User manual PEAVEY 32FX

[. . . ] 16, 24 and 32 Channel · Four-Bus Mixing Consoles FXTM Mixer Series Operating Manual www. peavey. com Intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. WARNING: To prevent electrical shock or fire hazard, this apparatus should not be exposed to rain or moisture, and objects filled with liquids, such as vases, should not be placed on this apparatus. Before using this apparatus, read the operating guide for further warnings. [. . . ] These signals are also sent to the EFX1 and EFX2 internal effects processors, respectively. AFL Switch/AFL-Clip LED This switch directs the post-fader (AFL) signal to the Headphone output (37) and activates the PFL/AFL LED display. Selecting AFL allows monitoring of AUX Masters with the full PFL/AFL Level Display as well as allowing the operator to hear the output. 20 21 10 Front Panel Phantom Power Switch This switch applies +48 VDC voltage to the input XLR connectors to power condenser microphones requiring phantom power. This switch is recessed into the console and requires a small "tool" such as a pencil or pen tip to activate. A regular low impedance dynamic mic such as the PVMTM 22 will not be harmed. The Line inputs (49&50) are not connected to the +48 V supply and are safe for balanced or unbalanced inputs. Caution: If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR inputs. Consult their manuals. ) Note: Make sure the Master Level Faders (40) are completely down when switching on the phantom power and when connecting microphones to the Mic inputs to prevent pops from affecting the loudspeakers. 23 22 43 47 44 45 46 33 27 38 39 19 28 29 30 41 20 21 22 23 24 25 32 42 31 36 35 34 Left, Right, Bus Assign Switches These post-fader switches determine where the Group mix signal is being sent. For example, if each individual drum mic is assigned to Group 1, depressing the Left button will send the drum mix to the Left bus and to the Left Out (54) on the rear panel. Mute Switch/Mute-Clip LED This switch mutes its respective Group send from the Group channel. This switch is equipped with a red LED that will illuminate when the Group is muted. When the Mute button is out, the LED functions as a Clip indicator that will illuminate at 2 dB below clipping. 24 40 26 37 11 Front Panel 25 AFL Switch/Signal-AFL LED This switch connects the Group's post-fader signal to the PFL/AFL mix. When the AFL button is in, the Group's signal can be monitored through the headphones and/or on the PFL/AFL display. A yellow LED in the Master section will blink to indicate that the signal on the Master LED display and the Headphone Output is the PFL/AFL mix. When the AFL button is out, the yellow group LED will blink as an indication of signal presence (-30 dBu). Group Fader This control varies the signal level from - to +10 dB and sends the signal from the Group to the Left and/or Right buses and to the Group Output jacks (53). TO AUX 1 & TO AUX 2 Controls These controls determine the level of the respective Effects Return signal that is sent to the respective AUX bus, allowing musicians/singers to hear internal and/or external effects in their monitors. NOTE: Due to the creation of an electronic feedback loop, do not use AUX Sends 1 or 2 as the path to external equipment that is to be sent back to the corresponding AUX mix (1 or 2). BAL This control determines the placement of the Effects Return signal's position with respect to the assigned L/R and Group 1-4 buses. Rotating the control counterclockwise (L) sends more signal to the LEFT output and odd-numbered GROUPS; rotating clockwise (R) sends more signal to the RIGHT output and even-numbered GROUPS. EFX LEVEL Control This control determines the level of the Effects Return signal being sent to its assigned buses. 