User manual MACKIE CFX12 CONFIGURATION

[. . . ] The mic/line channels also have input trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100 Hz low cut filters. Two separate stage monitor mixes can be created with their own effects levels. The CFX Series is a true 4-bus mixer, with four sub bus faders and master ganged Left/Right fader. Outputs include XLR and TRS balanced/unbalanced main outputs, a 75 Hz low-pass subwoofer XLR output, extra TRS (continued on page 3) Features High headroom mic preamps CFX·12 channels (8 mic/line mono, 2 stereo line) CFX·16 channels (12 mic/line mono, 2 stereo line) CFX·20 channels (16 mic/line mono, 2 stereo line) 32-bit EMAC digital effects External and internal EFX sends EFX to Monitor control 9-band stereo graphic equalizer Inserts on all mic channels and main mix True 4-bus design with direct sub outs and L/R assign 2 Pre/Post aux sends and internal/external FX level sends 3-band EQ with swept mid (100 Hz to 8 kHz) on mic/line 4-band EQ on stereo line channels Pan, Mute, PFL solo on each channel 100 Hz low-cut filters on all mic/line channels Subwoofer output from built-in 18 dB/octave, 75 Hz crossover Break switch mutes all channels Headphone output with level control Tape/CD inputs with level control assignable to Main Mix via Break switch Logarithmic taper 60 mm faders 48 V phantom power 12 V BNC lamp jack R E LA TE D PR O D U C TS SRM350/SRM450 Active Loudspeaker, SR1530 Threeway Active Loudspeaker, SWA 1501 and SWA 1801 Active Subwoofers, M·800, M·1400, M·1400i Power Amplifiers, C200/C300z Passive 2-Way Loudspeakers Applications Live sound mixing for churches, clubs, schools, conference centers, tradeshows, presentations Keyboard, drum machine, and DJ mixing A/V presentations, multimedia 1 OF 8 PAGES CFX Series The CFXTM Series mixers are comprised of three com- MIXERS CFXTM Series MIXERS CFX Series Specifications Frequency Response: 32 Hz to 20 kHz CFX SERIES 12-, 16-, and 20-Channel Mic/Line Mixers Maximum Voltage Gain: Mic Input to Insert Output 50 dB Tape Output 66 dB Sub Output 66 dB Main Output 76 dB Aux Send 71 dB Line Input to Insert Output 30 dB Tape Output 46 dB Sub Output 46 dB Main Output 56 dB Aux Send 51 dB Stereo Line Input to Tape Output 40 dB Sub Output 40 dB Main Output 50 dB Aux Send 45 dB Tape Input to Main Output 30 dB Effects Return to Main Output 30 dB Input Impedance Mic Input: 3 k, balanced Line Input: 40 k, balanced Insert Return, Stereo Line Input, Tape Input, and Effects Returns: 10 k, unbalanced Output Impedance Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends: 150 Digital Effects Resolution: 32-bit EMAC processing, 2-channel Number of Presets: 16 Parameters: 2 controllable Channel Level Set LED (Sensitivity): 0 dBu (normal operating level) VU Meters Main L/R 12 Segments: +0, ­1 dB CFX Series Distortion: THD and SMPTE IMD; 20 Hz to 20 kHz Mic Input to Main Output < 0. 05% @ +4 dBu output Noise: 20 Hz to 20 kHz (150 Ohms source impedance) Equivalent Input Noise (EIN) ­127 dBU Residual Output Noise Main, Monitor, & Effects outputs Channel & Master levels off ­95 dBU Common Mode Rejection Ratio (CMRR): @1 kHz, Trim @ 0 dB Crosstalk: Adjacent Inputs or Input to Output Fader Off Mute Switch and Break Switch Mute Input Level Trim Control Range: +6 to ­50 dB Phantom Power: +48 VDC Equalization Low Cut: Mono Channel EQ: High Mid Low Stereo Channel EQ: High High Mid Low Mid Low 100 Hz, ­18 dB/octave +15 dB @ 12 kHz +15 dB @ 100 Hz to 8 kHz +15 dB @ 80 Hz +15 dB @ 12 kHz +15 dB @ 100 Hz to 3 kHz +15 dB @ 400 Hz +15 dB @ 80 Hz 60 dB ­90 dB @ 1 kHz ­90 dB @ 1 kHz ­80 dB @ 1 kHz Clip, +10, +7, +4, +2, 0, ­2, ­4, ­7, ­10, ­20, ­30 4. 