User manual TASCAM CD-RW 402

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Manual abstract: user guide TASCAM CD-RW 402

Detailed instructions for use are in the User's Guide.

[. . . ] Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. [. . . ] The channel’s PAN and Fader settings have no effect on the SOLO signal. Signal before the fader If you have a channel’s fader set well below “U” (unity gain), SOLO won’t know that and will send a unity gain signal to the PHONES output. ASSIGN Used in conjunction with the PAN knob, ASSIGN determines the final destination of a channel’s signal. Engaging ASSIGN 1-2, for instance, sends that channel’s signal to the SUB 1 and 2 Faders and, via their SUB ASSIGN switches, the MAIN MIX Fader . typically , ASSIGN 1-2 will be engaged on all channels destined for the main mix. By configuring SUB 1 and 2 to feed the main mix, the channel ASSIGN 1-2 switches become the equivalent of being “Main Mix” switches. Some channels can use ASSIGN 3-4 instead; creating a submix for a set of channels (all the drum channels, for instance). Then, by configuring SUB 3 and 4 to also feed the main mix, you can “ride” the SUB 3 and 4 Faders independently of the rest of the mix. sUB Faders , SUB ASSIGN , and MAIN MIX Fader will explain this further. -15 +15 PAN L R 1 1 dB 10 5 MUTE ASSIGN 1-2 3-4 U 5 10 20 30 40 50 60 O O SOLO PFL FADER Although the most self-explanatory item on a mixer, we’ll explain it anyway: The fader is the master level control for the channel’s sig14 MASTER SECTION FEATURES We hope you’ve understood, if not memorized, the CHANNEL STRIP FEATURES you just read. If you’re still confused, please look them over again before you tackle this section. Don’t worry, it’s easy to swallow as long as you take it a bite at a time. A “+4” mixer, with a +4 dBu signal pouring out the back, will actually display 0 dB on its meters. A “–10” mixer, with a –10 dBV signal trickling out, will also display 0 dB. At the risk of creating another standard, Mackie’s compact mixers address the need of both crowds by calling things as they are: 0 dBu (0. (By the way, the most wonderful thing about standards is that there are so many to choose from. ) MAIN MIX FADER As the name implies, this stereo fader controls the levels of signals sent to the main . The outputs: XLR and TRS MAIN OUT TAPE OUTPUT RCA jacks also receive the main mix, but before the MAIN MIX Fader. Signals feeding the MAIN MIX Fader, after passing through the STEREO GRAPHIC EQ , , MAIN INSERT , include: SUB ASSIGN STEREO EFX RETURN 1 and 2 (including the EMAC EFFECTS PROCESSOR ), and TAPE INPUT . All assigned SUB Faders and EFX RETURNs that are not turned fully down will appear in the MAIN MIX. This is the fader to pull down at the end of the song when you want The Great Fade-Out. RUDE SOLO This infamous flashing LED (Light Emitting Diode) serves two purposes —- to remind you switch is enthat at least one SOLO PFL gaged, and to let you know that you’re mixing on a Mackie. [. . . ] Ship the product in its original shipping carton, freight prepaid to the authorized service center. The address of your closest authorized service center will be given to you by Technical Support. IMPORTANT: Make sure that the Service Request Number is plainly written on the shipping carton. LOUD Technologies reserves the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out. [. . . ]

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