User manual MARRANTZ PMD 671 BROCHURE

[. . . ] Professional Portable Solid Recorder PMD671 The PMD671 can record 24-bit, 96 kHz audio for the highest sound quality available in the field or even in the studio. [. . . ] Serious professionals need serious tools. 24-bit, 96 kHz PCM capable for unrivaled fidelity " Virtual Third Head" confidence monitoring (Read After Write) for Time-Shift Playback capability for random access playback while recording No moving parts- no maintenance Built-in USB 2. 0 port for ultra-fast, easy file transfer to PC Records uncompressed 16 and 24 bit PCM . wav files at 8, 11. 025, 12, 16, 22. 05, 24, 32, 44. 1, 48, 82 or 96 kHz Records . mp2 mono (32-192kbps) Records . mp2 stereo (64-384 kbps) Records . mono . mp3 files (16-160 kbps) Records stereo . mp3 files (32-320 kbps) A 1 GB CF card can hold almost 30 minutes of uncompressed stereo (24 bit, 96 kHz) PCM audio A 1 GB CF card can hold just over 90 minutes of uncompressed stereo (16 bit, 44. 1 kHz) PCM audio A 1 GB CF card can hold over 35 hours (stereo) or 70 hours (mono) . mp3 audio 4 to 6 hour audio life with standard AA alkaline batteries Optional rechargeable NiCd or NiMH batteries Built-in condenser mic for easy, true recordings Two XLR mic connections with +48v phantom power Dramatically upgraded microphone preamps RCA line I/O Built-in monitor speaker Optional RC600 wired remote control with peak indicator Unparalleled 24/96 Audio Recording PCM audio at 24-bit resolution and 96 kHz sampling frequency is the absolute state of the art for digital audio applications. It offers 256 times the amplitude resolution, and more than twice the frequency resolution of compact discs. RAW (VTH-Virtual Third Head) Professional analog recorders had a dedicated " third head" monitor recorded signals after they to were printed to tape. It was called, " confidence monitoring"because it , allowed engineers to be 100% confident about what they had recorded as it was happening. The PMD671 is unique in offering the 21st century version of this same functionality, by playing back the recorded data simultaneously, rather than simply monitoring the input source. RB1100 Ni-Cd battery pack System Number of Channels Usable Media Recording and Media Methods . mp2 . mp3 . mp3 *for all half sample rates PCM Power Consumption Recording/Playback Charging Standby (Battery Driven) Headphone Output Power Speaker Output Power Phantom Power Dimensions (Maximum) Width Height Depth Weight Audio Recording Bit rate (Selectable) MP2 Stereo MP2 Mono MP3 Stereo MP3 Mono Sampling Frequency Analog Digital Frequency Response (PCM 44. 1 kHz) Signal-to-Noise Ratio IEC-A Weighted Solid-state recorder 2 (stereo), 1 (mono) CF memory cards, microdrives MPEG1 layer II compression MEG1 layer III compression MPEG2 layer III compression* 16-bit linear PCM Recording/Playback 5. 2 W 12 W 2. 2 mW 20 mW/32 ohms 100 mW 48 V, 10 mA 10. 4 in. [. . . ] (1. 3 kg) 384, 256, 192, 128, 96, 64 kbps 192, 128, 96, 64, 48, 32 kbps 320, 256, 160, 128, 80, 64 kbps 160, 128, 80, 64, 40, 32 kbps 48, 44. 1, 32, 24*, 22. 050*, 16* kHz *except MP2 48, 44. 1 kHz 20, 000 Hz (-0. 5dB) Signal-to-Noise Ratio IEC-A Weighted LINE 86 dB MIC 65 dB 86 dB RB1650 Ni-MH battery pack CLC670 Vinyl Carrying Case Dynamic Range Design and specifications are subject to change without notice. [. . . ]