User manual ROLAND AT-80S MIDI IMPLEMENTATION

[. . . ] 8, 2002 Version: 1. 00 Portamento Time (Controller number 5) Status BnH 2nd bytes 05H 3rd byte vvH 1. Receive data Channel Voice Messages Note off Status 8nH 9nH 2nd byte kkH kkH 3rd byte vvH 00H n = MIDI channel number: vv = Portamento Time: * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial value = 00H (0) This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change. Data Entry (Controller number 6, 38) Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH n = MIDI channel number: kk = note number: vv = note off velocity: * * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 00H-7FH (0-127) For Drum Parts, these messages are received when Rx. NOTE OFF = ON for each Instrument. The velocity values of Note Off messages are ignored. n = MIDI channel number: 0 H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH Note on Status 9nH 2nd bytes kkH 3rd byte vvH n = MIDI channel number: vv = Volume: * * * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial Value = 64H (100) n = MIDI channel number: kk = note number: vv = note on velocity: * * 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 01H-7FH (1-127) Volume messages are used to adjust the volume balance of each Part. [. . . ] For compatibility with other GS models, it is recommended that the maximum polyphony be equal or less than 24. 00 00 01 00-07 REVERB MACRO 00: Room 1 01: Room 2 02: Room 3 03: Hall 1 04: Hall 2 05: Plate 06: Delay 04 Hall 2 40 01 30 8 MIDI IMPLEMENTATION 07: Panning Delay 0-7 0-7 0-127 0-127 0-127 40 01 31 40 01 32 40 01 33 40 01 34 40 01 35 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-07 00-07 00-7F 00-7F 00-7F REVERB CHARACTER REVERB PRE-LPF REVERB LEVEL REVERB TIME REVERB DELAY FEEDBACK 04 00 40 40 00 4 0 64 64 0 REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most suitable value. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number. 40 01 38 00 00 01 00-07 CHORUS MACRO 00: Chorus 1 01: Chorus 2 02: Chorus 3 03: Chorus 4 04: Feedback Chorus 05: Flanger 06: Short Delay 07: Short Delay (FB) 0-7 0-127 0-127 0-127 0-127 0-127 0-127 02 Chorus 3 40 01 39 40 01 3A 40 01 3B 40 01 3C 40 01 3D 40 01 3E 40 01 3F 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-07 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F CHORUS PRE-LPF CHORUS LEVEL CHORUS FEEDBACK CHORUS DELAY CHORUS RATE CHORUS DEPTH CHORUS SEND LEVEL TO REVERB 00 40 08 50 03 13 00 0 64 8 80 3 19 0 CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the most suitable value. Part Parameters [Model ID = 42H] AT-S has 16 parts. Parameters that can be set individually for each Part are called Part parameters. If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be specified as one of 16 blocks, from 0 (H) to F (H). x. . . BLOCK NUMBER (0-F), Part 1 (MIDI ch = 1) x = 1 Part 2 (MIDI ch = 2) x = 2 ::: Part 9 (MIDI ch = 9) x = 9 Part10 (MIDI ch = 10) x = 0 Part11 (MIDI ch = 11) x = A Part12 (MIDI ch = 12) x = B ::: Part16 (MIDI ch = 16) x = F Address (H) 40 1x 00 40 1x 01# 40 1x 02 40 1x 03 40 1x 04 40 1x 05 40 1x 06 40 1x 07 40 1x 08 40 1x 09 40 1x 0A Size (H) 00 00 02 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 Data (H) 00-7F 00-7F 00-10 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 Parameter TONE NUMBER Rx. VALUE 1-128 1-16, OFF OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON Default Value (H) 00 00 Same as the Part Number 01 01 01 01 01 01 01 00 (01*) Description 0 1 ON ON ON ON ON ON ON OFF (ON*) Rx. NRPN is set to OFF by power-on or by receiving "Turn General MIDI System On, " and it will be set ON when "GS RESET" is received. 40 1x 0B 40 1x 0C 40 1x 0D 40 1x 0E 40 1x 0F 40 1x 10 40 1x 11 40 1x 12 40 1x 13 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 Rx. SOFT MONO/POLY MODE (= CC# 126 01 / CC# 127 00) USE FOR RHYTHM PART 1 = MAP1 2 = MAP2 OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON Mono/Poly 01 01 01 01 01 01 01 01 01 ON ON ON ON ON ON ON ON Poly 40 1x 15 00 00 01 00-02 0 = OFF 01 at x = 0 00 at x 0 MAP1 at x = 0 OFF at x 0 9 MIDI IMPLEMENTATION This parameter sets the Drum Map of the Part used as the Drum Part. AT-S can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial settings, Part10 (MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)). 