User manual M-AUDIO MULTIMIXER 10

[. . . ] G U A R A N T E E D F O R L I F E 1 MANUAL Multi Mixer 10 TM 10 CHANNEL STEREO MIXER MIDIMAN U. S. · 45 East Saint Joseph Street · Arcadia, CA 91006 · USA Sales Information: 626-445-2842 Sales Information (email): info@midiman. net Tech Support: 626-445-8495 Fax: 626-445-7564 Internet Home Page: http://www. midiman. net MIDIMAN U. K. [. . . ] This adaptor should be plugged into a standard wall socket and then into the MultiMixer's back power jack. MultiMixer will not work unless power is plugged in. Multimedia Mixing. In a typical multimedia application you might plug the MultiMixer in as follows: 1. ) plug your microphones into inputs 1 and 2 making sure that the gain switches (on the side of the unit) are switched "up" to the mic setting; 2. ) connect the stereo output from your computer soundcard to MultiMixer inputs 3 and 4; 3. ) connect outputs from your MIDI tone module to inputs 5 and 6; and 4. ) connect the stereo audio output from a CD-ROM to unity gain stereo input 9/10. Now, you can use the MultiMixer pan pots to position the sounds of channels 1 through 6 wherever you want them. Tips. If you set the MultiMixer's gains too high for a given input, you may encounter distortion or signal clipping (red clipping LED stays solidly lit). This will surely happen if you plug in a synthesizer with its channel gain set to full volume and also set MultiMixer left and right master level pots to full. If you are using phones with a 1/4" jack you will need an adaptor. What this means is that the MultiMixer never amplifies the signal more than necessary so the noise level is always as low as possible (of course, if your sound source is noisy the output will be too). (Remember, the overall gain of channels 1 and 2 is set using the dip switches on the left side of the MultiMixer) · Top ­ 1-6 Pan. Shows when the internal main amplifiers inside of the MultiMixer are clipping. [. . . ] These two dip switches independently control the gain of channels 1 and 2. In the up position the gain is set for microphones and in the down position for line level signals. [. . . ]