User manual YAMAHA MOTIF-RACK ES

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Manual abstract: user guide YAMAHA MOTIF-RACK ES

Detailed instructions for use are in the User's Guide.

[. . . ] OWNER'S MANUAL TONE GENERATOR EN SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. [. . . ] Refer to the setting example on 78. Settings: BP (Break Point) 1-4: C-2 ~ G8 Settings: Ofset (Offset)1-4: -128 ~ 0 ~ +127 Voice mode Performance mode Multi mode Effect Arpeggio Utility Reference HPF Cutoff Determines the central frequency for the "HPF FlwSns" parameter below. When one of the filter types "LPF12" or "LPF6" is selected, this parameter is available. Settings: 0 ~ 255 HPF FlwSns (HP Flw) HPF Cutoff Key Follow Sensitivity Sets the Key Follow for the frequency of the "HPF Cutoff" parameter. This parameter varies the center frequency according to the note numbers. A positive setting will raise the center frequency for higher notes and lower it for lower notes. When a filter type "LPF12" or "LPF6" is selected, this parameter is available. Settings: -200 ~ 0 ~ +200 FEG (Filter Envelope Generator) HoldTime (HoldTm) AttackTime (AtkTm) Decay1/2Time (Dcy1/2Tm) ReleaseTime (RelTm) HoldLvl (HoldLv) AttackLvl (AtkLv) Decay1/2Lvl (Dcy1/2Lv) ReleaseLvl (RelLv) Depth FEG Hold Time FEG Attack Time FEG Decay Time FEG Release Time FEG Hold Level FEG Attack Level FEG Decay Level FEG Release Level FEG Depth Determines the velocity sensitivity of the FEG's Time parameters. First select the "Segmnt" (Segment), then set its "TmVel" parameter. Positive "TmVel" parameter settings will play back the specified Segment parameter faster in proportion to the played velocity. A negative setting will have the opposite effect. Settings: TmVel: -64 ~ 0 ~ +63 Settings: Segmnt: atk, atk+dcy, dcy, atk+rls, all atk (attack) . . . . . . . . . . . . . . . . . . . . . . . . . . . . "TmVel" affects all FEG Time parameters. Makes all the time and level settings for the Filter EG, which determine how the tonal quality of the sound changes over time. These can be used to control the change in Cutoff Frequency from the moment a Note On message is received to the moment the sound stops. Settings: HoldTm, AtkTm, Dcy1Tm, Dcy2Tm, RelTm: 0 ~ 127 HoldLv, AtkLv, Dcy1Lv, Dcy2Lv, RelLv: -128 ~ 0 ~ +127 Depth -64 ~ 0 ~ +63 n For more information on the FEG, see page 56. EGTmVelSns (TmVel) FEG Time Velocity Sensitivity SgmntVelSns (Segmnt) FEG Time Velocity Sensitivity Segment EGLvVelSns (LvlVel) CurvVelSns (CrvVel) FEG Velocity Level Sensitivity FEG Velocity Sensitivity Curve Determines the velocity sensitivity of the FEG Level. Positive settings will cause the level to rise the harder you play the note, and negative values will cause it to fall. The "CrvVel" parameter lets you select from five different preset velocity curves (graphically indicated in the display), that determine how velocity affects the "LvlVel. " Settings: LvlVel: -64 ~ 0 ~ +63 Settings: CrvVel: 0 ~ 4 70 Owner's Manual Voice mode Voice Edit (for Normal Voice) FlwEGTmSns (FlwSns) FEG Time Key Follow Sensitivity Determines the degree to which the notes (specifically, their position or octave range) affect the Filter EG times of the selected Element. The basic speed of change for the FEG is at the note specified in the "CntrKy" (Center Key; see next parameter below). A positive setting will cause the amplitude of lower notes to change slower and that of higher notes to change faster. A negative setting will have the opposite effect. Settings: -64 ~ 0 ~ +63 FlwCntrKey (CntrKy) FEG Time Key Follow Sensitivity Center Key Determines the central note for the "FlwSns" parameter above. When the Center Key note is played, the FEG behaves according to its actual settings. The Filter change characteristics for other notes will vary in proportion to the "TmVel" parameter settings. Settings: C -2 ~ G8 n For details on the relationship between the EG Time Key Follow Sensitivity and the Center Key, see page 69. AMP (Amplitude) Level Pan Level Pan Determines the output level for the selected Element. Settings: 0 ~ 127 Determines the stereo Pan position for the selected Element. This will also be used as the basic Pan position for the Alternate, Random and Scale settings. Settings: L63 (far left) ~ C (center) ~ R63 (far right) AltnatePan (AltPan) Alternate Pan Determines the amount by which the sound is panned alternately left and right for each received Note On message. The Pan setting is used as the basic Pan position. Settings: L64 ~ -0 ~ R63 RandomPan (RdmPan) ScalingPan (SclPan) Random Pan Determines the amount by which the sound of the selected Drum key is panned randomly left and right for each received Note On message. The Pan setting (above) is used as the Center Pan position. Settings: 0 ~ 127 Scaling Pan Determines the amount by which the sound is panned alternately left and right for the Note Number of each Note On message. At note C3, the main Pan setting (above) is used for the basic Pan position. Settings: -64 ~ 0 ~ +63 LvlFlwSns (FlwSns) Level Key Follow Sensitivity Determines the degree to which the notes (specifically, their position or octave range) affect the volume of the selected Element. A positive setting will lower the level for lower notes and raise it for higher notes. [. . . ] 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 INDONESIA PT. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S. A. 09300, México, D. F. , México Tel: 55-5804-0600 SPAIN/PORTUGAL Yamaha-Hazen Música, S. A. [. . . ]

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