User manual YAMAHA MG24 14FX

[. . . ] MIXING CONSOLE Owner's Manual MG32/14 FX MG24/14 FX E Important Notice ­ connecting a lamp ­ Please read carefully before connecting a lamp to the LAMP Jack. (page 18) · Do not use a lamp that grounds Pin 2 or Pin 3 to the shell (body). Correct lamp type Shell 1 1 3 2 Wrong lamp type 2 3 1 3 2 · Do not inadvertently connect a talkback microphone to the LAMP jack. Pin 1 is not connected. E Wichtiger Hinweis ­ eine Leuchte anschließen ­ Bitte lesen Sie diesen Abschnitt sorgfältig, bevor Sie die Leuchte an der Buchse LAMP anschließen. [. . . ] The upper PRE switch controls the signal to AUX1 and AUX2; the lower switch controls the signal to AUX3 and AUX4. If the switch is on ( ), the mixer feeds the pre-fader signal to the corresponding buses. If off ( ), the mixer feeds the post-fader signal. NOTE There is no PRE switch for AUX5 and AUX6. For these buses only the post-fader signal is available. B PEAK indicator 7 EFFECT Controls These knobs adjust the channel's signal levels into EFFECT buses 1 and 2. Since the signal to the EFFECT buses is post-fader, the level is always determined by the combination of the EFFECT control and the channel fader. On stereo channels, the L (odd) and R (even) input signals are mixed before moving into the EFFECT bus. NOTE These knobs operate as EFFECT controls only if the AUX5/AUX6 switch is in off position ( ). If the switch is on, these knobs adjust the output to the AUX5 and AUX6 buses. (See 8 below. ) Lights up when the channel's post-equalizer signal level comes within 3 dB of the clipping level. C SIGNAL indicator Lights up when a signal is being input into the channel. D GROUP Switches Use these switches to feed the channel's signal to the GROUP 1-2 and/or GROUP 3-4 buses. Setting the switch on ( ) causes the signal to feed into the corresponding GROUP buses. NOTE These switches allow you to independently assign the signal to groups regardless of the setting of the ST switch (E). 8 AUX5, AUX6 Switch Selects whether the channel signal is sent to AUX buses 5 and 6 or EFFECT buses l and 2. If the switch is on ( ), the signal goes to AUX5 and 6 buses; if off ( ), the signal goes to the EFFECT buses. Note that the signal to these buses is always post-fader. E ST Switch Set this switch on ( bus. ) to feed the channel's signal to the ST F Channel Fader Adjusts the output level of the channel's signal. Use these faders to adjust the volume balance among the various channels. NOTE To reduce noise, set the fader sliders for unused channels all the way down. 9 PAN Control (Monaural Channels) BAL Control (Stereo Channels) The PAN control adjusts the signal's pan positioning into the Group 1-2 bus pair, into the Group 3-4 bus pair, and into the Stereo bus's L and R lines. The BAL control knob sets the balance between left and right channels. Signals into the L input (odd channel) feed to the Group 1 and Group 3 buses and to the L line of the Stereo bus. Signals into the R input (even channel) feed to the Group 2 and Group 4 buses and to the R line of the Stereo bus. NOTE If you are inputting to a stereo channel through the L (MONO) jack only, the BAL knob operates as a PAN knob. MG32/14FX, MG24/14FX 11 Front & Rear Panels G PHANTOM +48 V Switch Toggles phantom power on or off to a set of eight adjacent channels. The MG32/14FX has three of these switches: for CHs 1 to 8, for CHs 9 to 16, and for CHs 17 to 24. If using condenser microphones, set the switch on ( ) for all channels to which these microphones are connected. NOTE If this switch is on ( ), the mixer supplies DC +48 V power to pins 2 and 3 of all XLR-type jacks in the corresponding channels. · Be sure to leave these switches off ( ) if you do not need phantom power. Humming or damage may result if you connect to an unbalanced device or to an ungrounded transformer while this switch is on ( ). But note that the switch may be left on without problem when connecting to balanced dynamic microphones. · To avoid damage to speakers, be sure to turn off amplifiers (or powered speakers) before turning these switches on or off. Monaural channels Stereo channels 12 MG32/14FX, MG24/14FX Front & Rear Panels Master Control Block I STEREO/MONO Section You use this section to independently adjust the levels of the outputs from the ST bus. [. . . ] Delay time Room size Pitch Depth Drive 0­800 ms 0. 1­10. 0 ­12­+12 0­100% 0­100 Modulation frequency 0. 05­4. 00 Hz Modulation frequency 0. 05­10. 00 Hz An effect that adds modulation to the sound. · EFFECT 2 0 A B C D E F EARLY REF. GATE REVERB VOCAL DOUBLER SYMPHONIC FLANGE DISTORTION TAP DELAY An effect produced by modifying the early reflections. This effect sets the delay time to the interval at which you actually press the switch. Room size Room size Pitch fine Depth 0. 1­10. 0 0. 1­5. 0 0­50 0­100% Modulation frequency 0. 05­4. 00 Hz Drive Feedback gain Delay time 0­100 0­99% 100 ms (600 bpm) ­2690 ms (22. 3 bpm)* * The LED can not blink any faster than an interval of 256 ms (234. 3 bpm). 24 MG32/14FX, MG24/14FX Appendix Dimensional Diagrams I MG32/14FX 101 765 98. 5 1027 140 Unit: mm I MG24/14FX 101 557 98. 5 819 140 Unit: mm MG32/14FX, MG24/14FX 415 551 48 415 551 48 25 Appendix Block and Level Diagram 26 MG32/14FX, MG24/14FX Appendix MG32/14FX, MG24/14FX 27 For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. [. . . ]