User manual RANE C4
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Manual abstract: user guide RANE C4
Detailed instructions for use are in the User's Guide.
[. . . ] OPERATORS MANUAL
C4
QUAD COMPRESSOR / LIMITER
-12 -6 -10 dBr 0 +10 +20 dBu
-3
-1 TH 18 12
8
4
2
1
1
MASTER
LINK
2
SLAVE -20 -10
-12 -6 dBr 0 +10 +20 dBu
-3
-1 TH 18 12
8
4
2
1 -10
-12 -6 dBr 0 +10 +20 dBu
-3
-1 TH 18 12
8
4
2
1
3
MASTER
LINK
4
SLAVE -20 -10
-12 -6 dBr 0 +10 +20 dBu
-3
-1 TH 18 12
8
4
2
1
-20 -30 -40
2 1. 5 1 5 10 -6 -12
Reduction dB 0 +6 +12 ACTIVE BYPASS LIMIT 3 -20 -30 Hard Soft -40 dBu -10 0 +10 +22 dB 6 12 24
2 1. 5 1 5 10 -6 -12
Reduction dB 0 +6 +12 ACTIVE BYPASS LIMIT 3 -20 -30 Hard Soft -40 dBu -10 0 +10 +22 dB 6 12 24
-20 -30 -40
2 1. 5 1 5 10 -6 -12
Reduction dB 0 +6 +12 ACTIVE BYPASS LIMIT 3 -20 -30 Hard Soft -40 dBu -10 0 +10 +22 dB 6 12 24
2 1. 5 1 5 10 -6 -12
Reduction dB 0 +6 +12 ACTIVE BYPASS LIMIT 3 -20 -30 Hard Soft -40 dBu -10 0 +10 +22 dB 6 12 24
-30 -40
-30 -40
COMP THRESHOLD
100 50 25 250 500 Auto 2 1 0. 5 5 10 125 20 125 50 25
RATIO
500 1s 2s ms Auto
n:1
GAIN
dB
COMP THRESHOLD
100 50 25 250 500 Auto 2 1 5 10 125 20 125 50 25
RATIO
500 1s 2s ms Auto
n:1
GAIN
dB
COMP THRESHOLD
100 50 25 250 500 Auto 2 1 5 10 125 20 125 50 25
RATIO
500 1s 2s ms Auto
n:1
GAIN
dB
COMP THRESHOLD
100 50 25 250 500 Auto 2 1 5 10 125 20 125 50 25
RATIO
500 1s 2s ms Auto
n:1
GAIN
dB
ATTACK
ms
RELEASE
640 3. 15k
KNEE
0
LIMIT THRESHOLD
Headroom
ATTACK
ms
RELEASE
640 3. 15k 20k
KNEE
0
LIMIT THRESHOLD
Headroom
ATTACK
ms
RELEASE
640 3. 15k 20k
KNEE
0
LIMIT THRESHOLD
Headroom
ATTACK
ms
RELEASE
640 3. 15k 20k
KNEE
0
LIMIT THRESHOLD
Headroom
QUAD COMPRESSOR POWER
C4
Comp Listen
BANDWIDTH
oct
FREQUENCY PEQ
Hz
20k
-12
GAIN
dB
+12
0. 5
SIDE-CHAIN
BANDWIDTH
oct
FREQUENCY PEQ
Hz
-12
GAIN
dB
+12
Comp Listen Dynamic EQ
0. 5
SIDE-CHAIN
BANDWIDTH
oct
FREQUENCY PEQ
Hz
-12
GAIN
dB
+12
Comp Listen Dynamic EQ
0. 5
SIDE-CHAIN
BANDWIDTH
oct
FREQUENCY PEQ
Hz
-12
GAIN
dB
+12
Comp Listen Dynamic EQ
SIDE-CHAIN
Quick Start
Rejected Rane advertising slogan #1743: "C4. It'll blow your mind!" We're not entirely sure why the marketing department didn't like the idea, but be assured: unlike its explosive material namesake, the C4 Quad Compressor will not blow up. The only thing smokin' will be your mix, thanks to the C4's smooth compression, precise dynamic EQ and ultra-fast limiting. Each of the C4's four channels offers a full-featured compressor with selectable Compressor and Dynamic EQ modes. [. . . ] Example: With THRESHOLD set to -15 dB, the TH indicator lights when the sibilant portion of the program material is 15 dB below the broadband program material. If the sibilants are 18 dB below the broadband material, then the 3 dBr indicator is lit. Gain Reduction Display The Gain Reduction meter displays the amount of gain correction presently applied to the signal, lighting from right to left as the amount of gain reduction increases. In Compressor mode, this meter display the amount of gain correction being applied to the broadband program material. this meter shows the amount of gain correction being applied to the dynamic EQ (DEQ) in the main signal chain. This meter does not reflect any gain reduction occurring due to limiting. Gain Reduction meter ballistics follow the actual gain correction value as determined by the THRESHOLD, RATIO, ATTACK, RELEASE and KNEE controls. Gain reduction may be indicated when the Threshold indicator is off, as attack and decay rates may dictate continued gain reduction even when the rms level is below threshold.
MIXER
C4
Figure . Connection to a mixing console.
