User manual ROLAND FANTOM S PARAMETER LIST
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Manual abstract: user guide ROLAND FANTOM SPARAMETER LIST
Detailed instructions for use are in the User's Guide.
[. . . ] Parameter List
Thank you, and congratulations on your choice of the Roland .
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Parameter List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Patch Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Rhythm Set Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Performance Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Stereo location of the Pitch Shift 1 sound Volume of the Pitch Shift1 sound
Scratch Noise Level Dust Noise Level Hiss Noise Level Total Noise Level # Wow Flutter Random Total Wow/ Flutter # Balance # Level
0127 0127 0127 0127 0127 0127 0127 0127 D100:0W D0:100W 0127
Pitch 1:Feedback #
-98 +98 %
Pitch 1:Pan # Pitch 1:Level
L64-63R 0127
36
Effects List
Parameter
Pitch 2: Coarse #2 Pitch 2:Fine #2 Pitch 2:Delay Pitch 2:Feedback # Pitch 2:Pan # Pitch 2:Level Low Gain High Gain Level Balance
Value
-24-+12 semi -100-+100 cent 01300 ms, note -98 +98 % L64-63R 0127 -15 +15 dB -15 +15 dB A100:0B-A0:100B
Description
Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound.
Parameter
Type
Value
ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2
Description
Type of reverb ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance Adjusts the delay time from the direct sound until the reverb sound is heard. Time length of reverberation Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level
Balance
D100:0W-D0:100W
Level
0-127
Gain of the low range Gain of the high range Volume balance between the Pitch Shift 1 and Pitch Shift 2 sounds Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level
Pre Delay
0. 0100. 0 ms
63: STEP PITCH SHIFTER
A pitch shifter in which the amount of pitch shift is varied by a 16step sequence.
fig. MFX-63
Time # HF Damp
0127 2008000 Hz, BYPASS
L in Step Pitch Shifter Step Pitch Shifter R in
2-Band EQ
L out
2-Band EQ Range
-24+12 semi 0. 0510. 00 Hz, note 0127
R out
Low Gain High Gain Balance #
-15 +15 dB -15 +15 dB D100:0WD0:100W
Level
0127
Parameter
Step 0116 Rate # Attack #
Explanation
Amount of pitch shift at each step (semitone units) Rate at which the 16-step sequence will cycle Speed at which the amount of pitch shift changes between steps Duration of the pitch shifted sound at each step Pitch shift adjustment for all steps (2-cent units) Delay time from the original sound until the pitch-shifted sound is heard Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase) Amount of boost/cut for the low-frequency range Amount of boost/cut for the high-frequency range Volume balance of the original sound (D) and pitch-shifted sound (W) Output volume
65: GATED REVERB
This is a special type of reverb in which the reverberant sound is cut off before its natural length.
fig. MFX-65
Gate Time # Fine Delay Time
0127 -100 +100 cent 01300 ms, note
L in
Balance D
2-Band EQ
Balance W
L out
Gated Reverb
Balance W
Feedback #
-98 +98%
R in
Balance D
2-Band EQ
R out
Low Gain High Gain Balance #
-15 +15 dB -15 +15 dB D100:0WD0:100W
Parameter
Type
Value
NORMAL, REVERSE, SWEEP1, SWEEP2
Description
Type of reverb NORMAL: conventional gated reverb REVERSE: backwards reverb SWEEP1: the reverberant sound moves from right to left SWEEP2: the reverberant sound moves from left to right Adjusts the delay time from the direct sound until the reverb sound is heard. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level
Level
0127
64: REVERB
Adds reverberation to the sound, simulating an acoustic space.
fig. MFX-64
Pre Delay
0. 0100. 0 ms
L in
Balance D
2-Band EQ
Balance W
Gate Time
5500 ms
L out
Low Gain High Gain Balance # -15 +15 dB -15 +15 dB D100:0WD0:100W
Reverb
Balance W
R in
Balance D
2-Band EQ
R out
Level # 0127
37
Effects List
66: OVERDRIVE CHORUS
fig. MFX-66
Parameter
L out
Overdrive Drive # Overdrive Pan # Delay Time
Value
0127 L6463R 02600 ms, note
Description
Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level
L in Overdrive R in
Balance D Balance W
Chorus
Balance W
R out
Balance D
Delay Feedback #
-98 +98 %
Parameter
Overdrive Drive # Overdrive Pan # Chorus Pre Delay Chorus Rate # Chorus Depth Chorus Balance #
Value
0127 L6463R 0. 0100. 0 ms
Description
Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level
Delay HF Damp
2008000 Hz, BYPASS
Delay Balance #
D100:0WD0:100W
0. 0510. 00 Hz, note 0127 D100:0WD0:100W
Level
0127
69: DISTORTION CHORUS
The parameters are essentially the same as in "66: OVERDRIVE CHORUS, " with the exception of the following two. OD Drive Dist Drive, OD Pan Dist Pan
fig. MFX-69
Level
0127
67: OVERDRIVE FLANGER
fig. MFX-67
Balance D
L in
Feedback
L out
Balance W Balance W
L in Distortion R in
L out
Balance D Balance W
Chorus
Balance W
Overdrive
Flanger
Balance D
R out
R in
Balance D
R out
Parameter
Overdrive Drive # Overdrive Pan # Flanger Pre Delay Flanger Rate # Flanger Depth Flanger Feedback #
Value
0127 L6463R 0. 0100. 0 ms
Description
Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from when the direct sound begins until the flanger sound is heard. Frequency of modulation Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level
70: DISTORTION FLANGER
The parameters are essentially the same as in "67: OVERDRIVE FLANGER, " with the exception of the following two. [. . . ] Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament. As examples, three possible types of scale setting are explained below.
Equal Temperament
This method of tuning divides the octave into 12 equal parts. It is currently the most widely used form of tuning, especially in occidental music. [. . . ]
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