User manual PYLE PYD1002

[. . . ] This mixer permits you to choose cables with either RCA jacks or 1/4" jacks for this connection, but do not use both sets of jacks simultaneously. Playing the Mixer's Output Signal Recording the Mixer's Output Signal To record the mixer's output signal, connect audio patch cords (not supplied) from the mixer's REC (Record) L and R jacks to your tape deck's left and right input jacks. Monitoring the Mixer's Output signal in the DJ Booth To monitor the mixer's output on a second set of speakers in the DJ booth (or in a remote location), connect an audio patch cord from the mixer's ZONE L and R jacks to the additional amplifier's left and right input jacks. (PYD-1005) Pyle Pro Mixer Owner's Manual - 3 Connecting the Mixer Inputs Two Microphones Two Turntables Four CD players Two Two Two Two Microphones Turntables CD players Cassette Decks Two Two Two One One This mixer permits connection of up to eight (8) audio input sources, including up to two microphones. Such a system might include, for example: Microphones Turntables CD players Rhythm Synth Cassette Deck Please observe the following: Do not connect any audio source with a HIGH LEVEL OUTPUT to the LOW LEVEL PHONO 1 or PHONO 2 mixer audio input jacks (an audio source output with a volume control is HIGH LEVEL). Connect audio inputs as follows: 1. Connect the DJ's MIC 1 (not supplied) to the mic input jack in the upper left corner of the mixer control panel. The special combo jack permits you to connect with either a 1/4" plug or XLR plug. DJ MIC Use 1/4" or XLR-type jack 2. [. . . ] To monitor the audio input sources so that you can decide when to mix in each input, see "Monitoring `Cueing' the Inputs. " 5. To mix the audio input sources so that you can play them through your amplifier system or record them on your tape deck, see "Mixing the Inputs. " Monitoring ("Cueing") the Inputs Follow these steps to monitor the audio input sources. Perform Steps 1 and 2 of "Turning on the Mixer" and put headphones on. Set the CUE switch of the input source (CH1, CH2 or CH3) to the ON position. CUE switch 3. Set the desired audio input source's volume to its minimum setting, turn it on, and set it to play (or speak continuosly into the microphone). Slowly turn the CUE LEVEL control clockwise until you hear the signal through the headphones at the desired volume level. CUE Level Control 5. Repeat Steps 2-4 to select and adjust the volume level of the other audio input sources, one at a time. 6 ­ Pyle Pro Mixer Owner's Manual Mixing the Inputs Follow these steps to mix the audio input sources. Set the selected audio input source's volume to its minimum setting, turn it on, and set it to play (or speak continuously into the microphone). Sliding the control towards the A position will increase the level of A and fade out B proportionally to the distance from center. Likewise, sliding the control towards the B position will increase the level of B and fade out A. Crossover Assign Switches 8 ­ Pyle Pro Mixer Owner's Manual Using the Tone Controls To enhance the sound or tailor the highs, mids (PYD-1005) and low frequencies for audio source input to the acoustics of a particular performance environment, you can adjust the BASS, MID (PYD-1005) and TREBLE tone controls. Rotating the bass control, for example, will boost the bass frequencies in the bass range. Tone Controls Using the Frequency Kill Switches (PYD-1005) For unique circumstances or interesting special effects, you can completely eliminate the bass, mid or treble frequency range from selected input by pressing the Kill button for that range. When the Kill mode is active, the LED above the button will be illuminated. Frequency Kill Switches Using the Zone Level Control (PYD-1005) If you have a separate set of monitor speakers in the DJ booth or in a remote location, you can adjust the output level to these speakers using the Zone Level control. Zone speaker level is controlled independent of the Master Level control. Zone Level Control Pyle Pro Mixer Owner's Manual ­ 9 Using the Master Balance Control (PYD-1005) In the typical performance environment, you will want the sound to appear to be coming from a point midway between the speakers. If the sound appears to be louder from one speaker, adjust the Balance Control until the sound is properly balanced. Master Balance Control Using the Master Level Control The overall volume of the mix of all inputs is adjusted using the Master Level control. Turning this control clockwise increases the overall system volume. Master Level Control Changing and Viewing the Dual Meter Modes Your mixer's Dual Meter Mode feature allows you to view the levels of each of the left and right channels in the current mix, or to view the cued (upcoming) program level compared with the current mix (summed). To change the current display, press the Meter Mode button. The LEDs immediately to the left of the button indicate the current meter mode. Meter Mode Switch 10 ­ Pyle Pro Mixer Owner's Manual Using the "Punch" Controls (PYD-1005 ) This featured control lets you smoothly and quickly turn a playing source on and off, or switch between the two different input sources assigned to Crossfade Channel A and B. With the Crossfader at 100% Channel A (all the way to the left), pressing the Channel A Punch Button will mute the Channel A material. Similarly, with the Crossfader at 100% Channel B (all the way to the right), pressing the Channel B Punch Button will mute the Channel B material. Punch Control With the Crossfader in the middle position, press the Channel A punch button and the Channel A material will be subtracted from the mix, leaving only Channel B material. [. . . ] This warranty is limited to the original retail purchaser of the mixer. Should the unit fail due to factory defects in material or workmanship, your unit will be repaired or replaced at the sole discretion of PYLE. To obtain warranty service, you must first call our Consumer Return Hotline at (718) 236-6948 to obtain a Return Authorization Number. # must appear on the outside of your package and on all paperwork relating to your return. [. . . ]