User manual PEAVEY REALPIANO DIGITAL PRO 2

[. . . ] ® OWNERS MANUAL Generalmusic PRO 1/PRO 2 Page 1 GEN ERA LM US IC English Generalmusic PRO 1/PRO 2 Page 2 ® OWNERS MANUAL GEN ERA LM US IC English Generalmusic PRO 1/PRO 2 Page 1 General safety instructions Power source · Be sure that you are using a Generalmusic approved power adaptor to power the instrument Handling the power cord · Never touch the power adaptor or its plug with wet hands. · Never pull on the cord to remove it from the wall socket, always pull the plug. · If the power adaptor or its cord is scarred, cut or broken, or has a bad contact, it will be a potential fire hazard or source of serious electric shock. NEVER use a damaged power adaptor; replace it immediately with the correct replacement type. [. . . ] A program change message received on the common channel will not change one of the individual sounds on the keyboard. Midi Transpose It is possible, using this function, to have the midi note messages from a particular sound transposed to a higher or lower key. In this way, the PRO 1/PRO 2's internal sounds will not be transposed but the sounds from the attached sound module will play at a different pitch. Use the DATA slider to choose which sounds you want to affect and use the front panel TRANSPOSE buttons to choose the amount of transposition. This feature is particularly useful when, for example, you might want to mix the internal piano sound with a synth sound from another sound module. When you connect the module via MIDI, you find that the synth voice is playing in the wrong octave. Using the Midi transpose function you can transpose the external synth sound without affecting the internal piano sound. Midi IN Filters This function allows you to block the reception of certain MIDI messages which might be unwanted on some occasions. For example; if you were playing a midi file from an external sequencer using the ELECTRIC PIANO 2 sound on the PRO 1 or PRO 2, you might find that every time you start playback of the sequence, it switches to PIANO 1. This happens because the sequence includes a Program Change message at the beginning of the song. To overcome this problem, you would select the MIDI IN FILTER for "Program" messages. This means that the instrument would then ignore any Program Change messages that it receives. These messages are said to have been "filtered out" of the incoming MIDI data stream. Generalmusic PRO 1/PRO 2 Page 30 The messages that can be filtered are as follows; Program Volume All Cont. Prog + Vol Pedals Pitch Midi program change messages Midi volume message All midi controller functions, (volume, modulation, pan etc. ) Program change and volume Hold, sustain, sostenuto, soft Pitch bend 6. This function is used to stop the instrument from transmitting certain MIDI messages which might be unwanted on some occasions. For example; if you were to connect the instrument to an external MIDI sound module and mix the module's sounds with the instrument's own internal sounds, you might wish to adjust the volume level of the PRO 1/ PRO 2's internal sounds independently without affecting the volume of the sounds in the module. Under normal circumstances, this would not be possible with a regular MIDI connection. When you reduce the volume of the PRO 1/PRO 2 it sends a "Midi Volume" message to the sound module. Another problem which might occur is, when you select a new sound on the PRO 1/PRO 2, a "Program Change" message would also be sent to the sound module causing its sound to be changed too. Both of these problems could be overcome by selecting the MIDI OUT FILTER for "Prog + Vol". This means that the instrument would no longer send out these unwanted messages. The messages that can be filtered are as follows; Program Volume All Cont. [. . . ] 36 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Reset All Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Restore Performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Restore user tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]