User manual VESTAX GE-33SA

[. . . ] Replacement Parts-When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characterristics as the original parts. Unauthorized substitutions may result in fire, electric shock or other hazards. Safety Check-Upon completion of any service or repairs to product, ask the service technician to perfrom sefety checks to determine that the product is in proper operating condition. Carts and Stands-The appliance should be used only with a cart stand that is recommended by manufacturer. [. . . ] Carts and Stands-The appliance should be used only with a cart stand that is recommended by manufacturer. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn. FEATURES 1. These allow for the easy connection Amplifier, is utilized in the Crossfader system. of outboard effects such as VESTAX DCRThis minimizes noise and wear from the 1200PRO Frequency Separator, Compressor and mechanical parts of the Crossfader. And the stereo Master loop is the Crossfader "Curve" can be easily adjusted on provided on the top panel also. At total sound control with Graphic EQ or one extreme is the long running mix and at the Reverberator, etc. No less than two separate phono and two stereo line sources, these are Masters(balanced and unbalanced), one DJ Booth instanly switchable giving a massive twelve input Monitor, one stereo Cue and a Headphones capability. Each input channel has a gain control Monitor makes this mixer the most versatile for the setting of input levels. One stereo input of each channel can be connected via the top panel for quick and easy access. This is particularly useful for "visiting" DAT players, etc. 3 55/E 00. 9. 12 4:44 PM 8 CONTROL AND FUNCTIONS PROGRAM INPUT SECTION MICROPHONE SECTION MASTER SECTION PGM 1 LINE IN 2 PGM 2 LINE IN 4 PGM 3 LINE IN 6 PGM 4 LINE IN 8 MASTER LOOP SEND POWER ON L R L R L R L R RCV L LINE 7 R PRO FESSIONAL MIXING CONTROLLER OFF LEVEL INPUT LINE 1 INPUT LINE 3 INPUT LINE 5 INPUT MIC GAIN ON L 1 R +6 +3 PHONO 1 LINE 2 PHONO 2 LINE 4 PHONO 3 LINE 6 PHONO 4 LINE 8 TRIM TRIM TRIM TRIM 2 +2 +1 +3 MIN 0 BAL -3 -8 -13 (dB) +3 MAX MIN 0 BAL -3 L R -8 -13 (dB) +3 MAX MIN 0 BAL -3 L R -8 -13 (dB) +3 MAX MIN 0 BAL -3 L R -8 -13 (dB) MAX DJ 0 -1 EQ L R HI -2 -4 -7 EQ CUT EQ CUT EQ CUT EQ CUT -16dB +16dB EQ HI EQ HI EQ HI EQ HI LOW -10 -15 -20 -16dB -24dB MID +6dB (0dB) -24dB MID +6dB (0dB) -24dB MID +6dB (0dB) -24dB MID +6dB (0dB) +16dB (dB) LEVEL SEND AUX -24dB LOW +6dB (0dB) -24dB LOW +6dB (0dB) -24dB LOW +6dB (0dB) -24dB LOW +6dB (0dB) MIN MAX MIN MAX TALK OVER RCV -24dB +6dB (0dB) OUT -24dB +6dB (0dB) OUT -24dB +6dB (0dB) OUT -24dB +6dB (0dB) OUT MIN MAX MIN MAX AUX AUX AUX AUX PRE POST PRE POST PRE POST PRE POST IN METER LOOP MASTER 1 IN MASTER 2 IN MASTER 1 IN MASTER 2 IN MASTER 1 IN MASTER 2 IN MASTER 1 IN MASTER 2 IN MASTER 1 MASTER 2 OFF ON OUT OUT OUT OUT OUT OUT OUT OUT MASTER MASTER 1 MASTER 2 C. F. Clockwise rotation give a gentle crossfade good for long running mixes. Counter clockwise rotation gives a steep crossfade good for scratching and cutting. DJ EQ HI 16 17 18 MIC GAIN Adjusts the input level from each microphone input. -16dB +16dB LOW 18 MIC SELECTOR Used to select the microphones to be Master section. MIC EQ (HI, LOW) Adjusts the HI and LOW frequencies for all microphones input. -16dB +16dB LEVEL 19 MIC LEVEL Adjusts the input level from all microphones input. 19 MIN MAX 20 TALK OVER LEVEL When TALK OVER SWITCH 21 is depressed, the level of all sources excluding the microphone input are reduced. Clockwise rotation gives a large reduction level. TALK OVER 20 MIN MAX IN 21 21 6 TALK OVER SWITCH When this switch is depressed, the level of all sources excluding the microphone input are reduced. 