User manual SOUNDCRAFT D-MIX 1000 BROCHURE

[. . . ] D-MIX 1000 TYPICAL SPECIFICATIONS AND DIMENSIONS Frequency Response Mic/Line Input Noise Mic input E. I. N. Line inputs Distortion Line In to L-R Output Crosstalk Channel to Channel Input Levels Mic input Line input +0, -1. 0dB, 20Hz to 20kHz (20Hz - 20kHz bandwidth, unweighted) Less than -128dB (150ohm source) Less than -80dB Less than 0. 005% @ 1kHz Less than -85dBu @ 1kHz -70dBu to -16dBu nominal (+4dBu max) -46dBu to +8dBu nominal (+22dBu max) Input Impedances Mic input Mono line input Stereo line input Output Levels L-R output level Greater than 2kOhm balanced Greater than 20kOhm balanced Greater than 10kOhm unbalanced +4dBu for 0VU nominal (+26dBu max) Soundcraft Electronics Limited reserve the right to improve or otherwise alter any information supplied in this document or any other documentation supplied hereafter. Harman International Industries Limited Cranborne House, Cranborne Industrial Estate, Potters Bar, Hertfordshire EN6 3JN, UK Tel: +44 (0) 1707 665000 Fax +44 (0) 1707 660482 Soundcraft JBL Professional, 8500 Balboa Blvd, Northridge, CA 91329 USA Tel: 1-818-893-4351 Fax: 1-818-893-0358 Flashfax:1-818-895-8190 Part no: A4; ZL0181 US; ZL0182 w Soundcraft has been at the hear t of the music industr y since its beginnings and is the first choice in studios and touring systems worldwide - so who better to provide exactly the right equipment for the most prestigious club and discotheque installations. Combining our unrivalled knowledge of live sound with over twenty years' experience designing the world's favourite audio consoles, the D-MIX 1000 represents the ultimate in highperformance mixing for the professional DJ. [. . . ] An internal link assigns the Mono input to the Voice-Over system when the channel is in Mic mode. Stereo Input Module The D-MIX 1000 provides the DJ with six dual stereo inputs as standard. Each Stereo module permits the connection of two switched stereo sources (such as CD players, DAT machines or VTRs). Line 1 input may be selected inter nally to provide RIAA equalisation for turntables. Input gain is varied by +/10dB using a rotary control for optimising levels. The Stereo module uses a similar EQ section to the Mono input, but with a +/-6dB range for more subtle correction. A mono sum of the stereo signal may be fed to the Aux 1 bus via the rotary level control for zoning or special effects. The stereo balance may be adjusted by up to +/-6dB to compensate for a differential between the Left and Right inputs. Routing is similar to the Mono input, with the A/B crossfader being used for rapid and accurate transitions between sources. The large, illuminated On switch is used to enable each input and also as a remote start for turntables, CD players and other equipment. The Cue switch routes the pre fade signal in stereo to the DJ's headphones and booth monitors if required. A highquality 100mm fader controls the overall input signal level. w Master Module The D-MIX 1000 Master module may be located anywhere in the fr ame to allow for individual preferences. Mono and stereo master outputs are provided with separate 100mm long-throw faders, as well as an A/B crossfader mounted on a removeable panel for ease of servicing. The main L-R outputs are metered using high-quality vacuum display units, and dedicated meters are provided for the DJ's headphone feed. [. . . ] The console occupies 8U of space in a standard 19" rack; all permanent connections are made under neath the unit to save space . All audio connections use industry-standard XLR, 0. 25" jacks and RC A phono plugs for ease of cabling. Star t/stop connections are isolated and are made via phono connectors. w [. . . ]