6" (117 mm) 17. 2" (437 mm) 15. 7" (399 mm) 5. 0" (127 mm) 17. 8 lbs. [. . . ] Simply stated, these mixers offer more features, more peace of mind, and more possibilities than any other mixers in their class. ROOM NORMAL EFX DELAY 1 DELAY 2 DELAY 3 DELAY 4 CHORUS FLANGE PHASER SPRING NORMAL O O +20 TAPE LEVEL 4 2 0 (MUTES ALL CHANNELS) BREAK SWITCH 2 4 7 10 20 30 0dB=0dBu ZERO LEVEL SET O O MAX PHONES LEVEL U -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN 0 10 WIDE BYPASS TIME L R L R L R L R L R L R L R L R L R L R RATE REVERBS DELAYS CHORUS/FLANGE/PHASER 0 10 DAMPING DEPTH +10 UTILITY OUT LEVEL O O RUDE SOLO ASSIGN 1 MUTE 1-2 3-4 ASSIGN 2 MUTE 1-2 3-4 ASSIGN 3 MUTE 1-2 3-4 ASSIGN 4 MUTE 1-2 3-4 ASSIGN 5 MUTE 1-2 3-4 ASSIGN 6 MUTE 1-2 3-4 ASSIGN 7 MUTE 1-2 3-4 ASSIGN 8 MUTE 1-2 3-4 ASSIGN 9-10 11-12 MUTE 1-2 3-4 dB 10 5 ASSIGN MUTE 1-2 3-4 ASSIGN SUB 1 LEFT RIGHT ASSIGN SUB 2 LEFT RIGHT ASSIGN SUB 3 LEFT RIGHT ASSIGN SUB 4 LEFT RIGHT MAIN MIX dB 10 5 U 5 10 20 30 40 50 60 O O STEREO dB 10 5 U 5 10 20 30 40 50 60 O O dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 dB 10 5 U 5 10 20 30 40 50 60 O O dB 10 5 U 5 10 20 30 40 50 60 O O dB 10 5 U 5 10 20 30 40 50 60 O O U 5 10 20 30 SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O SOLO PFL 40 50 60 O O 5 OF 8 PAGES CFX SERIES 12-Channel Rear Panel 6 12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER MONO PLUG CFX Series OF 8 PAGES CFX12 MIXER CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL. SERIAL NUMBER MANUFACTURING DATE AVIS: RISQUE DE CHOC ELECTRIQUE -- NE PAS OUVRIR UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC · WOODINVILLE · WA · USA · MADE IN USA · FABRIQUE AU USA · COPYRIGHT ©1998 · THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC. : "MACKIE", "EMAC", AND THE "RUNNING MAN" FIGURE · PATENT PENDING STEREO PLUG POWER INSERT ALL THE WAY IN TO THE "SECOND CLICK" TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS DIRECT OUT WITH SIGNAL INTERRUPTION TO MASTER FOR USE AS AN EFFECTS LOOP (TIP = SEND, RING = RETURN) 120V, 60Hz, . 85A FUSE 1. 25A, 250V SLOW OPTIONAL USES FOR INSERTS CFX SERIES 12-, 16-, and 20-Channel Mic/Line Mixers ON Architects' and Engineers' Specifications 1. The CFX·12 mixer shall accommodate 8 microphone signals: mono channels 1-8; 12 line signals: mono channels 1-8, and stereo channels 9-12. The CFX·16 mixer shall accommodate 12 microphone signals: mono channels 1-12; 16 line signals: mono channels 1-12, and stereo channels 13-16. The CFX·20 mixer shall accommodate 16 microphone signals: mono channels 1-16; 20 line signals: mono channels 1-16, and stereo channels 17-20. The CFX Series mixers shall have 2 stereo pairs of Aux Return inputs, a Send/ Return channel Insert for each mic/line channel, 2 stereo pairs of Main Mix outputs, 1 stereo pair of RCA-type Tape Inputs, 1 stereo pair of RCA-type Tape Outputs, 1 stereo pair of Utility outputs, 2 Aux Send outputs, 4 Submaster outputs, and 1 stereo headphone output. The mixers shall be fitted with 1 rocker-type Power switch, one 3-pin power receptacle, 1 BNC socket providing 12 VDC for fitting an external lamp (not included), 1 EFX Bypass footswitch jack, and shall be entirely self contained. MONO CHANNELS: Each monaural input channel shall have an electronically balanced microphone-level input using XLR-3-F-type connectors, accepting nominal microphone levels between ­50 dBu and +4 dBu via rotary Trim controls. 