User manual RANE MP 22

[. . . ] Consult the Rane factory for a replacement or substitution. Manual-1 FRONT PANEL DESCRIPTION 1. Front panel MAIN MIC input: Use this three pin connector for connecting a balanced microphone of any impedance. MIC EQ controls: These two controls adjust the frequency contour of both Microphone Inputs. Positioning these controls to the "12 o'clock" position turns the Mic Equalization off. [. . . ] This treatment extends longevity and can make used faders as good as new. Bernardo Drive San Diego CA 92127-1904 Phone 619-451-1799 Fax 619-451-2799 Web www. caig. com Manual-3 REAR PANEL DESCRIPTION 1. REMOTE MIC/LINE INPUT: This ¼" tip-sleeve INPUT is for wireless mics or other high-impedence sources. MICROPHONE LOOP jacks: These ¼" tip-sleeve connectors are for inserting external signal processing in the microphone circuit only. PHONO GROUND screw: This GROUND SCREW can facilitate your hum chasing, buzz eliminating experiments. This provides a place to connect those extra wires coming out of the turntables. PHONO/LINE 1 & 2 INPUTS: These stereo Inputs are switchable from a PHONO (RIAA) stage for magnetic cartridges to a LINE level INPUT suitable for any line level device such as a CD player. Each INPUT may be adjusted with its TRIM control for level matching purposes if desired. LINE 3, 4, 5 & 6 INPUTS: These stereo pairs of RCAs connect LINE level INPUTS only. Each INPUT may be adjusted with its TRIM control for level matching purposes if desired. MASTER LOOP SEND & RETURN: These stereo pairs of RCA connectors are for inserting external signal processing in the MASTER, ZONE and HEADPHONE circuits. These are switching jacks--always finish the loop when connecting send or return. Only connect to a device that is capable of returning signal back to the MP 22. AUX LINE INPUT: This stereo pair of RCA connectors is an extra set of LINE level Inputs with an independent front panel LEVEL control (see #7, Front Panel). TAPE OUTPUT: These RCA connectors are line level Outputs intended for use with a tape recorder, but not necessarily restricted to that purpose. MIC & AUX TO TAPE OUT switch: In the YES position the MIC and AUX signals with all INPUTS are routed to the TAPE OUTPUT. In the NO position only program material from INPUTS 1 through 6 will appear at the TAPE OUTPUT. MIC & AUX TO ZONE 1 switch: In the YES position the MIC and AUX signals along with all INPUTS are routed to the ZONE 1 OUTPUT. In the NO position only program material from INPUTS 1 through 6 will appear at the ZONE 1 OUTPUT. ZONE OUTPUTS: These stereo pairs of RCA connectors are LINE level OUTPUTS with an independent front panel LEVEL control (see #8, Front Panel) and are not affected by the MASTER LEVEL control. MASTER OUTPUTS 1 & 2: This stereo pair of RCA connectors provides two identical stereo LINE level OUTPUTS. Chassis ground point: This screw is provided for connection, if required, to chassis ground. [. . . ] Modifying the sound of the mic in this way won't affect the EQ of the music in the system. The three Equalizer sections (Mic and Input A and B Channels) are totally independent. When the mic is not in use, release the MIC ENGAGE switch again to its up position, extinguishing the LED. Should the microphone preamp become overloaded, the red LED OverLoad light illuminates. [. . . ]