Detailed instructions for use are in the User's Guide.
[. . . ] O w n e r 's M a n u a l
EN
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. Please observe all cautions indicated on this page and those indicated in the safety instruction section. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. [. . . ] This parameter is used to adjust the central frequency of Peak1 (i. e. , Peaking Filter 1). This parameter is used to adjust the volume of Peak1 (i. e. , Peaking Filter 1).
Reference
CF 2Band, S6 2Band
CF 2Band, S6 2Band
This parameter is used to adjust the central frequency of Peak2 (i. e. , Peaking Filter 2). This parameter is used to adjust the volume of Peak2 (i. e. , Peaking Filter 2).
CF 2Band, S6 2Band
71Rd I, 73Rd I, 75Rd I, 78Rd II
This parameter is used to adjust the speed of the pre-amplifier vibrato.
T
CF 3Band, S6 3Band, CP80, CP88, 71Rd I, 73Rd I, 75Rd I, 78Rd II, 69Wr, 77Wr All types
This parameter is used to adjust the volume of the high-frequency component.
V
Volume
This parameter is used to adjust the output volume. If set to 100 or greater when 71Rd I, 73Rd I, 75Rd I, 78Rd II, 69Wr, or 77Wr has been set as the part's piano type, drive will also be added to the sound.
NOTE
Output from a pre-amplifier will be muted briefly whenever one of the following tone-control parameters is modified. · CP80 or CP88 pre-amplifier: Bass, Middle, Treble, or Brill · 71Rd I, 73Rd I, or 75Rd I pre-amplifier: Bass · 78Rd II pre-amplifier: Treble · Dyno pre-amplifier: Bass or Overtone
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Modulation Effect
Modulation Effect
In each Modulation Effect block, a modulation-type effect is applied to the piano sound of either Part 1 or Part 2 to modify its spatial characteristics.
Modulation Effect Types
Editing Sequence: Press and hold the [MODULATION EFFECT 1] or [MODULATION EFFECT 2] button (for at least one second) Turn Knob 1 (MdEffect)
The following table identifies and describes the different types of effect that can be selected in each Modulation Effect block. A different type of effect can be applied to the piano sound of each of Part 1 and Part 2.
Effect type
SmallPha (Small Phaser) Max90 Max100
Description
Small Phaser operates like a vintage phaser, applying a unique sweeping effect.
Max90 emulates a vintage phaser, producing a more traditional-sounding effect. Another vintage-type phaser, the Max100 effect can modify the sound in a number of different ways based on its Mode parameter setting. Touch Wah produces a classic filter-sweep effect in response to how hard or soft the keyboard is played.
Flanger TouchWah (Touch Wah) PedalWah (Pedal Wah)
Another classic filter-sweep effect, Pedal Wah is operated using a pedal or another controller. In order to use this effect, it is necessary to specify which controller is to be used, and this can be done by selecting the controller on the fourth page of the Common Settings screen (see page 54) and setting "MdEffect" as its destination. D Chorus produces a chorus effect that is more natural sounding, softer, and wider. The 816Chorus effect reproduces the thick, detuned chorus of the TX816 -- famous for combining eight DX7s in a single rack unit. Symphonic uses multi-stage modulation to produce a wider-sounding chorus.
Chorus D Chorus 816Cho (816Chorus) Sympho (Symphonic)
Reference
46
CP1 Owner's Manual
Modulation Effect
Parameters from the Modulation Effect Block
Editing Sequence: Press and hold the [MODULATION EFFECT 1] or [MODULATION EFFECT 2] button (for at least one second) Turn Knobs 2 to 6
Each type of modulation effect is configured using a different set of parameters, which adjust the sound of the effect in various ways. In the following table, you will find a description of all such parameters in alphabetic order.
NOTE For more details on the specific parameters associated with each different type of modulation effect, see the Modulation Effect block's parameter list in the Data List booklet.
On-screen name (and full name)
B C D Bottom Color Delay Depth
Associated effect types
Touch Wah and Pedal Wah SmallPha Symphonic Flanger, Chorus, 816chorus, and Symphonic SmallPha and Max90 Touch Wah and Pedal Wah
Description
This parameter is used to set the lowest point in the filter's sweep range. This parameter is used to set the degree to which modulation is applied.
Drive
This parameter is used to set the phaser's input level. This parameter is used adjust the degree to which output from the effect is fed back into its input. This parameter is used to adjust the volume of the effect sound.
F
Feedback
Flanger and 816Chorus
M
Manual Mix
Flanger Flanger, Chorus, 816Chorus and Symphonic Max100 Pedal Wah 816Chorus SmallPha Touch Wah and Pedal Wah
Mode P Pedal Control Phase R Rate Reso (Resonance Offset) S Sens. (Sensitivity) Speed
This parameter is used to select the phaser mode. This parameter is used to set the cutoff frequency for the wah filter. This parameter is used to set the resonance offset value.
Touch Wah
This parameter is used to adjust how sensitive the filter-sweep effect is to key velocity. This parameter is used to adjust the modulation speed.
Max90, Max100, Flanger, Chorus, 816Chorus, and Symphonic Touch Wah and Pedal Wah Max90 D Chorus
Reference
T
Top Type
This parameter is used to set the highest point in the filter's sweep range. This parameter is used to select the chorus type.
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Power-Amplifier / Compressor
Power-Amplifier / Compressor
Using a Power-Amplifier / Compressor block, you can adjust the piano sound of Part 1 or Part 2 either using faithful reproductions of electric-piano power amps and speakers, or alternatively, using a compressor.
Power-Amplifier / Compressor Types
Editing Sequence: Press and hold the [POWER AMPLIFIER/COMPRESSOR 1] or [POWER AMPLIFIER/COMPRESSOR 2] button (for at least one second) Turn Knob 1 (PowerAmp)
The following table identifies the different power amplifier / compressor types provided by this block and provides a description of each. A different power amplifier / compressor type can be applied to the sound from the Piano block and Modulation Effect block of each of Part 1 and Part 2.
NOTE If CF 3Band, CF 2Band, S6 3Band, or S6 2Band has been set as a part's piano type, only Clean or Comp376 can be selected in the corresponding Power-Amplifier / Compressor block.
Power amplifier / compressor type
71Rd I (PowerAmp 71Rd I) 73Rd I (PowerAmp 73Rd I) 75Rd I (PowerAmp 75Rd I) 78Rd II (PowerAmp 78Rd II) 69Wr (PowerAmp 69Wr) 77Wr (PowerAmp 77Wr) Clean (Clean Amp) Comp376 (Compressor 376)
Description
PowerAmp 71Rd I adds a warm, vintage-type distortion to the sound. [. . . ] 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 Yamaha Corporation of America 6600 Orangethorpe Ave. , Buena Park, Calif. Tel: 714-522-9011
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ASIA
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Yamaha Music & Electronics (China) Co. , Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 Yamaha Music India Pvt. [. . . ]