48 V phantom power shall be available via a globally-controlled switch. Each monaural input channel shall also have an electronically balanced line level input, accepting a nominal line-level of between ­10 dBV and +4 dBu, using 1/4" TRS phone jacks. In addition, each monaural input channel shall include an unbalanced insert connection using 1/4" TRS phone jacks (tip=send, ring=return, sleeve=ground), delivering and accepting nominal levels from ­10 dBV to +4 dBu. Each stereo input channel shall have left and right electronically balanced line-level inputs, accepting nominal levels from ­10 dBV to +4 dBu. These jacks shall be fitted with internal switching contacts to accommodate monaural configuration. OTHER INPUTS: Each mixer shall include 4 bal/unbal Aux Return inputs, forming two stereo pairs, using 1/4" TRS phone jacks and accepting nominal levels from ­10 dBV to +4 dBu. The mixer shall include 1 stereo pair of Tape In jacks, using unbalanced RCA-type phono jacks, accepting nominal levels from ­10 dBV to +4 dBu. MAIN OUTPUTS: The mixer's Main Output stereo pairs shall be fitted in three ways: Using XLR-3-M-type connectors with a maximum output of +20 dBu; using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from ­10 dBV to +4 dBu; and using unbalanced RCA-type phono jacks (labeled TAPE OUT) delivering nominal levels from ­10 dBV to +4 dBu. OTHER OUTPUTS: Each mixer shall include 1 Subwoofer Output using an XLR-3-M-type connector that includes a built-in 18 dB/octave 75 Hz crossover. The mixer shall include 4 Submaster outputs, using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from ­10 dBV to +4 dBu; 1 stereo pair of Utility outputs, using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from ­10 dBV to +4 dBu; 2 Aux Send outputs using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from ­10 dBV to +4 dBu; 2 EFX Send outputs using bal/unbal 1/4" TRS phone jacks, delivering nominal levels from ­10 dBV to +4 dBu; and 1 stereo Headphones output, using an unbalanced 1/ 4" TRS phone jack (tip=left, ring=right, sleeve=ground). Each monaural channel shall include 1 rotary Trim control, 1 Zero Level LED that is triggered to glow when an audio signal at or above 0 dBu is passed through the channel, Low-Cut filter (HPF) providing an 18 dB per octave curve at 100 Hz, 2 rotary Aux Send controls providing up to 15 dB above unity gain, 1 PreFader switch assignable to Aux Sends 1 & 2, and 2 EFX Send controls, providing up to 15 dB above unity gain. Each monaural channel shall include 4 rotary equalization (EQ) controls: +15 dB fixed 12 kHz shelving gain, +15 dB midrange peaking gain, 100 Hz-8 kHz midrange frequency, and +15 dB fixed 80 Hz shelving. [. . . ] Dimensions of the CFX16 shall be 21. 4" (544 mm) in width, 15. 7" (399 mm) in depth, and 5. 0" (127 mm) in height. Dimensions of the CFX20 shall be 25. 6" (650 mm) in width, 15. 7" (399 mm) in depth, and 5. 0" (127 mm) in height. In addition to specifications already cited, the mixers shall meet or exceed the following specifications. Frequency response, microphone input to any output (Trim at 0 dB), 32 Hz to 20 kHz, +0 dB/­1 dB; Total Harmonic Distortion (THD), Mic Input to Main Output: <0. 05%@ +4 dBu output; Equivalent Input Noise (EIN), ­127 dBu; Common Mode Rejection Ration (CMRR), 60 dB at 1 kHz, Trim at 0 dB; Residual Output Noise, Main, Monitor, and Effects outputs, Channel and Master levels off, ­95 dBu; Input impedance, microphone inputs, 3 k; Line input, 40 k; Insert Return, Stereo Line Input, Tape Input, and Effects Returns, 10 k; and all outputs, 120 . [. . . ]