User manual YAMAHA A4115H

[. . . ] Information The contents of this manual and the copyrights thereof are under exclusive ownership by Yamaha Corporation. The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. Some functions and parameters in this manual may not be provided in your product. The information in this manual is current as of October 2010. EN Table Of Contents 1 Voice Parameters . [. . . ] For example, setting a Note Limit of C5 - C4 lets you trigger the Arpeggio by playing notes in the two ranges of C-2 to C4 and C5 to G8; notes played between C4 and C5 have no effect on the Arpeggio. Determines the Arpeggio Tempo. Arpeggio Switch Arpeggio Hold Change Timing Arpeggio Velocity Limit Arpeggio Note Limit Arpeggio Tempo 44 Voice Parameters Key Mode Determines how the Arpeggio plays back when playing the keyboard. Sort: When you play specific notes (for example, the notes of a chord), the same sequence plays, no matter what order you play the notes. Thru: When you play specific notes (for example, the notes of a chord), the resulting sequence differs depending on the order of the notes. Direct: Note events of the Arpeggio sequence do not play; only the notes you play on the keyboard are heard. When the Arpeggio plays back, events such as Pan and Brightness are applied to the sound of your keyboard performance. Use this setting when the Arpeggio types include non-note data or when you set the Arpeggio Category to Control. Sort+Direct: The Arpeggio is played back according to the Sort setting, and the notes played are also sounded. Thru+Direct: The Arpeggio is played back according to the Thru setting, and the notes played are also sounded. Original: The Arpeggio plays back at the preset Velocities included in the Arpeggio sequence data. Thru: The Arpeggio plays back according to the Velocity of your playing. Fixed SD/BD (for Drum Voices) Determines whether or not C1 and D1 are fixed as notes for Snare Drum (SD) and Bass Drum (BD) in Arpeggio playback. When this parameter is set to On, C1 will be used as the note of the Snare Drum and D1 will be used as the note of the Bass Drum in Arpeggio playback. Although most Drum Kits assign the Snare Drum sound to C1 and the Bass Drum to D1, certain Drum Kits additionally assign these sounds to other notes and certain Arpeggio Types are created by using those different notes. Accordingly, you may hear improper sounds depending on the selected Arpeggio Type and Drum Kit. Setting this parameter to On may solve such problems. 1-3-6 Controller Set The controllers such as knobs on the front panel can be used to change and adjust a variety of parameters for each Voice--both in real time and simultaneously. For example, keyboard aftertouch can be used to control vibrato and the Modulation Wheel can be used to control tonal brightness. The function settings for all controllers are referred to as a Controller Set, and several Controller Sets can be created for each Voice. The controller is referred to as Source, and the controlled function is referred to as Destination. Source Determines which panel controller is to be assigned and used for the selected Controller Set. You can select any of the available parameters for each controller, such as volume, pitch and LFO depth. Determines the degree to which the Source affects the Destination parameter. For negative values, the controller operation is reversed: maximum controller settings produce minimum parameter changes. [. . . ] Voids the RPN and NRPN settings so no tone generator settings are changed when subsequent Data Entry messages are received. 000 - 024 Function 000 000 127 001 002 127 -64 - +63 -24 - +24 - - 3-2-5 Channel Mode message All Sounds Off (Control #120) Clears all sounds currently sounding on the specified channel. However, the status of channel messages such as Note On and Hold On is maintained. Reset All Controllers Resets all controllers to their initial values. All Notes Off (Control Clears all notes currently on for the specified channel. [. . . ]