1/2, 3/4, L/R Bus Assign Switches Like the channel assign switches, these buttons determine the bus assignment of the Effects Return signal. [. . . ] WARNING: The fuse should only be replaced when the power cord has been disconnected from its power source! 19 A B C D LEFT RIGHT GROUP1 GROUP2 GROUP3 GROUP4 AUX1 AUX2 AUX3 AUX4 AUX5/EFX1 AUX6/EFX2 PFL/AFL PFLCTRL GROUPS 1-4 GROUP INSERT GROUP FADER MUTE GROUP OUT AFL SIG/ PFL MUTE/ CLIP MONO CHANNELS L/R EQ ASSIGN +48V PHANTOM PWR FROM SWITCH IN MASTER SECTION FADER MUTE LO MID HI PAN GROUP MIC 3/4 AUX1 LOW +/AUX 1-4 PRE EQ SELECT LOW CUT 1/2 GAIN HI PASS LINE MID +/- F AUX2 RIGHT AUX3 LEFT HI +/- INSERT AUX 1-4 POST EQ SELECT T=OUT R=IN MEDIA INPUT SIG/ PFL MEDIA IN LEVEL AUX5/EFX1 LEFT/ RIGHT/ MONO MONO L/R AUX4 LEFT RIGHT MUTE/ CLIP AUX6/EFX2 PFL STEREO CHANNELS PFL/AFL L/R MEDIA MUTE BALANCE +48V PHANTOM PWR FROM SWITCH IN MASTER SECTION PFL/AFL LOGIC FADER ASSIGN L/R HI +/1/2 LOW CUT EQ MIC HEADPHONE OUT HEADPHONE LEVEL MIC GAIN LO MID HI HI PASS STEREO EQ STEREO USB LOW +/- MID +/- LOGIC PFL/AFL ACTIVE SHORT TO MIX L/R & MEDIA IN REC OUT LEFT REC OUT LEVEL LEFT/ MONO 3/4 LO MID HI CHAN 15/16 ONLY AUX1 AUX 1-4 PRE EQ SELECT STEREO GAIN RIGHT RIGHT STEREO INPUT L/R DIRECT CHANNEL AUX2 UNBAL LEFT FEEDBACK FERRETR Graphic EQ AUX 1-4 POST EQ SELECT LEFT/ MONO FADER BAL LEFT/ MONO OUT AUX3 Block Diagram-16FXTM, 24FXTM & 32FXTM 20 MUTE/ CLIP SIG/ PFL AUX4 AUX5/EFX1 AUX6/EFX2 PFL EFX1 LEVEL MUTE BALANCE COMPUTER RIGHT FEEDBACK FERRETR Graphic EQ USB INTERFACE RIGHT/ MONO FADER UNBAL MEMORY RIGHT/ MONO OUT BAL AFL/ CLIP AUX 1 ASSIGN L/R AFL AUX1 SEND AUX1 OUT 1/2 AFL/ CLIP AUX1 3/4 LEFT OUTPUTS RIGHT AUX 2 AUX2 SEND AUX2 OUT AFL FROM AUX 5 AUX2 INPUT EFX2 PATCH LEFT OUTPUTS RIGHT EFX 1 PROCESSOR MUTE/ CLIP AFL FROM AUX 6 INT EFX2 RTN EXT PATCH INPUT EFX 2 PROCESSOR AUX 3 & 4 AUX EFX2 PATCH SIG/ AFL AFL/ CLIP AUX SEND T=IN R=OUT EFX2 LEVEL MUTE BALANCE ASSIGN L/R AFL AUX OUT 1/2 EFX2 RETURN 3/4 AUX1 AUX 5 & 6 AUX AUX2 LEFT/ MONO AFL/ CLIP AUX SEND AUX OUT AFL AFL AUX 5 TO EFX 1 AUX 6 TO EFX 2 RIGHT MUTE/ CLIP · · · ·· SIG/ AFL · ···· · · · · · ··· ···· · FX_ D B C D Sheet 2 A FXTM Series Specifications Inputs Function Microphone (150 Ohms) Input Gain (Ohms min) Setting 2. 2k Max Gain (60 dB) Min Gain (0 dB) Input Z Min* -76 dBu -16 dBu -56 dBu +4 dBu -26 dBu -6 dBu -36 dBu -16 dBu Input Levels Nominal** -56 dBu +4 dBu -36 dBu +24 dBu -16 dBu +4 dBu -16 dBu +4 dBu Max -40 dBu Bal/ Unbal Bal Connector XLR Pin 1 Gnd Pin 2 (+) Pin 3 (-) +20 dBu -20 dBu Bal +40 dBu +2 dBu Unbal +22 dBu +2 dBu Unbal +22 dBu 1/4" TS; Tip (+) Sleeve Ground 1/4" TRS; Tip (send) Ring (return) Sleeve Ground 1/4" TRS; Tip (+) Ring (-) Sleeve Ground 1/4" TS; Tip (+) Sleeve Ground 1/4" TRS; Tip (+) Ring (-) Sleeve Ground Line (10 k Ohms) 20k Max Gain (40 dB) Min Gain (-20 dB) Stereo Line (direct to L/R) 10k Max Gain (20 dB) Nominal Gain (0dB) Stereo Line (via channel) 10k Max Gain (20 dB) Nom Gain (0dB) Channel and Group Insert Return 22k N/A (0dB) Max Gain (10 dB) -16 dBu -16 dBu -6 dBu -16 dBu -6 dBu +4 dBu -6 dBu +4 dBu -6 dBu +4 dBu +22 dBu +12 dBu Unbal EFX2 Return 20k Nom gain (0dB) Max Gain (10dB) +22 dBu +10 dBu +20 dBu Bal Unbal RCA Jacks Media In 10k Nom Gain (0db) 0 dBu=0. 