User manual ROLAND GX-700 MIDI IMPLEMENTATION V1
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ROLAND GX-700 V1.00 MIDI IMPLEMENTATION (641 ko)
Manual abstract: user guide ROLAND GX-700MIDI IMPLEMENTATION V1
Detailed instructions for use are in the User's Guide.
[. . . ] 10 Rhythm Group Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Sample Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 System Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Effects List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Volume of the record noise
L in Lo-Fi Radio Lo-Fi R in
Post Filter Type
OFF, LPF, HPF
2-Band EQ
L out
Post Filter Cutoff W/P Noise Type W/P Noise LPF W/P Noise Level # Disc Noise Type Disc Noise LPF
2008000 Hz WHITE, PINK 2008000 Hz, BYPASS 0127 LP, EP, SP, RND 2008000 Hz, BYPASS
2-Band EQ Value
19
R out
Parameter
LoFi Type
Description
Degrades the sound quality. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Basic frequency of the Post Filter
Post Filter Type
OFF, LPF, HPF
Disc Noise Level #
0127
Post Filter Cutoff
2008000 Hz
35
Effects List
Parameter
Radio Detune # Radio Noise Level # Balance # Level
Value
0127
Description
Simulates the tuning noise of a radio. Volume of the radio noise Volume balance between the direct sound (D) and the effect sound (W) Output level
61: PITCH SHIFTER (Feedback Pitch Shifter)
A stereo pitch shifter.
fig. MFX-61
0127 D100:0W D0:100W 0127
L in Pitch Shifter Pitch Shifter R in
2-Band EQ
L out
59: TELEPHONE
fig. MFX-59
2-Band EQ Value
-24 +12 semi
R out
L in R in
Telephone Telephone
L out
Parameter
R out
Coarse #1
Description
Adjusts the pitch of the pitch shifted sound in semitone steps. Adjusts the delay time from the direct sound until the pitch shifted sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level
Parameter
Voice Quality # Treble Balance # Level
Value
015 -15 +15 dB D100:0 D0:100W 0127
Description
Audio quality of the telephone voice Bandwidth of the telephone voice Volume balance between the direct sound (D) and the effect sound (W) Output level
Fine #1 Delay Time
-100 +100 cent 01300 ms, note
Feedback #
-98 +98 %
60: PHONOGRAPH
Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable.
fig. MFX-60
Low Gain High Gain Balance #
-15 +15 dB -15 +15 dB D100:0WD0:100W
Level
0127
Balance D
62: 2VOICE PITCH SHIFTER
L out
Balance W Balance W
L in Phonograph Phonograph R in
Balance D
Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.
fig. MFX-62
R out
L in
Level 1
Balance D
L out
Pan 1 L Pan 1 R Pan 2 L Pan 2 R Balance D Balance W Balance W
Parameter
Signal Distortion Frequency Range
Value
0127 0127
Description
Depth of distortion Frequency response of the playback system Decreasing this value will produce the impression of an old system with a poor frequency response. Rotational speed of the turntable This will affect the frequency of the scratch noise. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level
70: DISTORTION FLANGER
The parameters are essentially the same as in "67: OVERDRIVE FLANGER, " with the exception of the following two. OD Drive Dist Drive, OD Pan Dist Pan
fig. MFX-70
Balance D
0. 0510. 00 Hz, note 0127 -98 +98 %
L in
Feedback
L out
Balance W Balance W
Distortion
Flanger
Flanger Balance #
D100:0WD0:100W
R in
Balance D
R out
Level
0127
71: DISTORTION DELAY
The parameters are essentially the same as in "68: OVERDRIVE DELAY, " with the exception of the following two. OD Drive Dist Drive, OD Pan Dist Pan
68: OVERDRIVE DELAY
fig. MFX-68
L in
Balance D
L out
Balance W
fig. MFX-71
L in
Balance D
L out
Balance W
Overdrive
Delay
Balance W Feedback
Distortion
Delay
Balance W Feedback
R in
Balance D
R out R in
R out
Balance D
38
Effects List
72: ENHANCER CHORUS
fig. MFX-72
74: ENHANCER DELAY
fig. MFX-74
L in
Enhancer
Mix Balance D
L out
Balance W
L in
Enhancer
Mix Balance D
L out
Balance W
Chorus
Balance W
Delay
Balance W Feedback
R in
Enhancer
Mix Balance D
R out
R in
Enhancer
Mix Balance D
R out
Parameter
Enhancer Sens # Enhancer Mix # Chorus Pre Delay Chorus Rate # Chorus Depth Chorus Balance #
Value
0127 0127 0. 0100. 0 ms
Description
Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level
Parameter
Enhancer Sens # Enhancer Mix # Delay Time
Value
0127 0127 02600 ms, note
Description
Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level
0. 0510. 00 Hz, note 0127 D100:0W D0:100W
Delay Feedback #
-98 +98 %
Delay HF Damp
2008000 Hz, BYPASS
Level
0127
73: ENHANCER FLANGER
fig. MFX-73
Delay Balance #
D100:0WD0:100W
Balance D
L in
Enhancer
Mix Feedback
L out
Balance W
Level
0127
Flanger
Balance W
75: CHORUS DELAY
fig. MFX-75
R in
Enhancer
Mix Balance D
R out L in
Balance D
L out
Balance D Balance W Balance W
Parameter
Enhancer Sens # Enhancer Mix # Flanger Pre Delay Flanger Rate # Flanger Depth Flanger Feedback #
Value
0127 0127 0. 0100. 0 ms
Description
Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from when the direct sound begins until the flanger sound is heard. [. . . ] For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480). * TPQN: Ticks Per Quarter Note
(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (Fantom-S/S88) (5) Command ID (DT1) (6) End of Exclusive Then calculate the checksum. 10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 2 = 22 (sum) 22 (sum) ÷ 128 = 0 (quotient) . . . 22 (remainder) checksum = 128 - 22 (remainder) = 106 = 6AH This means that F0 41 10 00 6B 12 10 00 04 00 02 6A F7 is the message should be sent.
76
MIDI Implementation
The Scale Tune Feature (address: 40 1x 40)
The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. [. . . ]
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