MIC INPUT INSERT SEND INSERT RETURN
GRAPHIC EQ
MASTER CONTROL
4 2 0 OL 10 BYPASS 6 8 ±12 ±6 RANGE LEVEL + 6 4 2 1 0 1 2 4 6 25 31. 5 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1k 1. 25k 1. 6k 2k 2. 5k 3. 15k 4k 5k 6. 3k 8k 10k 12. 5k 16k 20k + 12 8 5 2 0 2 5 8 12
ME 30B
MICROGRAPHIC EQUALIZER
POWER
CH 1 SIDE-CHAIN CH 1 INPUT CH 1 OUTPUT
MIXER
C4
Figure . Using an external equalizer in the side-chain.
Manual-6
MASTER / SLAVE Stereo Link
1
MASTER
LINK
2
SLAVE
3
MASTER
LINK
4
SLAVE
When channels are Linked · Bypassing the Master channel does not automatically bypass the Slave channel. Channel ACTIVE / BYPASS switches are the only controls which do not follow the Master channel, making it possible to bypass each channel individually. · Selecting Listen on the Master channel automatically puts both channels into Listen mode. Side-chain function switch indicators are turned off on the Slave channel. · Meters for Master and Slave channels remain active, indicating both channels are being processed. ACTIVE / BYPASS
The MASTER / SLAVE switches link channels 1 & 2, or channels 3 & 4 for stereo operation. When linked, the associated LINK indicator lights and only the controls of the Master channel (channel 1 or channel 3) are active, with the exception of channel ACTIVE / BYPASS switches. This feature helps preserves a stable left/right image when compressing a stereo source, such as a vocal or horn submix.
-12 -6 -10 dBr 0 +10 +20 dBu 2 1. 5 1 5 10 -6 -12 -3 -1 TH 18 12 8 4 2 1
1
MASTER
LINK
2
SLAVE -20 -10
-12 -6 dBr 0 +10 +20 dBu
-3
-1 TH 18 12
8
4
2
1
-20 -30 -40
Reduction dB 0 +6 +12 ACTIVE BYPASS LIMIT 3 -20 -30 Hard Soft -40 dBu -10 0 +10 +22 dB 6 12 24
2 1. 5 1 5 10 -6 -12
Reduction dB 0 +6 +12 ACTIVE BYPASS LIMIT 3 -20 -30 Hard Soft -40 dBu -10 0 +10 +22 dB 6 12 24
-30 -40
ACTIVE
BYPASS
COMP THRESHOLD
100 50 25 250 500 Auto 2 1 0. 5 5 10 125 20 125 50 25
RATIO
500 1s 2s ms Auto
n:1
GAIN
dB
COMP THRESHOLD
100 50 25 250 500 Auto 2 1 5 10 125 20 125 50 25
RATIO
500 1s 2s ms Auto
n:1
GAIN
dB
ATTACK
ms
RELEASE
640 3. 15k 20k
KNEE
0
LIMIT THRESHOLD
Headroom
ATTACK
ms
RELEASE
640 3. 15k 20k
KNEE
0
LIMIT THRESHOLD
Headroom
BANDWIDTH
oct
FREQUENCY PEQ
Hz
-12
GAIN
dB
+12
Comp Listen Dynamic EQ
0. 5
SIDE-CHAIN
BANDWIDTH
oct
FREQUENCY PEQ
Hz
-12
GAIN
dB
+12
Comp Listen Dynamic EQ
SIDE-CHAIN
Figure . Active controls in Linked Mode
Stereo Linking in Compressor Mode Linked Compressors use the rms sum of the two channels' sidechains, and display this summed result on the side-chain dBr meters of both channels. The Master channel settings determine the actual gain reduction characteristics. Linked Controls in Dynamic EQ Mode When channels are linked in Dynamic EQ mode, both channels use the Master channels' control settings, but the dynamic EQ essentially functions independently for each channel. Combining the rms values of broadband and bandpass signals, as is done in Compressor mode, is of no advantage in Dynamic EQ mode. Stereo-Linked Limiters When channels are linked, the Master channel Limit Threshold setting determines the maximum output level for both channels. [. . . ] Good settings for natural sounding, yet compressed vocals, are a medium fast (25 50 ms) attack and a medium-slow (100 ms 1 sec) release. Releasing too quickly sounds unnatural, while attacking too slowly misses the problem surges. Adjust the ratio to match the dynamics of the singer, with 2:1 being a good starting point.
Manual-0
ATTACK Vocals Clicky Bass Mushy Bass Medium to Fast Fast Medium to Slow
RELEASE Medium to Slow Fast Medium to Slow Slow Medium to Slow Fast Fast Slow
RATIO 2:1 to 4:1 4:1 or higher 4:1 4:1 or higher (more sustain) 4:1 5:1 or higher 4:1 2:1 to 10:1
KNEE Soft Hard Hard Hard Medium Hard Hard Hard
Raging Electric Guitar Fast Acoustic Guitar Brassy Horns Drums (kick, snare) Drums (cymbals) Medium to Slow Fast Fast Fast
Table . Suggested Compressor Settings
Bass It is common for the sound mixer to reduce the bass signal because it overwhelms the total system. [. . . ]
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