User manual RANE TTM56S SCHEMA

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RANE TTM56S SCHEMA: Download the complete user guide (412 Ko)

Manual abstract: user guide RANE TTM56SSCHEMA

Detailed instructions for use are in the User's Guide.

[. . . ] AUX Outputs may be used for recording, booth monitoring, or a second zone. · FlexFXTM allow assignment of PGM 1, PGM 2 or both to the effects loop. You get great results when using the Channel Faders or Crossfader with reverb or other delay effects. · Three-band Accelerated-SlopeTM EQ allows full cut of each band. [. . . ] The RETURN jacks provide input for the signal returning from your effects processor. To use with effects insert devices with a single TRS, tip=send, ring=return jack, you need a "Y" cable, as shown below. RED 1-CONDUCTOR SHIELDED CABLE RED SHIELD T = SEND R = RETURN S = SHIELD SEND RED SHIELD 1-CONDUCTOR SHIELDED CABLE RED SHIELD RETURN Send/Return Cable Wiring Manual-2 Outputs AUX OUT may be used for recording, booth monitoring, a second zone, or for connecting to another mixer for session mix. MASTER OUT includes two sets of stereo outputs: The ¼" TRS jacks provide high current balanced (Tip-Ring-Sleeve) output. Use the balanced output whenever driving equipment with a balanced input, or when running distances greater than 10 feet (3 meters). Due to the high drive capability and low impedance, never use a mono ¼" Tip/Sleeve (no ring) plug in this jack. Use the RCA unbalanced outputs for shorter runs connecting to unbalanced devices. See RaneNote 110 if you need to convert between balanced and unbalanced or run long distances. Mic Section MIC LEVEL sets the gain of the Mic Input. There is no engage switch, so set the MIC LEVEL to zero (0) when not in use. Adjust MIC LEVEL so the OL indicator flashes only when you shout into the mic. MIC HIGH and LOW tone controls provide as much as 12 dB of boost or 12 dB of cut. These controls have no effect when the controls are set to their center detent (12 o'clock). MIC 4 2 0 10 6 8 OFF +6 2 0 10 PGM 1 4 6 8 2 0 10 4 6 PGM 2 8 OFF +6 LEVEL OL HIGH GAIN GAIN HIGH -12 +12 OFF +6 EQ EQ OFF +6 HIGH MID MID -12 +12 OFF +6 FlexFX FlexFX OFF +6 LOW LOW LOW 4 2 0 6 8 10 L PAN R DRY WET L PAN R AUX IN Program and Aux Input Section PGM 1 inputs are sent to the left side of the Crossfader. This allows a fast cut on one side and slow blending on the other (or any combination you choose). A 0 -2 -4 -7 -10 -20 REVERSE MODE 1 MODE 2 B Meters Meters provide switchable true stereo Master Mix or dual-mono PGM1 / PGM2 indication of Pre-Program Fader signal levels. With the Program Fader set to maximum, the input GAIN should be set to indicate an average level of about +4 dB. CONTOUR A CROSSFADER REVERSE MODE CONTOUR B Manual-4 FlexFX Loop FlexFX switches send PGM 1, PGM 2 or both to the stereo effects loop. You get great results when using the Channel Faders or Crossfader with reverb or other delay effects. DRY equals no effect, WET gives maximum effect. Output Section MASTER control sets the level for both the unbalanced and balanced Master Outputs. AUX OUTPUT control sets the level of the Auxiliary Outputs. 2 4 6 8 0 10 Headphone Cueing The headphone amp in the TTM 56 has a high power output (unlike most you have used before). · The headphone output of the TTM 56 delivers very high volume to your headphones. · To avoid pain, never put headphones on your head before plugging them in. · Always start with the PHONES LEVEL turned down, and then turn it up to the desired level. 2 2 MASTER 4 6 8 0 10 AUX OUT 4 6 8 0 10 · Because of the high current and low output impedance, never short one side to ground, or short left and right together as is possible with mono cup headphones. · Low power headphone stages typically use large resistors on their outputs, which allow shorting, but prevent high power. MASTER / CUE switch is used to select the headphone monitor source: · Use MASTER (out) to rehearse your performance. This signal is the same as the MASTER OUT, but is not affected by the MASTER LEVEL control. [. . . ] Connecting the Faders to anything other than the intended cable in the TTM 56 could permanently damage them. The cable connections are specially designed for Rane magnetic Faders. Q: Can I install a different magnetic Fader in my mixer or swap the position of my Faders?In order to achieve the highest possible accuracy, each magnetic Fader is factory calibrated for the location in which it was shipped. [. . . ]

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