User manual YAMAHA MOBILE MUSIC SEQUENCER

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Manual abstract: user guide YAMAHA MOBILE MUSIC SEQUENCER

Detailed instructions for use are in the User's Guide.

[. . . ] Mobile Music Sequencer Owner’s Manual • Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use. • The software and this owner’s manual are exclusive copyrights of Yamaha Corporation. • Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. • Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. [. . . ] Tap to randomize the voice selection. Part Voice Editor Voice categories Voices in the selected category 1 Tap to display a list of categories and voices for the assigned instrument. When you select one of the listed voices, Mobile Music Sequencer will send the corresponding program change message to the connected instrument. , [SYSTEM], [MIDI PORT], and then [HARDWARE] to assign an instrument to this Mobile Music Sequencer Owner’s Manual 16 Editing Songs When lit, you can tap these buttons to undo or redo your last edit. Tap to open the Keyboard screen and record directly into the selected block. ADDITIONAL: All tapped blocks will be selected. Block (of song data) Tap the blocks that you wish to edit. This menu is displayed whenever one or more blocks have been selected. Double-tap a block to bring up the edit menu. Tap to edit the selected blocks on the Piano Roll Editor. Tap in order to touch and slide the selected blocks up or down to different parts. Tap to split the selected blocks. Slide the line left or right to the desired split point. Tap in order to touch and slide the selected blocks to different playback positions within their current parts. Mobile Music Sequencer Owner’s Manual 17 Mixing & Adjusting Effects Mixing Tap [MIXER] to open the Mixer screen. Mixer screen Effects screen Adjusting effects Tap [EFFECT] to open the Effects screen. Here, you can configure a variation effect, the reverb, and the chorus. Tap these buttons to display the Effect Connection Layout, the Variation Effect Editor, the Chorus Editor, or the Reverb Editor. Mobile Music Sequencer Owner’s Manual 18 Settings Song and phrase settings Tap TEMPO App settings Tap to display the setting screen. Tap once again to close the screen. This sets the playback tempo for the song and phrases. Use to set the quantization unit to be applied when moving blocks within the Song Area. For example, if you set Song Snap Grid to ♪, the blocks will be quantized to eighth note positions. Use to specify whether the Phrase Viewer or Song Editor is to open when a file is loaded. For example, if you set 3/4, each measure will have three beats. SONG LENGTH SONG SNAP GRID DEFAULT VIEW TIME SIGNATURE Tap [FILE] to open the File screen and manage your files. The screen contains a list of all of the files that you can work with, and this can be toggled between [PRESET] and [USER]. The User list contains the project files that you have created. NEW LOAD SAVE EXPORT Tap to create a new Mobile Music Sequencer project. When you do so, Mobile Music Sequencer will display a window allowing you to select a synthesizer. Program change messages optimized for the selected synthesizer will be added to the export file. NOTE RENAME DELETE MIXDOWN Exported files will not be displayed in the file lists. Tap to bring up the keyboard and rename the selected file. Tap to display a [MIXDOWN] button and recording timer in the Chord Indicator area. Tap to start recording Mobile Music Sequencer’s output in audio format. Tap once again to stop recording. Recording time AUDIO LIBRARY You can record for up to 30 minutes. Here, you can manage the audio files that you have recorded using Mobile Music Sequencer and upload them to SoundCloud. Mobile Music Sequencer Owner’s Manual 19 AUDIO LIBRARY & 1 2 3 4 5 6 6 Sound data list displaying available data files for selection. [. . . ] For the purposes of this License, Derivative Works shall not include works that remain separable from, or merely link (or bind by name) to the interfaces of, the Work and Derivative Works thereof. “Contribution” shall mean any work of authorship, including the original version of the Work and any modifications or additions to that Work or Derivative Works thereof, that is intentionally submitted to Licensor for inclusion in the Work by the copyright owner or by an individual or Legal Entity authorized to submit on behalf of the copyright owner. For the purposes of this definition, “submitted” means any form of electronic, verbal, or written communication sent to the Licensor or its representatives, including but not limited to communication on electronic mailing lists, source code control systems, and issue tracking systems that are managed by, or on behalf of, the Licensor for the purpose of discussing and improving the Work, but excluding communication that is conspicuously marked or otherwise designated in writing by the copyright owner as “Not a Contribution. ” “Contributor” shall mean Licensor and any individual or Legal Entity on behalf of whom a Contribution has been received by Licensor and subsequently incorporated within the Work. Subject to the terms and conditions of this License, each Contributor hereby grants to You a perpetual, worldwide, non-exclusive, no-charge, royalty-free, irrevocable copyright license to reproduce, prepare Derivative Works of, publicly display, publicly perform, sublicense, and distribute the Work and such Derivative Works in Source or Object form. [. . . ]

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