User manual MARANTZ SR5300

[. . . ] R Model SR5300 User Guide AV Surround Receiver IMPORTANT SAFETY INSTRUCTIONS READ BEFORE OPERATING EQUIPMENT This product was designed and manufactured to meet strict quality and safety standards. There are, however, some installation and operation precautions which you should be particularly aware of. Read Instructions ­ All the safety and operating instructions should be read before the product is operated. Retain Instructions ­ The safety and operating instructions should be retained for future reference. [. . . ] · When the signal is not decoded is input for using mode, the mode is changed to AUTO mode automatically. PRO LOGIC II MOVIE, PRO LOGIC II MUSIC, PRO LOGIC This mode is used with source materials encoded in Dolby Digital and Dolby Surround. Dolby Pro Logic II brings the excitement of surround sound to any stereo mix, while making existing Dolby Surround mixes sound more like discrete 5. 1 channels Surround sound. Pro Logic II MOVIE This mode provides 5. 1 channel surround sound from Dolby Surround encoded stereo movie sound tracks. Pro Logic II MUSIC This mode provides 5. 1 channel surround sound from conventional stereo sources, analog or digital, such as CD, tape, FM, TV, stereo VCR, etc. PRO LOGIC This mode emulated original Dolby Pro Logic decoding (3/1 surround) suit for Dolby Surround encoded stereo movie soundtracks. Note: · PCM-audio (32 kHz, 44. 1 kHz or 48 kHz) and analog source material can playback in this mode. ST This mode is used to create a wider, deeper and more natural soundstage from two channel source material. This is done by feeding the left channel signal to both left front and left surround speaker and the right channel signal to both right front and right surround speaker. Additionally, the center channel reproduces a mix of the right and left channel. CIRCLE SURROUND II (CSII-CINEMA, CSII-MUSIC, CSII-MONO) Circle Surround is designed to enable multi-channel surround sound playback of non-encoded and multi-channel encoded material. Backward compatibility provides listeners with up to 6. 1 channels of surround performance from entire collection of music and film, including broadcast, videotape and stereo recorded music. Regarding to source material, you can select CSII-Cinema mode, CSII-Music mode or CSII-Mono mode. Notes: · Pro Logic II mode is available to 2ch input signal which is encoded Dolby Digital or PCM format. · PCM-audio signals can be subjected to Pro Logic processing when the sampling frequency is 32 kHz, 44. 1 kHz or 48 kHz. EX/ES This mode provides 6. 1 channel surround for DOLBY DIGITAL EX, DTS-ES encoded source material such as DVD. This mode cannot be used when an analog input has been selected. Note: · PCM-audio (32 kHz, 44. 1 kHz or 48 kHz) and analog source material can playback in this mode. VIRTUAL This mode creates a virtualized surround sound experience from a two-speaker (front L and R) playback system playing any multichannel audio source (such as found on DVDs and digital broadcasts), including Dolby Digital, , Dolby Pro Logic or DTS. SRS TruSurround technology is incorporated under license from SRS Labs, Inc. Dolby Digital EX In a movie theater, film soundtracks that have been encoded with Dolby Digital surround EX technology are able to reproduce an extra channel which has been added during the mixing of the program. This channel, called Surround Center, places sounds behind the listener in addition to the currently available front left, front center, front right, surround right, surround left and subwoofer channels. This additional channel provides the opportunity for more detailed imaging behind the listener and brings more depth, spacious ambience and sound localization than ever before. Dolby Digital EX is not available in the system without surround center speaker(s). DSP SURROUND (MOVIE, HALL, STADIUM, MATRIX) These modes provide surround effect processing from each input source material. Select as your taste desires. Note: · PCM-audio (32 kHz, 44. 1 kHz or 48 kHz) and analog source material can playback in this mode. 23 ENGLISH SURROUND MODE DTS-ES (Discrete 6. 1, Matrix 6. 1) DTS-ES adds the surround center channel audio to the DTS 5. 1channel format to improve the acoustic positioning and makes acoustic image movement more natural with the 6. 1-channel reproduction. This receiver incorporates a DTS-ES decoder, which can handle DTSES Discrete-encoded and DTS-ES Matrix-encoded program sources from DVD, etc. . DTS-ES Discrete 6. 1 features digital discrete recording of all channels including the surround center channels and higher quality of audio reproduction. [. . . ] Box 237, 141, Government Avenue, Manama, Bahrein 1078, Ramjoy Mohanja Lane Asadgonj, Chittagong 4000, Bangladesh Brusselbaan 278, 9320 Erembodegem, Belgium Makedonia Blvd. 16, 1606 Sofia, Bulgaria 633 Granite Court, Pickering, Ontario No. 38 Yushan Road, ShiQiao, Pan Yu, Guang Dong, China P. O. Box 5604, Nicosia, Cyprus Sokolska 41, 67902 Rajecko, OKR, Blansko, Czech Republic Dali Allé 1, 9610 Noerager, Denmark P. O. Doki, Cairo, Egypt Ehte 4, 90503 Haapsalu, Estonia ul. Cedomir Kantargiev 21a, Skopje, Former Yugoslavian Republic of Macedonija Uudenmaankatu 4-6, Helsinki SF-00120, Finland A division of Marantz Europe B. V. , P. O. [. . . ]