User manual RANE TTM 56

[. . . ] · The CROSSFADER MODE switch allows selecting two sets of curves: MODE 1 gives the familiar PGM 1 to PGM 2 cross-fade response. MODE 2 gives a center cut response (PGM 1 and PGM 2 are off in the center). · Independent CONTOUR controls for each side of the crossfader allow cut on one side and blending on the other (or any combination). · Auxiliary Inputs and Outputs, with independent level controls, give session mixing ability. [. . . ] These controls have no effect when the controls are set to their center detent (12 o'clock). 2 MIC 4 6 8 0 10 OFF +6 PGM 1 4 2 0 10 6 8 2 0 10 4 6 PGM 2 4 8 OFF +6 2 0 4 2 LEVEL OL HIGH GAIN GAIN HIGH MAS -12 HIGH +12 OFF MID +6 EQ EQ OFF MID +6 AUX 4 2 0 -12 LOW +12 OFF LOW +6 FlexFX FlexFX OFF LOW +6 PHONE 0 4 2 0 6 8 10 L AUX IN PAN R DRY WET L PAN R MAST Program and Aux Input Section56 TTM PERFORMANCE MIXER PGM 1 inputs are sent to the left side of the crossfader. (with the REVERSE switch out) CHANNEL REVERSE PGM 1 C PGM 2 inputs are sent to the right side of the crossfader. (with the REVERSE switch out) AUX INPUT adds another line-level input to the mix. Set the GAIN controls to indicate an average signal level of +4 TRANSFORM TRANSFORM on the meter with the program faders set to maximum. Don't 1 the GAIN controls to set the output level. . . use the MASTER MODE use MODE 2 LEVEL control to set the output level. This is a very simple thing, yet makes a huge difference in the performance of your mixer. EQ switches may be used in conjunction with the Hi, Mid and Low controls as "kill" FAST switches. Set the rotary controls and flip the switch. STEREO HOUSE HIGH tone controls affect frequencies above 4 kHz. CONTOUR of control is +6 dB to OFF (full kill). This filter is just above the vocal range, and can make small tonal changes, or eliminate high frequency signals. MONO PGM1 / PGM2 REVERSE REVERSE MODE 1 MODE 2 CONTO MID tone controls affect frequencies from 300 Hz to 4 kHz (vocal midrange). Don't use these excessively for left/right pan effect, they are -7 not as durable as the Faders. -10 -20 -4 +2 SLOW +10 S REVERSE MODE 1 MODE 2 Manual- AUX IN 0 10 L PAN R DRY WET L PAN R MA TTM 56 CHANNEL REVERSE switch allows the left-hand or right-hand Fader to alternately control PGM 1 or PGM 2. (Don't confuse with the program fader REVERSE switch, see below. ) TRANSFORM switches provide two functions: · PHONO / LINE source selection for PGM 1 and 2. The switches are easily field replaceable and may be rotated in 45° increments. See page Manual-10 for instructions. FAST PERFORMANCE MIXER CHANNEL REVERSE PGM 1 REVERSE MODE 1 MODE 2 REVER TRANSFORM TRANSFORM MODE 1 MODE 2 CONTOUR SLOW MONO PGM1 / PGM2 STEREO HOUSE CO +10 +7 +4 +2 0 -2 -4 -7 -10 -20 Faders The program faders and crossfader are magnetic, non-contact faders. The program faders and crossfader each have their own CONTOUR, REVERSE (hamster) and MODE controls. Program fader CONTOUR controls: allow smooth, continuous adjustment of contour for both MODE 1 and MODE 2. Program fader REVERSE switches change the direction of the program faders. When the reverse switch is engaged, up is down and down is up (hamster). CROSSFADER MODE switch allows selecting two sets of crossfader curves. MODE 2 gives a center cut response (PGM 1 and PGM 2 off in the center). CROSSFADER CONTOUR A & B provide independent control for each side of the crossfader. [. . . ] If you do, make sure the parts are standing straight before reinstalling. NOTE: In order to achieve the highest possible accuracy, each magnetic fader is factory calibrated for the location in which it was shipped. Sugary liquids spilled into a fader may be removed by thoroughly rinsing the part in hot water. Make sure the part is clean and dry before lubricating or reinstalling. [. . . ]