User manual SOUNDCRAFT RM1D BROCHURE

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SOUNDCRAFT RM1D BROCHURE: Download the complete user guide (7165 Ko)

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Manual abstract: user guide SOUNDCRAFT RM1DBROCHURE

Detailed instructions for use are in the User's Guide.

[. . . ] DIMENSIONS RM105 RM100 SEE TABLE BELOW 246mm (9. 68") RM1d / RM1ds MODULES AT 10" 375mm (14. 76") 436mm (17. 16") CONSOLE 8 input RM105 / RM100 12 input RM105 / RM100 20 input RM105 / RM100 WIDTH 432mm (17. 01") 572mm (22. 52") 852mm (33. 54") 83mm (3. 27") WEIGHTS 11kg (24. 2 lbs) 13kg (28. 6 lbs) 20kg (44. 0 lbs) Series15 Series10 CONSOLE 6-fader 12-fader with script tray 12-fader without script tray WIDTH 431. 4mm (16. 98") 851. 4mm (33. 51") 624. 4mm (24. 59") WEIGHTS 15kg (33. 0 lbs)* 25kg (55. 0 lbs)* 20kg (44. 0 lbs)* *not including power supply unit & cables 310. 0mm (12. 205") PLAN VIEW: 6 FADER CONSOLE series 56. 0mm (2. 205") 70. 5mm (2. 776") 8. 0mm (0. 315") 637. 0mm (25. 079") series WEIGHTS 20kg (44. 0 lbs) 28kg (61. 6 lbs) 32kg (70. 4 lbs) 22kg (48. 4 lbs) 32kg (70. 4 lbs) 38kg (83. 6 lbs) CONSOLE 16 module Series15 24 module Series15 32 module Series15 12 input Series 10 20 input Series 10 28 input Series 10 WIDTH 609mm (23. 98") 889mm (35. 00") 1169mm (46. 02") 609mm (23. 98") 889mm (35. 00") 1169mm (46. 02") PLAN VIEW: 12 FADER CONSOLE Soundcraft Registered Community Trade Mark / RTM No. 000557827 SOUNDCRAFT HARMAN INTERNATIONAL INDUSTRIES LTD. , CRANBORNE HOUSE, CRANBORNE ROAD, POTTERS BAR, HERTS, EN6 3JN, UK T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: info@soundcraft. com PLAN VIEW: 12 FADER CONSOLE WITH SCRIPT TRAY SOUNDCRAFT USA 8500 BALBOA BLVD, NORTHRIDGE, CA 91329, USA T: +1-818-920-3212 F: +1-818-920-3208 E: soundcraft-usa@harman. com Broadcast Consoles Broadcast Consoles www. soundcraft. com Soundcraft reserves the right to improve or otherwise alter any information supplied in this document or any other documentation supplied hereafter. E&OE 12/07 This equipment complies with the EMC Directive 89/336/EEC Part No. We Talk Broadcast. Every day, all over the world, broadcast facilities large and small rely on Soundcraft consoles. [. . . ] · The Master Module is available with or without master faders. · The 90-240V power supply can be optionally rackmounted. esigned for use in local radio and other broadcast applications where ease of use must be married with an added level of functionality, the Soundcraft RM105 is a fully modular on-air console which provides a versatile and cost-efficient studio control package. D MONO MODULE The Line button at the top of the Mono Module toggles between the microphone and line level inputs. Sensitivity is adjusted by the recessed presets on the top of the front panel. An auxiliary send is provided for external effects, as a record feed, or for foldback purposes. An HP filter and three band EQ combine with a PFL bus and Pan and Gain controls to offer total versatility in the broadcast environment. STEREO MODULE Two line level stereo sources can be connected to the Stereo Module; the Line 2 button toggles between them. Independent L/R gain is adjustable via the recessed presets at the top of the channel strip, and fine control is afforded by the Balance pot. TELCO MODULE Designed for connection to a telephone hybrid, the Telco Module's features are similar to those found on the mono module, but instead of a second input it offers a balanced clean feed output. MASTER MODULE The Series10 has two main outputs Master Stereo and Master Mono. In addition to these it has an Auxiliary send for effects, foldback or an isolated record feed. The Production version has two mono effects returns with Level and Pan controls. Studio Monitor, Studio The RM105's frame can be specified to be 8, 12 or 20 input channels wide. Mono, Stereo, Telco and Source Select input modules are available, in addition to a Master Module which is included as standard. MONO MODULE The Mono Module accepts an input source at microphone or line level, with 48V phantom power enabled internally if required. The channel output is always sent to the PGM (Program) bus, and can be routed to the post-fade AUX (Auxiliary) bus via the Aux pot. The optional switchable 2-band EQ affords a gain range of ±10dB at 100Hz and 8kHz. STEREO MODULE The Line 2 button at the top of the channel strip switches between the two stereo line level inputs. Recessed presets attenuate the L/R sensitivity, and the optional switchable 2-band EQ offers a gain range of ±10dB at 100Hz and 6. 5kHz. TELCO MODULE Providing an efficient means of connecting telephone callers straight to air, the Telco Module accepts a balanced input and offers a balanced clean feed. The optional switchable 2-band EQ offers ±10dB at 100Hz and 8kHz. The Aux pot permits routing to the AUX (Auxiliary) bus. MASTER MODULE The RM105 has three main outputs stereo Program, stereo Auxiliary and a Mono output that can be sourced from either PGM or AUX. The line level Control Room Monitor output can be derived from PGM, AUX or Ext 1, and the Presenter's and Guest Headphones are independently selectable between PGM, AUX, and the four external inputs (which are connected via a 15-pin D-connector). [. . . ] This output is automatically muted by the On Air switch or when a channel fader is open and that channel is selected to "Mic" · Conductive plastic faders · The On-Air Switch also inhibits line-up tone and oscillator signals and provides an output which can be used to operate an external On-Air lamp. The On-Air function can also be activated from outside the console MODULES AVAILABLE: Mono Input Stereo Input Dual Subgroup Aux Master & Comms Master & Monitor Also available: F inding the right console for demanding broadcast applications has never been easy. The varied requirements of live TV broadcast, production and OB installations means that only highly customised versions of existing mixers have been suitable, especially where space is at a premium. Soundcraft changes all this with the B400 and B800, specialised yet highly flexible modular broadcast consoles enabling the user to configure a powerful, compact mixing solution that precisely meets their needs. [. . . ]

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