User manual YAMAHA EMX2000

[. . . ] Owner's Manual INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L B OUTPUT 11 L B FOOT SW L TAPE L REC ­10dBV R L (MONO) L R ST 1 +4dB 10 R B 12 R B R L (MONO) L R ST 2 +4dB MONI 2 +4dB LINE LINE LINE LINE LINE LINE LINE LINE 9L (MONO) A 11 L (MONO) A MONI 1 MONO +4dB INS I/O INS I/O INS I/O INS I/O 0dB INSERT I/O 10 R A 12 R A 1 2 3 4 5 OUT IN 6 7 8 9/10 11/12 R ST SUB 1 +4dB R ST SUB 2 +4dB L BRIDGE R PAMP IN EFFECT +4dB PHONES/ C-R OUT (+4dB) +4dB EEEngine A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN A B GAIN MONI 1 ST TAPE IN L POWER AMP R LIMITER PEAK +8 +5 +4 +3 +1 POWER LEVEL +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­16 ­16 ­16 ­16 ­16 ­16 ­16 ­16 ­60 ­60 ­60 ­60 ­60 ­60 ­60 ­60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH ­34 +10 PEAK HIGH ­34 0 MONI 2 PFL ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ST 0 10 MONI 1 MONI 2 10 0 10 +18 +4 L/BRIDGE ST L MONI 1 +18 PHANTOM (+48V) ON OFF PHONES/C. R. OUT ST R MONO 0 ­1 ­3 ­5 ­7 ­10 ­15 ­20 MONO BRIDGE ST ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 0 10 0 10 0 10 0 10 L 0 ST 2 R 10 PFL ON DIGITAL EFFECT ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ST SUB 1 MONI 1 5 4 3 6 789 10 11 12 13 14 PROGRAM 1 VOCAL ECHO 1 2 VOCAL ECHO 2 3 VOCAL ECHO 3 4 VOCAL ECHO 4 MIN MAX ST1 5 VOCAL REVERB 1 9 HALL 1 6 VOCAL REVERB 2 10 HALL 2 7 VOCAL REVERB 3 11 HALL 3 8 VOCAL REVERB 4 12 ROOM 0 13 PLATE 1 14 PLATE 2 15 PLATE 3 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 2 1 16 15 16 GATE REVERB 125 250 500 1k 2k 4k 8k +12 6 0 6 ­12 ON 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 ST 0 10 +12 6 0 0 PAN 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 BAL 0 10 BAL 0 10 0 10 6 ­12 PFL GRAPHIC EQUALIZER L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 1 2 3 4 5 6 7 8 9/10 11/12 MONI 1 MONI 2 EFFECT ST 1 MONO E FCC INFORMATION (U. S. A. ) 1. This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. [. . . ] Avoid such a situation. EMX2000--Owner's Manual 8 U LEVEL controls These knobs enable you to adjust the level of the signals input from the mixer section to the power amp section. If an external piece of equipment is connected to the P. AMP IN jacks (input/output panel 6), these knobs adjust the input sensitivity of the power amp (the input level that will provide the maximum output level in the power amp section). The sensitivity range is +18 dB~+4 dB, and rotating the knobs clockwise raises the input sensitivity. Note: If the Power amp select switch V is set to MONO BRIDGE, only the L/BRIDGE LEVEL control becomes effective. s Other indicators and controls PEAK +8 +5 +3 +1 X POWER PHANTOM (+48V) ON OFF PHONES/C. R. OUT W 0 ­1 ­3 ­5 ­7 ­10 ­15 ­20 L R Y Z 0 ST 2 10 ST1 [ 0 10 W Peak level indicator This indicator allows you to monitor the level of the signal output from the ST 1 jacks. The "0" indicator lights up when the ouput level reaches +4 dB. X POWER indicator This indicator will light up when the power of the EMX2000 is turned on. V Power amp select switch Select one of the following three settings to specify the signals to be routed to the corresponding jacks according to the speaker connection at the SPEAKER jacks 1 on the rear panel. · ST L-ST R The STEREO bus signals are output from the SPEAKERS L 1/2 jacks and the SPEAKERS R 1/2 jacks. The final level of these signals is adjusted by the master ST 1 fader. · MONI 1-MONO The MONITOR 1 bus signals are output from the SPEAKERS L 1/2 jacks, and a monaural signal that is a mix of the STEREO bus signals is output from the SPEAKERS R 1/2 jacks. The final level of these signals is adjusted by the master MONI 1 fader and the MONO fader. · MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the BRIDGE jack. Set the switch to this position when you connect only one speaker to play a loud sound. Y PHANTOM (+48V) switch and indicator This switch turns the