55/E 00. 9. 12 4:44 PM 13 MASTER SECTION MASTER LOOP SEND 22 MASTER LOOP (RCA) This loop(send/return) is located on MASTER OUT 1 (43) before output jack. It is useful for total sound control with Graphic EQ or Reverberator, etc. POWER ON RCV L R 23 OFF LEVEL 23 24 POWER SWITCH LED located on the top panel is lit when on. OUTPUT LEVEL METER The LED level meters indicate the signal level of MASTER OUT 1 or 2 (43). 22 L R +6 +3 +2 +1 0 -1 -2 -4 -7 -10 -15 -20 (dB) 25 AUX SEND LEVEL Used to adjust send level from AUX SEND (41). The signal is selected by AUX ASSIGN SWITCH (8). 26 AUX RETURN LEVEL Used to adjust return level to AUX RETURN (41). This AUX RETURN can be used as the sub line input. 24 27 METER ASSIGN Select either MASTER OUT 1 or 2 indicated by OUTPUT LEVEL METER (25). 28 LOOP SWITCH Used when sending signal to external effect processor connected to MASTER LOOP (22). AUX SEND 25 MIN MAX 29 MASTER OUT LEVEL 1, 2 Used to adjust the output level from MASTER OUT 1 and 2 (43). RCV 26 MIN MAX METER LOOP 27 MASTER 1 MASTER 2 28 OFF ON MASTER MASTER 1 MASTER 2 MIN MAX MIN MAX 29 7 55/E 00. 9. 12 4:44 PM 14 MONITOR SECTION BOOTH MONITOR MASTER 1 MASTER 2 30 BOOTH MONITOR SELECTOR Select either MASTER OUT 1, 2 (43) or CUE ASSIGN (11) for monitoring by boothout. CUE 30 32 CUE 31 31 MIN MAX BOOTH MONITOR LEVEL Used to adjust the output level from BOOTH OUT (44). HEAD PHONE MONITOR 33 MASTER 32 HEADPHONES MONITOR SELECTOR Select either CUE OUT (42), MASTER OUT (43) or AUX SEND (41) for monitoring by headphones. AUX MIN MAX 33 PHONES HEADPHONES LEVEL Adjusting the headphones output level. 34 34 HEADPHONES JACK When listening with stereo headphones, connect them to this jack. This features stereo cue system. DJ MIC IN MIC IN 35 DJ MIC JACK Input jack for connecting a DJ microphone. 35 FRONT PANEL PGM I/O PGM1 PGM2 PGM3 PGM4 RCN RCN RCN SEND R L R L SEND R L SEND R L 36 36 PROGRAM SEND/RETURN (RCA) They are stereo channel insertion ports allow for the easy connection of outboard effects. 8 55/E 00. 9. 12 4:44 PM 11 REAR PANEL 45 43 41 CAUTON WARNING;SHOCK HAZARD-DO NOT OPEN. AVIS;RISQUE DE CHOC ELELCTRIQUE -NE PAS OUVRIR. RISK OF ELECTRIC SHOCK. DO NOT OPEN PROFESSIONAL MIXING CONTROLLER R MASTER 1 L GE-33SA MASTER 1 MASTER 2 AUX SEND LINE 7 LINE 5 LINE 3 LINE 1 37 AUX RTN R 38 PHONO 4 LR PHONO 3 LR PHONO 2 LR PHONO 1 L BOOTH OUT R CUE OUT GND GND SERIAL NO. GND 39 MASTER 2 PIN 1 GND PIN 2 HOT PIN 3 COLD L -20 -10 0(dB) BAL OUT LEVEL R L R L MIC 2 MIC 1 AC100V 50 / 60Hz 20W MADE IN JAPAN 46 47 44 42 40 37 38 LINE IN 1, 3, 5, 7 (RCA) They work the same as LINE IN 2, 4, 6, 8 (1). 43 MASTER OUT 1, 2 (1/4" Phone, Unbalanced) Connects to the input of power amplifier. For example, one for hall, the other for entrance. PHONO IN 1, 2, 3, 4 (RCA) Connects turntable output equipped with MM type pickup cartridge. [. . . ] AVIS;RISQUE DE CHOC ELELCTRIQUE -NE PAS OUVRIR. RISK OF ELECTRIC SHOCK. DO NOT OPEN PROFESSIONAL MIXING CONTROLLER R MASTER 1 L GE-33SA MASTER 1 MASTER 2 AUX SEND LINE 7 LINE 5 LINE 3 LINE 1 37 AUX RTN R 38 PHONO 4 LR PHONO 3 LR PHONO 2 LR PHONO 1 L BOOTH OUT R CUE OUT GND GND SERIAL NO. GND 39 MASTER 2 PIN 1 GND PIN 2 HOT PIN 3 COLD L -20 -10 0(dB) BAL OUT LEVEL R L R L MIC 2 MIC 1 AC100V 50 / 60Hz 20W MADE IN JAPAN 46 47 44 42 40 37 38 LINE IN 1, 3, 5, 7 (RCA) They work the same as LINE IN 2, 4, 6, 8 (1). 43 MASTER OUT 1, 2 (1/4" Phone, Unbalanced) Connects to the input of power amplifier. For example, one for hall, the other for entrance. PHONO IN 1, 2, 3, 4 (RCA) Connects turntable output equipped with MM type pickup cartridge. If MC type cartridge is used, a preamp is required. 39 GROUND TERMINAL Connects to ground lead of the turntable. [. . . ]