User manual MK SOUND SUBS

[. . . ] powered subwoofer operation manual K-11 K-10 K-9 Miller & Kreisel Sound Corporation 9351 Deering Avenue Chatsworth, CA 91311-5858 USA (818) 701-7010 fax (818) 701-0369 www. mksound. com ©2002 Miller & Kreisel Sound Corp. powered subwoofers page 2 TABLE OF CONTENTS 1. SAFETY INSTRUCTIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 INTRODUCTION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 WHERE TO LOCATE YOUR SUBWOOFER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 SUBWOOFER HOOK-UP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 WIRING WITH THE RCA JACK INPUTS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 USING SPEAKER WIRE CONNECTIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 SATELLITE SPEAKER WIRING OPTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 PLUGGING IN THE SUBWOOFER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 5. SATELLITE/SUBWOOFER PHASING TEST. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 USE OF THE "LOW PASS FILTER" CONTROL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 USE OF THE "BYPASS" SWITCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 USING MULTIPLE SUBWOOFERS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 K-11 SUBWOOFER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 HOME THEATRE USAGE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 CONNECTING TO A SURROUND SOUND RECEIVER OR PROCESSOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 11. TROUBLESHOOTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 IF YOU NEED SERVICE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 M&K 5. 1 CHANNEL & PRO-LOGIC SYSTEM SETUP GUIDE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 SPECIFICATIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 WIRING DIAGRAMS FIGURE 1 FIGURE 2 FIGURE 3 FIGURE 4 CONNECTING TO A SURROUND PROCESSOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 CONNECTING TO A STEREO AMP OR PREAMP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 TO AN AMP OR RECEIVER USING SPEAKER WIRES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 SATELLITE SPEAKER WIRING (OPTIONAL). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 powered subwoofers page 3 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead, within an equilateral triangle, is intended to alert the user of the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. [. . . ] But before you can sit down to enjoy your new Subwoofer, you need to perform one simple Phasing Test. This test insures optimum sound in the critical bass frequencies where your Subwoofer and Satellite speakers overlap. Listen carefully to the mid-bass (70 - 100 Hz) region -- the part of the spectrum where electric or string basses and drums are found. Then, move the "PHASE" switch on the SUBWOOFER's back panel from either up (+) or down (--) to the opposite position. Now listen to the same musical passage, concentrating on the mid-bass region. When you perform each test, make sure the other Subwoofer is not operating by either unplugging its input cable or its power cord. Another method of setting phase uses a pink noise source and a spectrum analyzer. If you have these, place the microphone at the main listening position and look at its display in the mid-bass region of 70 - 100 Hz. The wiring/ switch position showing the most output in that region has the correct phase. You need to perform this test because when Satellite speakers are located separate from a Subwoofer, each speaker is at a different distance from your ear. In some cases, the difference will be just enough so that the output from the Subwoofer arrives out of phase with the output of the Satellites. You should re-do this test any time you move your speakers. powered subwoofers page 10 If you want to experiment further, you can move the Satellite speakers either towards or away from your listening position, making changes in small increments. When you hear the best balance between stereo image localization and maximum impact and output in the mid-bass, you have the ideal location. 6. USE OF THE "LOW PASS FILTER" CONTROL The back panel control "LOW PASS FILTER" sets the upper rolloff point of the Subwoofer, eliminating midbass and midrange that are being reproduced by your Satellite speakers. The control is a means of fine-tuning the transition between your Subwoofer and Satellite speakers, and it provides a rolloff of 12 dB/octave up to 125 Hz, where the filter shifts to 36 dB/octave. In most systems, including M&K Satellites, 85 Hz gives the best blend. If you are using Xenon satellites (LCR45, LCR35, or LCR25) set the control between 100 and 125 Hz. Rooms typically reinforce bass frequencies around 100 Hz, so by leaving an electrical gap, you may actually get a smooth acoustical response where it matters, in the room. Think of this control as a mid-bass fine tuning adjustment that you set to achieve the best transition between the Satellite speakers and the Subwoofer. When you hear a smooth sound overall, well balanced between the deep bass and the rest of the audible spectrum, the control is set properly. 7. USE OF THE "BYPASS" SWITCH If you have a THX, Dolby Digital, or DTS component with a built-in Low-Pass filter as part of its subwoofer output, or if you are using a separate Electronic Crossover, set the "VARIABLE" / "BYPASS" switch on the back of the subwoofer to "BYPASS" position. This bypasses the internal low-pass filter so that there is no interaction between the subwoofer's filter and your component's filter. If you have any questions regarding the filters, please contact your M&K dealer or the M&K factory. 8. USING MULTIPLE SUBWOOFERS Using two (or more) subwoofers in your system gives you the ultimate in bass performance. You'll hear improved impact and definition, as well as greater output and dynamic range. [. . . ] M&K subwoofers do not need this limiter. 7. If you have a Pro-Logic only processor/receiver, follow these instructions. SPECIAL NOTE: Always check the processor/receiver/receiver's owner's manual. Different manufacturers use different descriptions for the same function, and sometimes the same description for different functions!If the component has high-pass filters for the Left, Center, and Right channels (usually only THX components have these filters), they should be turned on or set to THX (if you have a choice, use the frequency closest to 80 Hz. The surround channels in a Pro-Logic only system do not have switchable filters. [. . . ]