phantom power supply on/ off for the MIC input jacks for channels 1~8. When this switch is on, the indicator lights up. Z PHONES/C. R. OUT (headphones/control room out) control This knob adjusts the level of the signal monitored via the PHONES/C-R OUT jack (input/ output panel B). [ ST 2 (stereo 2) control This knob adjusts the final level of the signal sent from the STEREO bus to the ST 2 jacks (input/ output panel 8). Note: The setting of this control does not affect signals that are sent from the STEREO bus to the ST 1 jacks and the SPEAKERS jacks. EMX2000--Owner's Manual 9 Input/output panel 57 INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L B 8C FOOT SW OUTPUT 11 L B L TAPE L REC ­10dBV R L (MONO) L R ST 1 +4dB 1 LINE LINE LINE LINE LINE LINE LINE LINE INS I/O INS I/O INS I/O INS I/O 0dB INSERT I/O 10 R B 12 R B R L (MONO) L R ST 2 +4dB MONI 2 +4dB 0 MONO +4dB 9L (MONO) A 11 L (MONO) A MONI 1 A 10 R A 12 R A R ST SUB 1 +4dB R ST SUB 2 +4dB L BRIDGE R PAMP IN EFFECT +4dB PHONES/ C-R OUT (+4dB) 1 2 3 4 5 OUT IN 6 7 8 9/10 11/12 +4dB 2 1 Channel input jacks (MIC, LINE) 1~8 These are the input jacks for channels 1~8. By using the GAIN control (control panel 1) you can connect any of the jacks to a wide range of sources, from mics to line-level devices (including synthesizers and rhythm machines). The MIC jacks can provide +48V phantom power, allowing you to use condenser microphones. They are compatible with microphones of output impedance 50~600 or line level devices of 600. The nominal input level is ­34 dB~+10 dB for the LINE jacks, and ­60 dB~­16 dB for the MIC jacks. Pin connections for the MIC and LINE jacks are as follows: MIC jacks (XLR type) LINE jacks (TRS phone jacks) * 3 4 6 9B Note: It is not possible to simultaneously use both the MIC and LINE inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source. For this reason, devices (in particular, unbalanced devices) other than condenser microphones must be connected to the LINE jacks of channels 1~8 or channel 9/10~11/12 input jacks if the PHANTOM +48V switch (control panel Y) is on. 2 INS I/O (insert) jacks 1~4 These are TRS phone jacks that enable you to insert an external effect processor, such as a compressor/limiter, between the equalizer and fader of input channels 1~4. These connections require a special "Y" cable, such as shown in the following diagram. The nominal input/output levels are 0 dB. to the input jack of the external processor to the INS I/O jack Sleeve Tip Pin 1: ground Pin 2: hot (+) Pin 3: cold (­) Sleeve: ground Tip: hot (+) RIng: cold (­) * You can also connect a normal unbalanced phone plug. S RT Sleeve Ring Tip + - GND GND - + to the output jack of the external processor EMX2000--Owner's Manual 10 3 Channel input jacks 9~12A Channel input jacks 9~12B These are the input jacks for channels 9/10~11/12 and are used to connect to the stereo output jacks of electronic instruments, cassette decks, or CD players. [. . . ] However in this case, make sure that the EFFECT controls are turned all the way down for the channels into which the effect sound is being input. If the EFFECT controls are raised, feedback will occur, and your speakers may be damaged. D. I. * * Direct box, effect unit, D. I. * pre-amp, etc. INPUT OUTPUT MIC MIC MIC MIC 9L B FOOT SW MIC MIC MIC MIC 11 L B L TAPE L L R ST 1 +4dB 10 R B 12 R B R L (MONO) L R L (MONO) MONI 1 R ST 2 +4dB MONI 2 +4dB LINE LINE LINE LINE LINE LINE LINE LINE 9L (MONO) A 11 L (MONO) A MONO +4dB 88 EFFECT +4dB PHONES/ C-R OUT (+4dB) INS I/O INS I/O INS I/O INS I/O 0dB INSERT I/O 10 R A 12 R A R ST SUB 1 +4dB R ST SUB 2 +4dB L BRIDGE R PAMP IN 1 2 3 4 5 OUT IN 6 7 8 9/10 11/12 +4dB EEEngine Effect processor A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN A B GAIN MONI 1 ST TAPE IN L POWER AMP R LIMITER PEAK +8 +5 +4 +3 +1 POWER LEVEL +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­16 ­16 ­16 ­16 ­16 ­16 ­16 ­16 ­60 ­60 ­60 ­60 ­60 ­60 ­60 ­60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH ­34 +10 PEAK HIGH ­34 0 MONI 2 PFL ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ST 0 10 MONI 1 MONI 2 10 0 10 +18 +4 L/BRIDGE ST L MONI 1 +18 PHANTOM (+48V) ON OFF PHONES/C. R. OUT ST L MONI 1 ST R MONO ST R MONO 0 ­1 ­3 ­5 ­7 ­10 ­15 ­20 MONO BRIDGE ST MONO BRIDGE ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 0 10 0 10 0 10 0 10 L 0 ST 2 R 10 PFL ON DIGITAL EFFECT ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ST SUB 1 MONI 1 5 4 3 6 789 10 11 12 13 14 PROGRAM 1 VOCAL ECHO 1 2 VOCAL ECHO 2 3 VOCAL ECHO 3 4 VOCAL ECHO 4 MIN MAX ST1 5 VOCAL REVERB 1 9 HALL 1 6 VOCAL REVERB 2 10 HALL 2 7 VOCAL REVERB 3 11 HALL 3 8 VOCAL REVERB 4 12 ROOM 0 13 PLATE 1 14 PLATE 2 15 PLATE 3 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 2 1 16 15 16 GATE REVERB 125 250 500 1k 2k 4k 8k +12 6 0 6 ­12 ON 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 ST 0 10 +12 6 0 0 PAN 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 BAL 0 10 BAL 0 10 0 10 6 ­12 PFL GRAPHIC EQUALIZER L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 1 2 3 4 5 6 7 8 9/10 11/12 MONI 1 MONI 2 EFFECT ST 1 MONO L1 L2 SPEAKERS jacks R1 R2 Monitor speakers Main speakers EMX2000--Owner's Manual 15 As a conference/entertainment hall sound system Here is an example of using the EMX2000 as a conference or entertainment hall sound system. Cassette recorder (for paly back) Cassette recorder (for recording) Microphone CD player Effect processor 88 INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L B OUTPUT 11 L B FOOT SW L TAPE L L R ST 1 +4dB 10 R B 12 R B R L (MONO) L R L (MONO) MONI 1 R ST 2 +4dB MONI 2 +4dB LINE LINE LINE LINE LINE LINE LINE LINE 9L (MONO) A 11 L (MONO) A MONO +4dB INS I/O INS I/O INS I/O INS I/O 0dB INSERT I/O 10 R A 12 R A 1 2 3 4 5 OUT IN 6 7 8 9/10 11/12 R ST SUB 1 +4dB R ST SUB 2 +4dB L BRIDGE R PAMP IN EFFECT +4dB PHONES/ C-R OUT (+4dB) +4dB EEEngine A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN A B GAIN MONI 1 ST TAPE IN L POWER AMP R LIMITER PEAK +8 +5 +4 +3 +1 POWER LEVEL +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­34 +10 ­16 ­16 ­16 ­16 ­16 ­16 ­16 ­16 ­60 ­60 ­60 ­60 ­60 ­60 ­60 ­60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH ­34 +10 PEAK HIGH ­34 0 MONI 2 PFL ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ­15 MID +15 ST 0 10 MONI 1 MONI 2 10 0 10 +18 +4 L/BRIDGE ST L MONI 1 +18 PHANTOM (+48V) ON OFF PHONES/C. R. OUT ST L MONI 1 ST R MONO ST R MONO 0 ­1 ­3 ­5 ­7 ­10 ­15 ­20 MONO BRIDGE ST MONO BRIDGE ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 ­15 LOW +15 0 10 0 10 0 10 0 10 L 0 ST 2 R 10 PFL ON DIGITAL EFFECT ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ­15 MONI 1 +15 ST SUB 1 MONI 1 5 4 3 6 789 10 11 12 13 14 PROGRAM 1 VOCAL ECHO 1 2 VOCAL ECHO 2 3 VOCAL ECHO 3 4 VOCAL ECHO 4 MIN MAX ST1 5 VOCAL REVERB 1 9 HALL 1 6 VOCAL REVERB 2 10 HALL 2 7 VOCAL REVERB 3 11 HALL 3 8 VOCAL REVERB 4 12 ROOM 0 13 PLATE 1 14 PLATE 2 15 PLATE 3 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 0 MONI 2 10 2 1 16 15 16 GATE REVERB 125 250 500 1k 2k 4k 8k +12 6 0 6 ­12 ON 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 ST 0 10 +12 6 0 0 PAN 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 PAN 0 10 BAL 0 10 BAL 0 10 0 10 6 ­12 PFL GRAPHIC EQUALIZER L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 5 10 15 20 25 30 40 50 1 2 3 4 5 6 7 8 9/10 11/12 MONI 1 MONI 2 EFFECT ST 1 MONO L2 L1 SPEAKERS jacks R1 R2 Main speakers s Connections · Connect mics to channel inputs 1~8. · A CD player/LD player/cassette deck can also be connected to the input jacks of channels 9/10 and 11/12. · To record a meeting or a party, connect the REC jacks of the EMX2000 to the input jack of a recording cassette deck, and to monitor the recording on the EMX2000, connect the TAPE jacks of the EMX2000 to the output of the recording cassette deck. [. . . ]