User manual ROLAND KR-5 V1.00 MIDI IMPLEMENTATION

[. . . ] DIGITAL PIANO Model KR-7/5 MIDI Implementation Modulation (Controller number 1) Status BnH 2nd bytes 01H 3rd byte vvH Date: June. 1, 2002 Version: 1. 00 * Messages for which [model name] is indicated are applicable only to that specific model. 1. Receive data Channel Voice Messages Note off Status 8nH 9nH 2nd byte kkH kkH 3rd byte vvH 00H n = MIDI channel number: 0H-FH (ch. 1-ch. 16) vv = Modulation depth: 00H-7FH (0-127) * * Not received when Rx. MODULATION = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. [. . . ] 00 00 01 00 - 7F EFX Send Level to Chorus 40 03 18 * Set to 0 when EFX type is changed. 00 00 01 00 00 01 00 - 7F 00 - 7F EFX Depth EFX Control Source 1 Dry 100% - EFX 100% 00: OFF 01 - 5F: Control Change No. 71: CAf 72: Bender 7F 00 40 03 1A 40 03 1B 40 03 1C 40 03 1D 40 03 1E * 00 00 01 00 00 01 00 00 01 00 - 7F 00 - 7F 00 - 7F EFX Control Depth 1 EFX Control Source 2 EFX Control Depth 2 7F *Refer to EFX Control Source 1 00 7F -100% - +100% -100% - +100% Marked #1 or #2 can be controlled by EFX CONTROL SOURCE 1 or 2. Part Parameters This instrument has 16 parts. Parameters that can be set individually for each Part are called Part parameters. If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be specified as one of 16 blocks, from 0 (H) to F (H). x. . . BLOCK NUMBER (0-F), Part 1 (MIDI ch = 1) x = 1 Part 2 (MIDI ch = 2) x = 2 : :: Part 9 (MIDI ch = 9) x = 9 Part10 (MIDI ch = 10) x = 0 Part11 (MIDI ch = 11) x = A Part12 (MIDI ch = 12) x = B : :: Part16 (MIDI ch = 16) x = F 10 Address (H) 40 1x 00 40 1x 01# 40 1x 02 40 1x 03 40 1x 04 40 1x 05 40 1x 06 40 1x 07 40 1x 08 40 1x 09 40 1x 0A * Size (H) 00 00 02 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 Data (H) 00-7F 00-7F 00-10 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 Parameter TONE NUMBER Rx. VALUE 1-128 1-16, OFF OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON Default Value (H) Description 00 0 00 1 Same as the Part Number 01 ON 01 ON 01 ON 01 ON 01 ON 01 ON 01 ON 00 (01*) OFF (ON*) When "GM1 System On" and "GM2 System On" are received, Rx. 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-02 Rx. SOFT MONO/POLY MODE (= CC# 126 01 / CC# 127 00) ASSIGN MODE OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON Mono/Poly 0 = SINGLE 1 = LIMITED-MULTI 2 = FULL-MULTI 01 01 01 01 01 01 01 01 01 00 at x = 0 01 at x 0 ON ON ON ON ON ON ON ON Poly SINGLE at x = 0 LIMITED-MULTI at x 0 40 1x 0B 40 1x 0C 40 1x 0D 40 1x 0E 40 1x 0F 40 1x 10 40 1x 11 40 1x 12 40 1x 13 40 1x 14 * ASSIGN MODE is the parameter that determines how voice assignment will be handled when sounds overlap on identical note numbers in the same channel (i. e. , repeatedly struck notes). This is initialized to a mode suitable for each Part, so for general purposes there is no need to change this. 00 00 01 00-02 USE FOR RHYTHM PART 0 = OFF 1 = MAP1 2 = MAP2 00 at x 0 01 at x = 0 OFF at x 0 MAP1 at x 0 40 1x 15 * This parameter sets the Drum Map of the Part used as the Drum Part. This instrument can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial settings, Part10 (MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)). 