User manual SOUNDCRAFT LM1

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Manual abstract: user guide SOUNDCRAFT LM1

Detailed instructions for use are in the User's Guide.

[. . . ] The S/PDIF output from the console can be assigned to either the Mix output or 1 of 3 stereo auxiliary outputs (Aux 1/2, Aux 3/4 or FX 1/2) The 328 S/PDIF Input can be configured to be a digital Stereo Input or as a digital 2 Track Return. Other Connections Besides the audio connections, the 328 Wordclock Output should be connected to the 1212 Wordclock input, to enable the 1212 to synchronize to the 328 wordclock. In this configuration, the 328 is wordclock master, and the 1212 is the wordclock slave. 328 Wordclock out 1212 Wordclock In Spirit Digital 328 v2 2 Digital 328 Setup Wordclock To configure the Digital 328 as the wordclock master, enter the 328 Menu page by pressing the <MENU> button to the right hand side of the LCD display. Using the rotary encoder beneath the display, scroll up or down until the `Clock Source Sel' menu is highlighted, and press <ENTER>. [. . . ] Using the rotary encoder beneath the display, scroll up or down until the `Clock Source Sel' menu is highlighted, and press <ENTER>. Here, either `Internal 44. 1kHz' or `Internal 48kHz' clock must be selected for the 328 to function as wordclock master. Press <ENTER> to confirm the samplerate setting and <MENU> to return to the menu pages. 2 <Wordclock Src. > Internal:44. 1kHz or <Wordclock Src. > Internal:48. 0kHz Tape Ports To ensure that the Digital 328 Tape Ports are set to ADAT to work with the 1212, enter the 328 Menu pages by pressing the <MENU> button to the right hand side of the LCD display. Using the rotary encoder beneath the display, scroll up or down until the `Tape Port Select' menu is highlighted and press <ENTER>. Now repeatedly press the Up cursor arrow until the `<Tape Ch17-24 >' menu page is displayed. Press the Down cursor arrow once, to set the wordlength: <Tape Ch17->24 > Bank Source:ADAT The 1212 is capable of 20-bit recording, and so for optimum results, 20-bit wordlength can be selected here. If your audio sequencer software only allows 16-bit recording, 16-bit should be selected. When playing back audio tracks from the software application, tracks 1-8 will be accessible from channels 17-24 respectively in the Tape Fader Bank on the 328. To record a signal onto a track within the software application, send the required channels to Tape Sends 1-16. See the 328 manual for full instructions on how to send a channel to tape. Ensure that the relevant Korg device drivers are fully installed for the software application to correctly access the 1212 ADAT I/O. Accessing The 1212 S/PDIF I/O From The 328 You may wish to utilize the 1212 S/PDIF output to transmit a stereo signal to the 328. Again the software application must be configured to access the 1212 S/PDIF output via the relevant Windows device drivers that came with the 1212. The stereo 1212 S/PDIF input will be accessible on the 328 from either Stereo Input 1, Stereo Input 2, FX Return 1, FX Return 2, 2 Track Tape Return, depending on the 328 S/PDIF input setting (see the `S/PDIF input' section in chapter 2 of this guide). The 328 can also be configured to transmit a stereo signal back to the 1212 via the 1212 S/PDIF input. [. . . ] Again the software application must be configured to access the 1212 S/PDIF output via the relevant Windows device drivers that came with the 1212. The stereo 1212 S/PDIF input will be accessible on the 328 from either Stereo Input 1, Stereo Input 2, FX Return 1, FX Return 2, 2 Track Tape Return, depending on the 328 S/PDIF input setting (see the `S/PDIF input' section in chapter 2 of this guide). The 328 can also be configured to transmit a stereo signal back to the 1212 via the 1212 S/PDIF input. [. . . ]

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