Detailed instructions for use are in the User's Guide.
[. . . ] BEYOND LIVE. . .
324 LIVE
LIVE MIXING CONSOLES
32 Input Live Digital Mixing Console
Soundcraft's Spirit range of live and powered mixing consoles are just part of their extensive range of Professional Audio Equipment.
In the studio as well as on stage, Soundcraft's designs have become synonymous with versatility, innovation and sonic excellence.
SPIRIT 8
DIGITAL 328XD
8-Bus Professional Mixing Console
32 Channel Digital Mixing Console
On the
MONITOR 2
Since the launch of the original Spirit Folio in 1992, the Folio Range of mixers has set the standards in the field of compact mixers. Ideal for both studio and live applications, FX16, FX8, SX, F1 and Notepad still represent the pinnacle in compact mixers for usability, sound quality and value for money.
12-Bus Stage Monitor/ FOH/Theatre Mixer
STUDIO
ROAD
and in the
STUDIO
Professional Multitrack Recording Mixing Consoles
ABSOLUTE
Since its launch in 1998, the multi-award-winning Digital 328 console, with its ground breaking easy-to-use interface, has revolutionized low cost digital mixing in studios and live applications. Soundcraft's award-winning range of nearfield studio monitors Absolute Zero, Absolute 2 and Absolute 4P have taken the Soundcraft name into top studios such as The Roundhouse and Ridge Farm, and won many friends in the production world. John Leckie and Tony Tavenor are just two internationally acclaimed producers to use Soundcraft monitoring.
LIVE 42
A Range of Professional Nearfield Monitors
4-Bus Professional Mixing Console
FX16
Around the
SPIRIT M SERIES
Soundcraft is committed to excellence in audio. [. . . ] The Stereo Returns can also be used as extra line level inputs.
Direct Out
An impedance-balanced Post-Fade, Post-EQ connector provides access to effects units, or can send signals to multitracks for recording.
Mix Inserts
For connecting protective limiters or graphic equalisers in series with the mix.
Group Meters
Three-colour, 12 segment, peak-reading bargraph meters provide visual indication of group levels.
Rec Out
Two 1/4" jacks provide a -10dBV level signal of the mix for use with cassette or DAT recorders.
Insert
For patching in Limiters, Graphic Equalisers or other signal processors.
Phase Reverse
When pressed, this switch reverses the polarity of the input to compensate for phase differences caused by multiple microphone placement or incorrectly wired input cables.
Main Stereo Input Section
This is a full facility input primarily for electronic instruments such as keyboards.
Stereo Return Controls
Provide level control over the output from effects devices. May be routed straight to mix, or to the pair of groups directly below.
Aux Outputs
The six impedance-balanced 1/4" jacks can be used to feed stage monitors or effects units.
Master Meters
Two peak-reading, 12-segment bargraphs indicate mix levels. If any solo is activated the meters switch to read those levels.
Gain Control
This control has 22dB of range and allows the matching of a wide variety of sources.
Matrix Sends
A 6x2 Matrix section provides feeds from the four groups and the L & R Mix busses to two additional independent outputs. These can be used to feed extra speaker clusters, side-fills or delay towers. The stereo switch combines the Matrix Outputs into a Stereo pair.
Input Sensitivity
Soundcraft's low noise UltraMic+TM padless preamp provides up to 66dB of gain range, allowing the connection of items such as line level sources, active DI boxes and the most sensitive condenser mics. The custom designed gain control provides a uniform increase in gain and smooth response across the entire range.
Pan Control
Determines the position of the signal in the stereo image. Panning hard left or right allows the signal to be routed to only odd or even groups, or the L or R bus separately.
TalkBack Section
Allows the engineer to talk to the musicians through Auxes 1-4, the Mix or the Groups. Level control and mic XLR provided.
EQ Section
A two band fixed EQ section with 15dB of boost and cut is provided. High frequency is selectable between 6 and 12kHz, and the LF between 80 and 120Hz, for extra flexibility.
PFL Switch
Each group can be soloed pre-fader for monitoring. The PFL light below each switch illuminates when a group PFL is active.
Matrix Masters
These control the overall level of the Matrix Outputs.
Routing
Input signals may be routed to Mix, or to the four Groups.
EQ Section
A 4 band EQ includes two swept mid frequencies with 15dB of cut and boost in the ranges 550Hz13kHz and 80Hz1. 9kHz. Two shelving controls at 12kHz and 80Hz provide 15dB of cut and boost for high and low frequencies. The frequency ranges of each band overlap, allowing the simultaneous cut and boost of adjacent frequencies.
Mute Switch and Groups
The Mute switch mutes all channel outputs. These groups allow a combination of open mic or line inputs to be muted ideal for scene-setting in theatre applications or for multi-band performances.
Aux Section
The Aux section is similar to the mono inputs' except that Auxes 1, 2 and 3 are Pre-Fade, Post-EQ.
Master Faders
100mm faders set the final level of the Mix Outputs.
Group Faders
100mm faders control Group levels. The Groups can be routed to Mix, or assigned as mono pairs.
Aux Masters
For controlling the master levels of each aux bus. Aux 4 can be switched Pre-Fade globally by pressing the Aux 4 PRE switch.
Balance
Sets the relative levels of the Left and Right inputs.
Routing
Input signals may be routed to Mix, or to the four Groups.
Pre Fade Listen
When pressed, the PFL switch sends a Pre-Fade solo to the headphones and the L & R meters for setting and monitoring gain levels: the main mix output is unaffected. The PFL LED glows when a solo is active, otherwise it acts as a peak indicator.
