User manual SHERWOOD NEWCASTLE R-956

[. . . ] OPERATINGINSTRUCTIONS AUDIO/VIDEO RECEIVER R-956 MASTER VOLUME MULTI CONTROL TDAS TOTALLY DISCRETE AMPLIFIER STAGE BAND AUTO/MANUAL MULT I ROOM REMOTE SENSOR CHECK CINEMA EQ TUNING/PRESET FM MODE MODE ROOM2 FEED DYNAMIC RANGE MAIN POWER AUDIO STANDBY INPUT SELECTOR VIDEO TAPE MON. 6. 1CH DIRECT AUTO SURROUND MODE DSP MODE STEREO DIGITAL/ANALOG ON/STANDBY ON / OFF PHONES SPEAKER CHANNEL SELECTOR TONE MODE SPEAKER MODE VIDEO LABEL MEMO/ENTER VIDEO 5 ON/OFF S-VIDEO VIDEO L - AUDIO - R R-956 AUDIO/VIDEO RECEIVER Introduction UNPACKING ENGLISH AND FOR U. S. A. Note to CATV System Installer: This reminder is provided to call the CATV system installer's attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. FCC INFORMATION This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. [. . . ] Each time this button is pressed, the corresponding input is selected as follows; DIGITAL ANALOG Select the tone mode as desired. 8 MULTI CONTROL To listen to DTS or Dolby Digital program sources in the 2-CH downmix mode (the stereo mode), the digital input must be selected. (For details, refer to "Downmixing into 2 front channels" on page 22. ) When PHONO, TUNER, VIDEO 5 or AUX is selected as an input source, the analog input is selected automatically. Note: When the selected digital input is not connected or has no sound, "DIGITAL" flickers indicating the lack of sound. (refer to "ENJOYING SURROUND SOUND" on page 19. ) Each time the MULTI CONTROL knob is rotated, the tone mode changes as follows: DIRECT ON: When listening to a pure program source without the tone effect. "DIRECT" lights up, meaning the tone direct function is activated and the sound that bypasses the tone circuitry will be heard. To cancel the tone direct function, select "DIRECT OFF" performing the above steps 7 and 8. 1) Select the tone mode as desired. TONE MODE 5 Operate the selected component for playback. To play back the program sources in surround sound, refer to "ENJOYING SURROUND SOUND" on page 19. Each time this button is pressed, the mode changes as follows; BASS TREBLE DIRECT OFF 2) At the desired tone, adjust as desired. MULTI CONTROL Adjust the (overall) volume. 6 SETUP PWR AUD CD DVD AUX MASTER VOLUME SAT TV VCR CBL 1 4 7 MUTE 2 5 8 0 P. SCAN 3 6 9 CH SEL SLEEP VOL T. TONE CH LEVL or DOWN UP VOL AUTO D. TIME D. ADJ ENTER OSD STEREO DSP MODE 6. 1CH IN PHONO CD TUNER TAPE MON T2 MON VID SEL VID 2 VID 3 VID 4 AUX ROOM 2 SYS DISP HOME THEATER MASTER RNC-30 In general, we recommend the bass and the treble to be set to 0(flat) level. Extreme settings of the tone controls at high volume may damage your speakers. In DTS or Dolby Digital modes, the tone controls cannot be adjusted and the tone direct function is activated automatically . 15 ENGLISH When CD, TAPE MON or VIDEO 1~ VIDEO 4 is selected Adjusting the tone (bass and treble) ENGLISH 9 To compensate for edgy or shrill movie sound tracks. To mute the sound. 10 SETUP PWR AUD CD DVD AUX SAT TV VCR CBL 1 2 5 8 0 P. SCAN 3 6 9 CH SEL CINEMA EQ MUTE 4 7 MUTE SLEEP VOL T. TONE CH LEVL D. TIME D. ADJ ENTER OSD AUTO STEREO DSP MODE 6. 1CH IN PHONO CD TUNER TAPE MON T2 MON VID SEL VID 2 VID 3 VID 4 AUX ROOM 2 SYS DISP HOME THEATER MASTER RNC-30 "CINEMA-EQ ON" will scroll on the display. Press it again to cancel, then "CINEMA-EQ OFF" will scroll. "MUTE" lights up. To resume the previous sound level, press MUTE again. To listen with the headphones. 11 PHONES Press the SPEAKER button to off. When listening to DTS or Dolby Digital program sources, if the headphones are plugged in and the SPEAKER button is set to off, the 2-CH downmix mode will be selected automatically. (For details, refer to "Downmixing into 2 front channels" on page 22. ) 16 SURROUND SOUND This unit incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound atmosphere in your personal Home Theater. Surround modes This unit has 9 different surround modes to allow you to enjoy surround sound with various program sources: DTS, DOLBY DIGITAL, DOLBY PRO LOGIC, THEATER, HALL, STADIUM, CHURCH, 6. 1 CH SURROUND, TruSurround. DTS (Digital Theater System) : Allows you to enjoy 5. 1(or 6) discrete channels of high quality digital audio from DTS program sources bearing the " " trademark such as laser discs, DVD and compact discs, etc. DTS Digital Surround delivers up to 6 channels of transparent audio(which are identical to the original masters) and results in exceptional clarity throughout a true 360° sound field. "DTS" and "DTS Digital Surround" are trademarks of Digital Theater Systems, Inc. DOLBY DIGITAL : Allows you to enjoy up to 5. 1 channels of digital surround sound from Dolby Digital program sources bearing the " " trademark such as laser discs, DVD's etc. Dolby Digital provides better sound quality, improved dynamic range and great sense of direction, compared with the conventional Dolby surround. DOLBY PRO LOGIC : This unit incorporates the Dolby Pro Logic Surround Decoder which has the same functions for playback as movie theaters and gives a theater-like experience in your home, naturally reproducing the audio sound field. Use with Dolby Pro Logic program sources bearing the " " trademark such as video cassette tapes or laser discs. "Dolby", "Pro Logic", and the double-D symbol are trademarks of Dolby Laboratories. THEATER : This mode provides the effect of being in a movie theater when watching a movie source that has a stereo sound track. [. . . ] 1 Vp-p (chrominance signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 286 Vp-p Component video(R-Y signal). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 5 Vp-p (B-Y signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 5 Vp-p (Y signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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