User manual PEAVEY ADDVERB II

[. . . ] all channels , including Channel 9 , have a dedicated digital effects send routed directly to the DSP effects processor. To take advantage of the ADDVERB II's powerful features, please read this owner's manual carefully and keep it as a reference. This manual includes several sections detailing individual areas of mixer operation, including: control functions, setup, and applications in sound reinforcement. Before the channel and master functions are explained, we will begin with connecting AC power and speakers to the ADDVERB II. [. . . ] Some of these configurations are displayed in the hookup diagram found at the end of this manual. POWER AMP INPUTS: Plugging into these jacks allows the user to go directly into the Graphic Equalizers (L and R), then into its respective power amplifier channel. This means that if you plug into the jack you will defeat any prior signal from the channel, master and effects sections of the amp. A benefit of this feature is that you can then use the internal stereo EQ and power amp with or without using the channel and effects sections. Essentially, you can use the ADDVERB II as a slave stereo EQ/power amp when needed. rIGHT OUTPUT: This 1/4" jack provides an output from the Right Main mix to supply external amp/speaker combinations. MONITOR OUTPUT: This 1/4" jack provides an output from the monitor mix to supply external power amp/monitor combinations. ) This signal can be used with external effects units or as an additional (post fader) monitor output. The MASTER FUNCTIONS section describes those features that are considered master controls. Essentially, this makes up all of the functions on the right-hand, front panel side of your ADDVERB II. EFFECTS PEAK LED: Illuminates to indicate -6 dB of headroom before the signals being sent to the effects circuit are clipped. When the phantom power is enabled, this connector has +48 V on Pins 2 (in phase) and 3 with Pin 1 as the ground reference. The tip is the positive (in phase) input, which can also be used for unbalanced inputs. This signal is connected through a 20 dB pad to the mic input below it. Within the same channel, the Mic Input and the Line Input cannot be used simultaneously. Proper adjustment of the input gain will maximize the signal to noise ratio giving you the quietest operation. With your Channel Fader (35) set to the "0" position, set this control so that the Clip LED (34) barely lights at the highest peaks in your input signal. This control sets the amount of cut or boost at the mid-frequency (850 Hz). ) MON: Adjusts the level of the channel signal (pre-EQ) that is added to the Monitor mix. DIGITAL EFFECTS: This control varies the level into the digital effects processor bus by adjusting the signal level from the particular channel to the digital processor. The digital effects send is after the channel fader and is therefore affected by the channel fader setting. In the stereo Channels (7, 8 and 9) this control acts as a balance control between the two separate inputs. [. . . ] Do not defeat the safety purpose of the polarized or grounding-type plug. What This Warranty Does Not Cover The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not purchased from an Authorized Peavey Dealer. Who This Warranty Protects This Warranty protects only the original retail purchaser of the product. Speakers, baskets, drivers, diaphragm replacement kits and passive crossovers) and all Accessories Tubes and Meters Duration 2 years *(+ 3 years) 2 years *(+ 1 year) 3 years *(+ 2 years) 1 year *(+ 1 year) 2 years 1 year 90 days [*denotes additional warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase. [. . . ]