User manual ROLAND E-35 MIDI IMPLEMENTATION

[. . . ] A value of 0 results in the fastest change. Data Entry (Controller number 6, 38) Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH n = MIDI channel number: kk = note number: vv = note on velocity: * * Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument. n = MIDI channel number: 0H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Polyphonic Key Pressure Status AnH 2nd bytes kkH 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 00H-7FH (0-127) Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial Value = 64H (100) n = MIDI channel number: kk = note number: vv = key pressure: * * n = MIDI channel number: vv = Volume: * * Not received when Rx. POLY PRESSURE (PAf) = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect. Volume messages are used to adjust the volume balance of each Part. [. . . ] Determines whether the signal passes through the speaker (ON), or not (OFF). Type of speaker Adjusts the location of the mic that's capturing the sound of the speaker. This can be adjusted in three steps, from 1 to 3, with the mic becoming more distant as the value increases. Volume of the microphone Volume of the direct sound Stereo location of the output Output level 2 3 4 5 6 7 8 8 9 Manual #2 Rate Mode Rate #1 Rate Depth Polarity 0 - 127 0-1 1 - 127 0 - 21 0 - 127 0-1 Adjusts the basic frequency from which the sound will be modulated. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level 3 4 5 6 7 8 9 Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Presence Pre Amp Bright 0 - 127 0 - 127 0-2 0 - 127 0 - 127 0 - 127 0 - 127 Resonance Cross Feedback 0 - 127 0 - 98 0-127 -98- +98 % 0-127 (MATCH Drive: -127 - 0) Off, On 10 11 12 13 Mix Low Gain High Gain Level 0 - 127 0 - 30 0 - 30 0 - 127 0-127 -15- +15 dB -15- +15 dB 0-127 10 0-1 11 Speaker Sw 0-1 Off, On 0129: Multi Stage Phaser Extremely high settings of the phase difference produce a deep phaser effect. No 1 Parameter Mode Value 0-5 4-Stage, 8-Stage, 12-Stage, 16-Stage, 20-Stage, 24-Stage 0-127 Hz, note 0. 05-10. 00 Hz note 0-127 0-127 0-127 L64-63R -15- +15 dB -15- +15 dB 0-127 Description Number of phaser stages 12 13 Speaker Type #2 Mic Setting 0 - 15 0-2 (See the table. ) 1, 2, 3 14 15 16 17 Mic Level Direct Level Pan Level 0 - 127 0 - 127 0 - 127 0 - 127 0-127 0-127 L64-63R 0-127 Manual #2 Rate Mode Rate #1 Rate Depth Resonance Mix Pan Low Gain High Gain Level 0 - 127 0-1 1 - 127 0 - 21 0 - 127 0 - 127 0 - 127 0 - 127 0 - 30 0 - 30 0 - 127 Adjusts the basic frequency from which the sound will be modulated. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the output sound Gain of the low range Gain of the high range Output Level Specifications of each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. Gain of the low range Gain of the high range Output Level 3 4 5 Rate #1 Rate Depth #2 Low Gain High Gain Level 1 - 127 0 - 21 0 - 127 0 - 30 0 - 30 0 - 127 0. 05-10. 00 Hz note 0-127 -15- +15 dB -15- +15 dB 0-127 012b: Ring Modulator This is an effect that applies amplitude modulation (AM) to the input signal, producing belllike sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. No 1 2 3 Parameter Frequency #1 Sens Polarity Value 0 - 127 0 - 127 0-1 0-127 0-127 Up, Down Description Adjusts the frequency at which modulation is applied. Determines whether the frequency modulation moves towards higher frequencies (Up) or lower frequencies (Down). Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output level 2 3 Manual #2 Peak 0 - 127 0 - 127 0-127 0-127 4 5 6 7 Low Gain High Gain Balance #2 Level 0 - 30 0 - 30 0 - 100 0 - 127 -15- +15 dB -15- +15 dB D100:0WD0:100W 0-127 4 5 Sens Polarity 0 - 127 0-1 0-127 Up, Down 0125: Tremolo Cyclically modulates the volume to add tremolo effect to the sound. No 1 Parameter Mod Wave Value 0-4 Tri, Sqr, Sin, Saw1, Saw2 Description Modulation Wave Tri: Triangle wave Sqr: Square wave Sin: Sine wave Saw1/2: Sawtooth wave When this is set to "note, " the effect is synchronized with the tempo. Frequency of the change (Hz) Frequency of the change (note) Depth to which the effect is applied Gain of the low range Gain of the high range Output Level 6 7 8 9 10 Rate Mode Rate #1 Rate Depth Phase 0-1 1 - 127 0 - 21 0 - 127 0 - 90 Hz, note 0. 05-10. 00 Hz note 0-127 0-180 deg 2 Rate Mode 0-1 Hz, note 11 12 13 Low Gain High Gain Level 0 - 30 0 - 30 0 - 127 -15- +15 dB -15- +15 dB 0-127 0103: Humanizer Adds a vowel character to the sound, making it similar to a human voice. No 1 2 3 4 5 6 7 8 9 Parameter Drive Sw Drive #2 Vowel1 Vowel2 Rate Mode Rate Rate #1 Depth Input Sync Sw Value 0-1 0 - 127 0-4 0-4 0-1 1 - 127 0 - 21 0 - 127 0-1 Off, On 0-127 a, e, i, o, u a, e, i, o, u Hz, note 0. 05-10. 00 Hz note 0-127 Off, On When this is set to "note, " the effect is synchronized with the tempo. Frequency at which the two vowels switch (Hz) Frequency at which the two vowels switch (note) Effect depth Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF). Volume level at which reset is applied Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. [. . . ] Output Level 2 3 4 5 6 0-1 1 - 127 0 - 21 0 - 127 0 - 98 Hz, note 0. 05-10. 00 Hz note 0-127 -98- +98 % 5 Delay Time 0 - 21 note 6 7 Delay Feedback Delay HF Damp 49 - 89 0 - 17 0- +80 % 200-8000 Hz, Bypass 7 8 9 Flanger Balance #1 Delay Mode Delay Time 0 - 100 0-1 0 - 127 D100:0WD0:100W ms, note 1-2540 ms 8 Delay Balance #2 0 - 100 D100:0WD0:100W 10 Delay Time 0 - 21 note 9 Level 0 - 127 0-127 11 12 Delay Feedback Delay HF Damp 49 - 89 0 - 17 0- +80 % 200-8000 Hz, Bypass 0209: ChorusDelay This effect connects a chorus and a delay in series. No 1 Parameter Chorus Pre Delay Chorus Rate Mode Chorus Rate Chorus Rate Chorus Depth Chorus Balance #1 Delay Mode Delay Time Value 0 - 125 0. 0-100. 0 ms Description Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Volume balance between the direct sound (D) and the chorus sound (W) When this is set to "note, " the effect is synchronized with the tempo. [. . . ]