and speaker overload. Limiter parameters are the same as those for the compressor. ProMix 01 User's Guide 70 Chapter 8: Dynamics Processors Gate A gate, or noise gate is essentially an audio switch used to mute signals below a set threshold level. It can be used to cut background noise picked up by open microphones, noise and hiss from guitar valve amps and effects pedals, and leakage between drum microphones. For example, gating a drum sound with a short decay time tightens up the sound. Also, patching a gate into a droning bass synth channel and then triggering it from the kick drum channel allows the bass synth through only when the kick drum is struck, adding extra wallop on the beat. dB +20 +10 0 -10 Output level -20 -30 -40 -50 -60 -70 dB -70 -60 -50 -40 -30 -20 -10 0 +10+20 Input level Range = -80dB Range = -30dB Threshold = -10dB Gate parameters are: Threshold (­50. . . +10dB) -- This determines the level at which the gate closes, cutting off the signal. Attack (0­120ms) -- This determines how fast the gate opens when the signal exceeds the threshold level. Slow attack times can be used to remove the initial transient edge of percussive sounds. Hold (3­341ms) -- This determines how long the gate stays open once the trigger signal has fallen below the threshold level. Decay (85ms­10. 9s) -- This determines how fast the gate closes once the hold time has expired. [. . . ] 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01000101 0xxxxxxx 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 45 mm F7 System Exclusive Message Manufacturer's ID No. (YAMAHA) n=0-15(Rx Channel No. ) Universal Bulk Dump `L' `M' `` `` `8' `A' `4' `1' `E' "mm=1(00h)-10(09h). . . Effect User Memory No. , " End Of Exclusive DATA NAME MEMORY NO. EOX 5-19 Compressor User Memory Bulk Request Data Format STATUS ID No. 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01001111 0xxxxxxx 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 4F mm F7 System Exclusive Message Manufacturer's ID No. [. . . ]