775 V (RMS) * Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain. ** Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary controls) for nominal output. Microphone gain control is as specified. 21 16FXTM, 24FXTM and 32FXTM Specifications Outputs Function Min Load Z () Output Levels Nominal Max +4 dBu Master Left/Right 600 +4 dBu Groups 1-4 and Aux 1-6 Record Out Channel and Group Insert Send Headphone 600 2k 600 8 +4 dBu +4 dBu +4 dBu +4 dBu +22 dBu +22 dBu +22 dBu +22 dBu +22 dBu Bal Unbal Unbal Unbal +22 dBu Bal 1/4" TRS; Tip (+), Ring (-) Sleeve Ground 1/4" TRS: Tip (+), Ring (-) Sleeve Ground RCA Jacks 1/4" TRS; Tip (send), Ring (return) Sleeve Ground 1/4" TRS; Tip (left), Ring (right) Sleeve Ground Bal/ Unbal Connector XLR Pin 1 Gnd Pin 2 (+), Pin 3 (-) 0 dBu=0. 775 V (RMS) Gain Mic Input Gain Adjustment Range: Mic Input to Left/Right Balanced Output Line Input Gain Range: Line Input to Left/Right Balanced Output Stereo Line Input Gain Range: Stereo Line Input to Left/Right Balanced Output 0 dB to +60 dB 80 dB (max gain) -20 dB to +40 dB 60 dB (max gain) - to +20 dB +30 dB direct to L/R output - +40 dB via channel (max gain) Frequency Response Mic Input to Left/Right Output 20 Hz to 20 kHz 0 dB/-1 dB Total Harmonic Distortion & Noise 0. 01% 20 Hz to 20 kHz Mic to Left/Right Output 0. 005% Mic Pre-amp (22 Hz to 22 kHz BW) (22 Hz to 22 kHz BW) Hum and Noise Output Master Left/Right Residual Noise -100 dBu -82 dBu -80 dBu -98 dBu -90 dBu -83 dBu S/N Ratio (Ref: +4dBu) Test Conditions 104 dB 86 dB 84 dB 102 dB 94 dB 87 dB Master Fader Down, Channel Levels Down Master Fader Nominal, Channel Levels Down Master Fader Nominal, Channel Faders Nominal, Panned Odd Channels (left), Even Channels (right) Master Fader Down, Channel Levels Down Master Fader Nominal, Channel Levels Down Master Fader Nominal, Channel Faders Nominal Panned Odd Channels (left), Even Channels (right) All controls off All channel sends nominal, masters nominal Groups 1-4 -101 dBu 105 dB -81 dBu 85 dB (Hum and noise measurements: 22 Hz to 22 kHz BW) Aux 1-6 22 16FXTM, 24FXTM and 32FXTM Specifications Equivalent Input Noise (EIN) -129 dBu (Mic input terminated with 150 Ohms) Crosstalk/Attenuation Adjacent Input Channels (1 kHz) -70 dB typical Left to Right Outputs (1 kHz) -70 dB typical Mute Button Attenuation (1 kHz) -80 dB typical Channel Fader Kill (1 kHz) -80 dB typical Common Mode Rejection Ratio (Mic Input) -50 dB minimum (20 Hz to 20 kHz) -60 dB typical @ 1 kHz Phantom Power +48 volts Signal/Clip Indicators Yellow: -30 dBu Red: 2 dB below clipping Dimensions 16FX: 7. 25"h x 19. 0"w x 18. 0"d on table top 16. 7" wide without rack ears (18. 4cm x 48. 3cm x 45. 7cm on table top) (42. 4cm wide without rack ears) 10RU (17. 44") x 19. 0" x 7. 25" in equipment rack; 6. 75" behind rack (44. 3cm x 48. 3cm x 18. 4cm in equipment rack) (17. 1cm behind rack) 24FX: 7. 75" high x 24. 4" wide x 18. 8" deep (19. 7cm x 619cm x 47. 7cm) 32FX: 7. 75" high x 32. 5" wide x 18. 8" deep (19. 7cm x 82. 6cm x 47. 7cm) Installation Note, Ventilation: This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12" Weight 16FX: 22 lbs. (30. 0 kg) Power Requirements 16FX dosmetic: 120 VAC 60 Hz 50 watts nominal 16FX export: 230 VAC 50/60 Hz 50 watts nominal 24FX: 100-240 VAC 50/60 Hz 60 watts nominal 32FX: 100-240 VAC 50/60 Hz 70 watts nominal Test Conditions: 120 VAC 60 Hz maintained throughout testing 2 NOTES 2 NOTES 2 NOTES 2 PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY Effective Date: July 1, 1998 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U. S. A. [. . . ]