00 00 01 00 00 02 28-58 08-F8 PITCH KEY SHIFT PITCH OFFSET FINE -24 - +24 [semitones] -12. 0 - +12. 0 [Hz] Use nibblized data. 40 08 00 0 [semitones] 0 [Hz] 40 1x 16 40 1x 17 40 1x 18# * PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect. 00 00 01 00 00 01 00 00 01 00 00 01 00-7F 00-7F 00-7F 00-7F PART LEVEL (= CC# 7) VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PART PANPOT 0-127 0-127 0-127 -64 (RANDOM), -63 (LEFT) , - +63 (RIGHT) (C-1)-(G9) (C-1)-(G9) 0-95 0-95 0-127 0-127 64 40 40 40 100 64 64 0 (CENTER) 40 1x 19 40 1x 1A 40 1x 1B 40 1x 1C 40 1x 1D 40 1x 1E 40 1x 1F 40 1x 20 40 1x 21 40 1x 22 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-7F 00-7F 00-5F 00-5F 00-7F 00-7F (= CC# 10, except RANDOM) KEY RANGE LOW KEY RANGE HIGH CC1 CONTROLLER NUMBER CC2 CONTROLLER NUMBER CHORUS SEND LEVEL (= CC# 93) REVERB SEND LEVEL (= CC# 91) Rx. BANK SELECT 00 7F 10 11 00 28 C-1 G9 16 17 0 40 40 1x 23 * * * 00 00 01 00-01 OFF/ON 01 (00*) ON (OFF*) "Rx. BANK SELECT" is set to OFF by "GM1 System On, " and Bank Select message will be ignored. "Rx. BANK SELECT" is set to ON by "GM2 System On. " "Rx. BANK SELECT" is set to ON by power-on Reset or by receiving "GS RESET. " 00 00 01 00-01 Rx. BANK SELECT LSB OFF/ON 00 OFF 40 1x 24 * This instrument can be recognise Bank Select LSB (40H-43H) even if this message is OFF. 00 00 01 00 00 03 00-01 00-7F TONE REMAIN Bank Select LSB Range OFF/ON LSB (from) LSB (to) -50 - +50 -50 - +50 -50 - +50 -50 - +50 01 40 43 40 40 40 40 ON 40H 43H 0 0 0 0 40 1x 25 40 1x 28 40 1x 29# 40 1x 30 40 1x 31 40 1x 32 40 1x 33 00 00 01 00 00 01 00 00 01 00 00 01 0E-72 0E-72 0E-72 0E-72 TONE MODIFY 1 Vibrato rate (= NRPN# 8) TONE MODIFY 2 Vibrato depth (= NRPN# 9) TONE MODIFY 3 TVF cutoff frequency (= NRPN# 32) TONE MODIFY 4 11 40 1x 34 40 1x 35 40 1x 36 40 1x 37 00 00 01 00 00 01 00 00 01 00 00 01 0E-72 0E-72 0E-72 0E-72 TVF resonance (= NRPN# 33) TONE MODIFY 5 TVF&TVA Env. attack (= NRPN# 99) TONE MODIFY 6 TVF&TVA Env. decay (= NRPN# 100) TONE MODIFY 7 TVF&TVA Env. release (= NRPN# 102) TONE MODIFY 8 Vibrato delay (= NRPN# 10) SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B -50 - +50 -50 - +50 -50 - +50 -50 - +50 40 40 40 40 0 0 0 0 40 1x 40 40 1x 41# 40 1x 42# 40 1x 43# 40 1x 44# 40 1x 45# 40 1x 46# 40 1x 47# 40 1x 48# 40 1x 49# 40 1x 4A# 40 1x 4B# * 00 00 0C 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] 40 40 40 40 40 40 40 40 40 40 40 40 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. [. . . ] Organ Organ 1* Full Organ 1 Detuned Or. 1 Lower Organ2 Full Organ 6 Full Organ 2 Pop Organ 1 Lower Organ3 Full Organ 7 Pop Organ 1* Pop Organ 2 Pop Organ 3 Full Organ 4 Organ 4 VS Organ Metalic Org. Full Organ 8 Organ 4 Full Organ 3 Organ 2 Jazz Organ4 Jazz Organ 5 Organ 2* Jazz Organ3 Detuned Or. 2 Organ Bass Jazz Organ 6 Jazz Organ Organ 5 Jazz Organ2 Pipe Org. Organ Rock Organ2 Rock Organ1 2 1 1 2 1 1 1 1 1 2 1 1 1 1 1 1 1 1 2 1 2 2 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 2 2 1 1 2 1 2 1 1 1 2 1 1 1 1 2 2 2 1 2 1 1 2 2 1 2 2 2 2 2 2 2 2 2 2 2 2 Copyright © 2002 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. 1 19. [. . . ]