User manual RANE TTM 56S

[. . . ] · Auxiliary Inputs and Outputs, with independent level controls, give session mixing ability. AUX Outputs may be used for recording, booth monitoring, or a second zone. · FlexFXTM allow individual assignment of PGM 1, PGM 2 or both to the effects loop. You get great results when using the program faders or crossfader with reverb or other delay effects. [. . . ] The Mic Input minimum gain is 26 dB, so a line-level mic source (such as a wireless receiver) must be padded. Adjust the Mic Level so the OL indicator flashes only when you really shout into the mic. 2 PGM 1 4 6 8 0 10 2 0 10 4 6 8 PGM 2 2 OUTPUT LEVELS 4 2 0 6 8 10 1 2 3 4 2 4 6 8 SOURCE OL GAIN GAIN SOURCE MIC LEVEL 0 4 OFF +6 L R L R OFF +6 2 0 MAIN 10 6 8 10 HIGH PAN IN PAN IN HIGH MIC HIGH -12 +12 AUX OUT EQ 4 OFF +6 2 0 10 6 8 EQ OFF -12 +12 MID +6 OUT OUT MID MIC LOW 4 6 8 0 10 PHONES PGM 1 OFF +6 OUT PGM 2 MASTER CUE MIC HIGH and LOW tone controls provide as much as 12 dB of boost or 12 dB of cut. These controls have no effect when the controls are set to their center detent (12 o'clock). AUDIO PRECISION AMPL(dBr) vs FREQ(Hz) 20 18 16 14 12 Low +12, High +12 10 8 6 4 2 Low 0, High 0 0 -2 -4 -6 -8 Low -12, High -12 -10 -12 -14 -16 -18 -20 20 LOW FlexFX OUT OFF LOW +6 AUX IN DRY WET PGM 1 PGM 2 CUE KILL SLOW FAST SLOW FAST SLOW KILL FAST CHANNEL SWAP FADER 1 CONTOUR REVERSE CROSSFADE CONTOUR REVERSE FADER 2 CONTOUR REVERSE 100 1k 10k 50k Combined response of the Mic tone controls Program Sections PGM 1 inputs are sent to the left side of the crossfader. (with the Fader 1 Reverse switch out and LED off ) PGM 2 inputs are sent to the right side of the crossfader. (with the Fader 2 Reverse switch out and LED off ) SOURCE switches select which inputs are assigned to each of the Programs. Set the Gain controls to indicate an average signal level of +4 on the meter with the program faders set to maximum. Don't use the Gain controls to set the output level. . . use the Main Level control to set the output level. This is a very simple thing, yet makes a huge difference in mixer performance. EQ switches engage the 3-bandPGM1 / PGM2 tone MONO STEREO controls. EQ switches may be usedHOUSE in conjunction with the High, Mid and Low controls as "kill" switches by turning any or all of them Off. Set the rotary controls and flip the switch. OL +8 +4 +2 0 ­2 ­4 ­8 KILL switches provide quick program mute, much like the Transform switches on the previous TTM 56. The signal is ON in the up postion, the straight out position Kills the signal. Aux Input AUX IN adds another line-level input to the mix. This input comes in after the Crossfader and FlexFX Loop. HIGH tone controls affect frequencies ­16 above 4 kHz. This filter is just above the vocal range, A and can make small tonal changes, or eliminate high frequency signals. MID tone controls affect frequencies from 300 Hz to 4 kHz (vocal midrange). PAN controls adjust the Left and Right balance of PGM 1 and PGM 2. FlexFX Loop B PERFORMANCE MIXER FlexFX switches send PGM 1, PGM 2 or both to the stereo effects loop. You get great results when using the program faders or crossfader with reverb or other delay effects. The green indicator lights when FlexFX is engaged for either Program. TTM 56S WET/DRY pan control lets you set the amount of effect in the mix. DRY equals no effect, WET gives maximum effect. Output Levels MASTER control sets the level for both the unbalanced and balanced Master Outputs. AUX OUTPUT control sets the level going to the Auxiliary Outputs. Manual-3 Faders The program faders and crossfader are magnetic, non-contact faders. The program faders and crossfader each have their own Contour and Reverse (hamster) controls. CHANNEL SWAP switch allows the left-hand or right-hand Fader to alternately control PGM 1 or PGM 2. (Don't confuse with the REVERSE switches, see below. ) CONTOUR controls allow smooth, continuous adjustment of contour. [. . . ] If you do, make sure the parts are standing straight before reinstalling. NOTE: In order to achieve the highest possible accuracy, each magnetic fader is factory calibrated for the location in which it was shipped. Disconnect the ribbon cable, noting the orientation of the red stripe. Sugary liquids spilled into a fader may be removed by thoroughly rinsing the part in hot water. [. . . ]