PFL/AFL LED
Indicates if any PFL or AFL has been activated.
High Pass Filter
A steep 18dB per Octave High Pass Filter at 100Hz is ideal for minimising on-stage rumble and mic popping.
Mute Switch and Groups
The Mute switch mutes all channel outputs. These groups allow a combination of open mic or line inputs to be muted - ideal for scenesetting in theatre applications or for multi-band performances.
Headphones Level
Sets the level of the headphones.
Mono Check
This sums the L & R outputs allowing checks for phasing problems.
100mm Fader
Custom-built 100mm long throw faders ensure smooth, precise control over levels. Normal operating position is at zero with an extra 10dB available if required.
Mute Masters
Pre Fade Listen
When pressed, the PFL switch sends a Pre-Fade solo to the headphones and the L & R meters for setting and monitoring gain levels: the main mix output is unaffected. The PFL LED glows when a solo is active, otherwise it acts as a peak indicator.
ACCESSORIES AND EXTRAS
Flightcasing
Live 42's side panels can be easily removed to save space when flight case mounting is required.
Provide muting control over any channels that have been assigned to one of the four Mute busses.
Phones Socket
Suitable for use with headphones having an impedance of 200 Ohms or higher.
Power LED
Indicates when Live 42 is powered up.
CONNECTOR PANEL
Dustcover Option
To protect Live 4 from dust, dirt and minor spillages when not in use.
2
100mm Fader
Custom-built 100mm long throw faders ensure smooth, precise control over levels. Normal operating position is at zero with an extra 10dB available if required.
Power Input
An external power supply unit minimises mains hum. See page 47 for details.
FULL FEATURE DESCRIPTIONS PAGES 5 TO 8
SPECIFICATIONS PAGE 24
BLOCK DIAGRAM PAGE 24
22
23
LIVE 42
SPECIFICATIONS
87. 5MM (3. 44")
SPIRIT M SERIES
HIGH PERFORMANCE COMPACT MIXERS MAIN FEATURES
Frequency Response 20Hz to 20kHz THD -10dBu Input routed to Mix, +20dBu out @ 1kHz CMRR Typical at max gain @ 1kHz Typical at any gain @ 50Hz Input & Output Impedances Microphone Input Line Input Stereo Input Cass/CD Input Stereo Return Input & Output Levels Mic/Line Input Maximum Level Stereo Input Cass/CD Input Stereo Return Nominal Input for + 4dBu at Mix Output, level at `7'
-1dB
12 CHANNEL 685MM (27") 16 CHANNEL 845MM (33. 3") 24 CHANNEL 1101MM (43. 3") 32 CHANNEL 1362MM (53. 6") 40 CHANNEL 1616MM (63. 6")
PACKED WEIGHT: 12ch = 17. 4kg (38. 3lbs) 16ch = 21. 4kg (47. 1lbs) 24ch = 28kg (61. 6lbs) 32ch = 34. 8kg (76. 6lbs) 40ch = 41. 8kg (92lbs)
590. 5MM (23. 44")
Noise Measured RMS, 22Hz to 22kHz Bandwidth. Line inputs selected at unity gain and terminated 150 Mix 26 Inputs routed to Mix, faders at unity, muted -82dBu Mix Faders down -97dBu Aux 26 Inputs routed, output at max, input faders down -84dBu Direct Output Input to Direct Output @ unity gain -87dBu Input to Direct Output @ 40dB gain -77dBu Matrix Output Matrix Output at max, Sends down -95dBu EIN Microphone Input, Maximum Gain, terminated 150R -129dBu Crosstalk Wide Band except where stated Typical Channel Fader Attenuation >80dB Typical Aux Attenuation >80dB Typical Pan Isolation >70dB Adjacent Channel Crosstalk >85dB 100dB @ 1kHz
Effective grounding eliminates noise and crosstalk 3-band EQ with two swept mid bands Integrated S/PDIF digital output High quality, linear mic preamps with smooth gain control
<0. 006% -85dB -65dB 1. 8k 10k 8. 6k 12. 8k 19k +28dBu +25dBu +18dBu +22dBu
In a world full of cheap compact mixers, Soundcraft has achieved something exceptional with the Spirit M Series. [. . . ] It is set "post fader" so that the effects level remains constant no matter how high the input volume.
PRE +48V PFL
POWER AMP INPUT LEFT
POWER AMP INPUT RIGHT LEFT METER MONITOR LEVEL
MIX O/P L&R
MASTER SECTION
POWER AMP OUTPUT LEFT POWER AMP OUTPUT RIGHT
Pan
Positions the sound source left or right in the stereo master mix.
Level
Mixes and sets the relative levels of sound sources.
PHONES
PFL ACTIVE
RIGHT METER
PFL ENABLE
SPECIFICATIONS AND BLOCK DIAGRAM OVERLEAF
42
43
POWERPAD SPECIFICATIONS
Typical specifications @ 1kHz Noise 22Hz-22kHz, channel faders down Loudspeaker output (rel. to full output) Master faders up <-98dBr Master faders down <-103dBr EIN 150 source impedance -128. 5dBu Output -84dBu Aux Out (Inputs down) -80dBu Mix, masters at max. -80dBu Crosstalk Fader Cut-off (rel 0 mark) >90dB Aux Send >90dB Pan Isolation >75dB Frequency Response 20Hz 20kHz rel. -30dBu, +14dBu at output <0. 005% Inputs Mic Input Input Impedance 1. 8k Max. [. . . ]