User manual ROLLS RM5C

[. . . ] LIMITED WARRANTY This product is warranted to the original consumer purchaser to be free from defects in materials and workmanship under normal installation, use and service for a period of one (1) year from the date of purchase as shown on the purchaser's receipt. The obligation of Rolls Corporation under this warranty shall be limited to repair or replacement (at our option), during the warranty period of any part which proves defective in material or workmanship under normal installation, use and service, provided the product is returned to Rolls Corporation, TRANSPORTATION CHARGES PREPAID. [. . . ] This warranty gives you specific legal rights, and you may also have other rights which vary from state to state. RM5c MixMax 7 ROLLS CORPORATION SALT LAKE CITY, UTAH 7/02 OWNERS MANUAL Introduction The MIX MAX 7 is designed to be used as a middle component of a sound system. Such a system might be comprised of sound sources such as microphones , tape deck, tuner or CD player, preamplifier (such as the RM5C), power amplifier (such as the ROLLS RA2110) and speaker system. ¨ Stereo effects loop on Mics for sound effects ¨ FX loop may also be used as fourth source input. ¨ 3 Stereo source inputs for tape player, compact disk, radio, etc. . ¨ Professional design for hard use and/or permanent installations. ¨ Three year limited warranty Applications The ROLLS MIX MAX 7 is intended for mixing up to three microphones with up to three stereo source signals as in aerobics studios, Karoake lounges, or audio visual applications. Its versatile inputs and outputs as well as commercial grade design make it an important problem solver in many audio situations. The FX loop may also be used as a fourth source input, but this may disable the Mics unless the unit is modified. Front panel controls Mic 1 - 3, These are the channel volume controls and adjust the volume sent to the tone controls and FX send SOURCE 1-3 are the level controls for the RCA source inputs on the rear. FX IN OUT switch is for engaging the external sound effects in the FX loop. MASTER VOLUME for adjusting the main stereo output level for the unit. Rear Panel Jacks MIC 1 - 3 - are the inputs for dynamic or phantom power microphones PHANTOM POWER - are the jumpers for turning on the microphone power for the XLR inputs, and are numbered for the channel they are assigned to. FX RETURN R & L - Are the inputs from the external sound effects units, EQ, Etc. LEFT & RIGHT OUT are the main outputs to the power amp, EQ, Etc. Microphone Phantom Power Phantom power is a means of powering condenser microphones through the microphone cable. [. . . ] The RM5C has plenty of level to drive most any power amplifier, the 1/4" and RCA output jacks are parallelled, if both are used the units they are driving will have to match the same level. Specifications Input impedance Mic Source FX Loop Max input level Mic Source Input Connectors Phantom Power Output Output impedance Max Gain Phase Shift Tone control Max S/N Ratio THD IMD (SMPTE) CMRR Size Weight 600 Ohm XLR balanced 22K Ohm gold plated RCA 22K Ohm 1/4" -14 dBV balanced 24 dBV XLR with switched 12VDC phantom power +12V +17 dBV max, 1/4" phone and RCA 50 ohm 60 dB mic 26 dB source < 10 deg. 20 Hz - 20K Hz 12 dB treb, bass cut/boost, 400 Hz center 106 dB <. 003 % <. 003 % 52 dB (Mic) 19" X 1. 75" X 6" (48. 3 X 4. 5 X 15 CM) 7 lbs (2. 3 kg) [. . . ]