User manual YAMAHA MW12CX

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YAMAHA MW12CX : Download the complete user guide (1642 Ko)

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Manual abstract: user guide YAMAHA MW12CX

Detailed instructions for use are in the User's Guide.

[. . . ] Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones EN DE FR ES Español Français Deutsch English IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. * This applies only to products distributed by Yamaha-Kemble Music (U. K. ) Ltd. [. . . ] To achieve the best balance between S/N ratio and dynamic range, adjust the level so that the PEAK indicator 9 lights only occasionally and briefly on the highest input transients. The -34 to +10 scale is the LINE input adjustment range. B AUX PRE Switch Selects whether the pre-fader or the post-fader signal is fed to the AUX (AUX1) bus. If the switch is on ( ), the mixer sends the pre-fader signal (the signal immediately prior to the Channel fader I) to the AUX (AUX1) bus, so that AUX (AUX1) output is not affected by the fader. If the switch is off ( ) the mixer sends the post-fader signal to the AUX (AUX1) bus. 7 Switch (High Pass Filter) This switch toggles the HPF on or off. The HPF cuts frequencies below 80 Hz (the HPF does not apply to the line inputs of stereo input channels 3). C EFFECT (AUX2) Controls Adjusts the level of the signal sent from the channel to the EFFECT (AUX2) bus. Note that the signal level sent to the bus is also affected by the Channel fader I. On stereo channels (5/6, 7/8, 9/10, or 11/12), the signals from the L (odd) and R (even) channels are mixed and then sent to the EFFECT (AUX2) bus. 8 COMP Control Adjusts the amount of compression applied to the channel. As the knob is turned to the right the compression ratio increases while the output gain is automatically adjusted accordingly. The result is smoother, more even dynamics because louder signals are attenuated while the overall level is boosted. NOTE D PAN Control (1 to 4) PAN/BAL Control (5/6 and 7/8) BAL Control (9/10 and 11/12) The PAN control determines the stereo positioning of the channel signal on the REC L and R buses or on the Stereo L and R buses. The BAL control knob sets the balance between left and right channels. Signals input to the L input (odd channel) go to the REC L bus or to the Stereo L bus; signals input to the R input (even channel) go to the REC R bus or the Stereo R bus. NOTE Avoid setting the compression too high, as the higher average output level that results may lead to feedback. 9 PEAK Indicator The peak level of the post-EQ signal is detected, and the PEAK indicator lights red when the level reaches 3 dB below clipping. For XLR-equipped stereo input channels (5/ 6 and 7/8), both the post-EQ and post-mic-amp peak levels are detected, and the indicator lights red if either of these levels reaches 3 dB below clipping. 0 Equalizer (HIGH, MID, and LOW) This three-band equalizer adjusts the channel's high, mid, and low frequency bands. Setting the knob to the position produces a flat response in the corresponding band. Turning the knob to the right boosts the corresponding frequency band, while turning to the left attenuates the band. The following table shows the EQ type, frequency, and maximum cut/boost for each of the three bands. Band HIGH MID LOW Type Shelving Peaking Shelving Frequency 10 kHz 2. 5 kHz 100 Hz ±15 dB Maximum Cut/Boost On channels where this knob provides both PAN and BAL control (channels 5/6 and 7/8), the knob operates as a PAN control when input is received via the MIC jack or L (MONO) input only, and as a BAL control when input is received via both L and R inputs. E ON Switch Turn this switch on to send the signal to the buses. The switch lights orange when on. F PFL (Pre-Fader Listen) Switch This switch lets you monitor the channel's pre-fader signal. When the switch is on the channel pre-fader I signal is output to the PHONES and MONITOR OUT jacks for monitoring. G REC Switch This switch assigns the channel's signal to the REC L and R buses. NOTE To send the signal to the REC bus engage the ON switch ( ). A AUX (AUX1) Control Adjusts the level of the signal sent from the channel to the AUX (AUX1) bus. On stereo channels, the signals from the L (odd) and R (even) channels are mixed and sent to the AUX (AUX1) bus. NOTE H ST Switch This switch assigns the channel's signal to the Stereo L and R buses. NOTE To send the signal to the Stereo bus engage the ON switch ( ). I Channel Fader Adjusts the level of the channel signal. Use these faders to adjust the balance between the various channels. NOTE To send the signal to the buses set the ON switch to on ( ). Set the fader sliders for unused channels all the way down to minimize noise. MW12CX/MW12C Owner's Manual 17 Reference Front & Rear Panels Master Control Section 1 2TR IN Jacks 2 1 These RCA pin jacks can be used to input a stereo sound source. Use these jacks when you want to connect a CD player directly to the mixer. NOTE 6 · Select where you want to send the signal using the 2TR IN/USB switch E, and adjust the signal level using the 2TR IN/USB control in the Master Control section. · A signals input via both the 2TR IN input and the USB input are mixed. 4 7 2 REC OUT 1 (L, R) Jacks These are RCA pin jacks that can be used to connect to an external stereo recorder. The signal processed by the REC OUT fader is output via these jacks. 5 3 8 3 REC OUT 2 (L, R) Jacks These are impedance-balanced TRS phone jacks that can be used to connect to an external stereo recorder. [. . . ] 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 ASIA THE PEOPLE'S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co. , Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 U. S. A. Yamaha Corporation of America 6600 Orangethorpe Ave. , Buena Park, Calif. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 INDIA Yamaha Music India Pvt. [. . . ]

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