User manual ROLAND FANTOM XR

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Manual abstract: user guide ROLAND FANTOM XR

Detailed instructions for use are in the User's Guide.

[. . . ] Owner's Manual Thank you, and congratulations on your choice of the Roland Fantom-XR. 201b Before using this unit, carefully read the sections entitled: "IMPORTANT SAFETY INSTRUCTIONS" (p. These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Listening to the Demo Songs fig. 03-001 1 423 1. [. . . ] · Edit Time Stretch VALUE BPM: Time: Change the BPM of the sample to the BPM you specify. VALUE: · Type Either turn the VALUE dial or use [INC][DEC] to set the value. · Point (When Mode is set to POINT) Select the number of the point you want to set. Value: 1­4 · Location (When Mode is set to POINT) Sets the location of the point 1­4. Value: 0­ · Rate Specify the ratio of amplification for the entire sample or at each point. Value: 0­400% Lower settings of this value will make the sound more suitable for faster phrases, and higher settings will make the sound more suitable for slower phrases. Value: TYPE01­TYPE10 · Quality Adjust Make fine adjustments to the tonal quality of the Time Stretch. 1­10 7. Press [ENTER]. Either turn the VALUE dial or use [INC][DEC] to specify the tempo/length. To set the BPM (tempo), you can press and turn the VALUE dial, or use [INC][DEC] to adjust the value below the decimal point. 129 Editing a Sample 6. Press [ENTER]. The sample will be automatically divided according to your settings, and the points will be specified. To cancel, press [EXIT]. 8. Dividing a Sample into Notes (Chop) The chop function divides a sample waveform into separate notes. In the Sample List screen, press [SHIFT] so it lights, and then press . Use or to select "Chop. " 9. Audition the sample as described in the section "Auditioning the Divided Samples" (p. 130) If you want to re-make settings, move the point. "Moving a Dividing Point" (p. When you execute Chop, a message will ask you whether you want to execute Create Rhythm Set. For the rest of the procedure, refer to "Creating a Rhythm Set from samples (Create Rhythm Set)" (p. 3. Press [ENTER]. fig. 15-029 Auditioning the Divided Samples 4. Either turn the VALUE dial or use [INC][DEC] to select the method by which the sample is to be divided. After dividing the sample, you can press the OUTPUT knob to audition each of the divided samples. From the sample nearest to the start point, the samples will be played by [TOP], [1], . . . [15] Move the cursor to Point No. , and turn the VALUE dial or use [INC][DEC] to select the sample you want to audition. Deleting a Dividing Point After the dividing points have been specified, here's how you can delete an unwanted dividing point. Press or to move the cursor to "Point. " Divide x: Divide into `x' number of equal lengths. Press . Either turn the VALUE dial or use [INC][DEC] to set the value. [. . . ] Francisco de Miranda, Centro Parque de Cristal, Nivel C2 Local 20 Caracas VENEZUELA TEL: (212) 285-8586 PORTUGAL Tecnologias Musica e Audio, Roland Portugal, S. A. Cais Das Pedras, 8/9-1 Dto 4050-465 PORTO PORTUGAL TEL: (022) 608 00 60 LEBANON Chahine S. A. L. Gerge Zeidan St. , Chahine Bldg. , Achrafieh, P. O. Box: 16-5857 Beirut, LEBANON TEL: (01) 20-1441 VIETNAM Saigon Music Suite DP-8 40 Ba Huyen Thanh Quan Street Hochiminh City, VIETNAM Tel: (08) 930-1969 QATAR Al Emadi Co. Box 62, Doha, QATAR TEL: 4423-554 ASIA CHINA Roland Shanghai Electronics Co. , Ltd. 5F. No. 1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800 ROMANIA EUROPE AUSTRIA Roland Austria GES. M. B. H. Siemensstrasse 4, P. O. Box 74, A-6063 RUM, AUSTRIA TEL: (0512) 26 44 260 FBS LINES Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609 AUSTRALIA/ NEW ZEALAND AUSTRALIA Roland Corporation Australia Pty. , Ltd. 38 Campbell Avenue Dee Why West. [. . . ]

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