User manual ROLAND GS-6 ANNEXE 953

[. . . ] 10 Rhythm Group Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Sample Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 System Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Effects List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Volume of the record noise L in Lo-Fi Radio Lo-Fi R in Post Filter Type OFF, LPF, HPF 2-Band EQ L out Post Filter Cutoff W/P Noise Type W/P Noise LPF W/P Noise Level # Disc Noise Type Disc Noise LPF 200­8000 Hz WHITE, PINK 200­8000 Hz, BYPASS 0­127 LP, EP, SP, RND 200­8000 Hz, BYPASS 2-Band EQ Value 1­9 R out Parameter LoFi Type Description Degrades the sound quality. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Basic frequency of the Post Filter Post Filter Type OFF, LPF, HPF Disc Noise Level # 0­127 Post Filter Cutoff 200­8000 Hz 35 Effects List Parameter Radio Detune # Radio Noise Level # Balance # Level Value 0­127 Description Simulates the tuning noise of a radio. Volume of the radio noise Volume balance between the direct sound (D) and the effect sound (W) Output level 61: PITCH SHIFTER (Feedback Pitch Shifter) A stereo pitch shifter. fig. MFX-61 0­127 D100:0W­ D0:100W 0­127 L in Pitch Shifter Pitch Shifter R in 2-Band EQ L out 59: TELEPHONE fig. MFX-59 2-Band EQ Value -24­ +12 semi R out L in R in Telephone Telephone L out Parameter R out Coarse #1 Description Adjusts the pitch of the pitch shifted sound in semitone steps. Adjusts the delay time from the direct sound until the pitch shifted sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level Parameter Voice Quality # Treble Balance # Level Value 0­15 -15­ +15 dB D100:0­ D0:100W 0­127 Description Audio quality of the telephone voice Bandwidth of the telephone voice Volume balance between the direct sound (D) and the effect sound (W) Output level Fine #1 Delay Time -100­ +100 cent 0­1300 ms, note Feedback # -98­ +98 % 60: PHONOGRAPH Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable. fig. MFX-60 Low Gain High Gain Balance # -15­ +15 dB -15­ +15 dB D100:0W­D0:100W Level 0­127 Balance D 62: 2VOICE PITCH SHIFTER L out Balance W Balance W L in Phonograph Phonograph R in Balance D Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound. fig. MFX-62 R out L in Level 1 Balance D L out Pan 1 L Pan 1 R Pan 2 L Pan 2 R Balance D Balance W Balance W Parameter Signal Distortion Frequency Range Value 0­127 0­127 Description Depth of distortion Frequency response of the playback system Decreasing this value will produce the impression of an old system with a poor frequency response. Rotational speed of the turntable This will affect the frequency of the scratch noise. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level 70: DISTORTION FLANGER The parameters are essentially the same as in "67: OVERDRIVE FLANGER, " with the exception of the following two. OD Drive Dist Drive, OD Pan Dist Pan fig. MFX-70 Balance D 0. 05­10. 00 Hz, note 0­127 -98­ +98 % L in Feedback L out Balance W Balance W Distortion Flanger Flanger Balance # D100:0W­D0:100W R in Balance D R out Level 0­127 71: DISTORTION DELAY The parameters are essentially the same as in "68: OVERDRIVE DELAY, " with the exception of the following two. OD Drive Dist Drive, OD Pan Dist Pan 68: OVERDRIVE DELAY fig. MFX-68 L in Balance D L out Balance W fig. MFX-71 L in Balance D L out Balance W Overdrive Delay Balance W Feedback Distortion Delay Balance W Feedback R in Balance D R out R in R out Balance D 38 Effects List 72: ENHANCER CHORUS fig. MFX-72 74: ENHANCER DELAY fig. MFX-74 L in Enhancer Mix Balance D L out Balance W L in Enhancer Mix Balance D L out Balance W Chorus Balance W Delay Balance W Feedback R in Enhancer Mix Balance D R out R in Enhancer Mix Balance D R out Parameter Enhancer Sens # Enhancer Mix # Chorus Pre Delay Chorus Rate # Chorus Depth Chorus Balance # Value 0­127 0­127 0. 0­100. 0 ms Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level Parameter Enhancer Sens # Enhancer Mix # Delay Time Value 0­127 0­127 0­2600 ms, note Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level 0. 05­10. 00 Hz, note 0­127 D100:0W­ D0:100W Delay Feedback # -98­ +98 % Delay HF Damp 200­8000 Hz, BYPASS Level 0­127 73: ENHANCER FLANGER fig. MFX-73 Delay Balance # D100:0W­D0:100W Balance D L in Enhancer Mix Feedback L out Balance W Level 0­127 Flanger Balance W 75: CHORUS DELAY fig. MFX-75 R in Enhancer Mix Balance D R out L in Balance D L out Balance D Balance W Balance W Parameter Enhancer Sens # Enhancer Mix # Flanger Pre Delay Flanger Rate # Flanger Depth Flanger Feedback # Value 0­127 0­127 0. 0­100. 0 ms Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from when the direct sound begins until the flanger sound is heard. [. . . ] For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480). * TPQN: Ticks Per Quarter Note (1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (Fantom-S/S88) (5) Command ID (DT1) (6) End of Exclusive Then calculate the checksum. 10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 2 = 22 (sum) 22 (sum) ÷ 128 = 0 (quotient) . . . 22 (remainder) checksum = 128 - 22 (remainder) = 106 = 6AH This means that F0 41 10 00 6B 12 10 00 04 00 02 6A F7 is the message should be sent. 76 MIDI Implementation The Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. [. . . ]