40 1x 16 40 1x 17 40 1x 18# 00 00 01 00 00 02 28-58 08-F8 PITCH KEY SHIFT PITCH OFFSET FINE Use nibblized data. -24 - +24 [semitones] -12. 0 - +12. 0 [Hz] 40 08 00 0 [semitones] 0 [Hz] PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect. 40 1x 19 40 1x 1A 40 1x 1B 40 1x 1C 40 1x 1D 40 1x 1E 40 1x 1F 40 1x 20 40 1x 21 40 1x 22 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-5F 00-5F 00-7F 00-7F PART LEVEL (= CC# 7) VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PART PANPOT (= CC# 10, except RANDOM) KEY RANGE LOW KEY RANGE HIGH CC1 CONTROLLER NUMBER CC2 CONTROLLER NUMBER CHORUS SEND LEVEL (= CC# 93) REVERB SEND LEVEL (= CC# 91) TONE MODIFY 1 Vibrato rate (= NRPN# 8) TONE MODIFY 2 Vibrato depth (= NRPN# 9) TONE MODIFY 3 TVF cutoff frequency (= NRPN# 32) TONE MODIFY 4 TVF resonance (= NRPN# 33) TONE MODIFY 5 TVF&TVA Env. attack (= NRPN# 99) TONE MODIFY 6 TVF&TVA Env. decay (= NRPN# 100) TONE MODIFY 7 TVF&TVA Env. release (= NRPN# 102) TONE MODIFY 8 Vibrato delay (= NRPN# 10) SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B 0-127 0-127 0-127 -64 (RANDOM), -63 (LEFT) - +63 (RIGHT) (C-1)-(G9) (C-1)-(G9) 0-95 0-95 0-127 0-127 64 40 40 40 00 7F 10 11 00 28 100 64 64 0 (CENTER) C-1 G9 16 17 0 40 40 1x 30 40 1x 31 40 1x 32 40 1x 33 40 1x 34 40 1x 35 40 1x 36 40 1x 37 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 00 00 01 0E-72 0E-72 0E-72 0E-72 0E-72 0E-72 0E-72 0E-72 -50 - +50 -50 - +50 -50 - +50 -50 - +50 -50 - +50 -50 - +50 -50 - +50 -50 - +50 40 40 40 40 40 40 40 40 0 0 0 0 0 0 0 0 40 1x 40 40 1x 41# 40 1x 42# 40 1x 43# 40 1x 44# 40 1x 45# 40 1x 46# 40 1x 47# 40 1x 48# 40 1x 49# 40 1x 4A# 40 1x 4B# * 00 00 0C 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] -64 - +63 [cent] 40 40 40 40 40 40 40 40 40 40 40 40 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change simultaneously. [. . . ] AEx Brass Orch. Tutti 1 Orch. Tutti 2 Orch. Tutti 3 Fr. Horn Sect Fr. HornSect2 Fr. HornSect3 Fr. HornSect4 Orch. Brs Ens MutedFr. Horn Sax. Section Sax. Section2 Sax. Section3 P31 P21 P15 P11 P17 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Lead 00h/00h/6Dh 00h/00h/6Eh 00h/00h/6Fh 00h/00h/70h 00h/00h/71h 01h/00h/71h 01h/00h/6Dh 02h/00h/71h 01h/00h/6Fh 00h/00h/48h 00h/00h/55h 00h/00h/49h Synth. Lead5 CC Solo JP SuperSaw Sugar Key HollowReleas Accordion Bandoneon Harmonica L11 L12 L21 S18 S11 S12 S13 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Nylon-str. Gt Nylon Gt. 2 Fl. Guitar Fl. Gtr. Roll Requinto Gtr AEx Gtr+Str Ac. Gtr Sld Ac. Gtr Hrm Steel-str. Gt 12str Guitar SemAc. Guitar Jazz Guitar Clean Guitar JC E. Guitar Overdrive Gt DistortionGt Power Guitar Rock Rhythm Muted Guitar Hawaiian Gt. Banjo Banjo Treml Mandolin Koto Taisho Koto Shamisen Harp Harp 2 Celtic Harp Nylon Harp Harpvox Sitar Organ Harp N31 N16 N21 N13 N11 N12 M41 M31 M32 M21 M22 M23 M11 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Woodwinds 00h/00h/62h 01h/00h/62h 02h/00h/62h 05h/00h/62h 04h/00h/62h 03h/00h/62h 00h/00h/36h 00h/00h/63h 01h/00h/63h 02h/00h/63h 00h/00h/64h 01h/00h/64h 00h/00h/6Ah 04h/00h/6Ah 01h/00h/6Ah 02h/00h/6Ah 03h/00h/6Ah 00h/00h/65h 01h/00h/65h 02h/00h/65h 03h/00h/65h 04h/00h/65h 00h/00h/6Bh 00h/00h/6Ch 01h/00h/6Ch 02h/00h/6Ch Flute Flute2 Flute3 AEx Flute Piccolo Tin Whistle Synth. Flute Pan Flute Pan Flute 2 Bottle Blow Oboe AEx Oboe Bassoon Bassoon 2 English Horn Wood Winds Wood Winds 2 Clarinet Clarinet2 Clarinet3 Clarinet4 Bs Clarinet Shakuhachi HumanWhistle Bagpipe Uillean Pipe R51 R52 R41 R42 R32 R31 R21 R22 R13 R16 R11 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Tone Name Honky-tonk2 Stage Rhodes Dyno Rhodes E. Piano1 E. Piano2 E. Piano3 E. Piano4 AEx EP+Str Harpsichord Clavi. [. . . ]