User manual KORG TRITONSTUDIO

[. . . ] Update guide E 1 Table of Contents About this manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iii Sequencer P5: Track Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Sequencer P6: Pattern/RPPR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Sequencer P8: Insert Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 New functions in version 2. 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Sequencer mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Disk mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Global mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Other new functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Sequencer P9: Master Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Tone Adjust Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 5–3: Tone1. 2 1–8 (Tone1/2 T01–08) 5–4: Tone1. 2 9–16 (Tone1/2 T09–16) 5–5: Tone3. 4 1–8 (Tone3/4 T01–08) 5–6: Tone3. 4 9–16 (Tone3/4 T09–16) 5–7: Tone5. 6 1–8 (Tone5/6 T01–08) 5–8: Tone5. 6 9–16 (Tone5/6 T09–16). . . . . . . . . . . . . . . . . . . . 41 “Destination” and “Value”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Installing the system . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Copy From Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Nor can other events be changed into exclusive events. 7 When you access the Sequencer P8: Insert Effect screen and play back, the changes you made will be reproduced. 34 2. Recording exclusive messages received from the TRITON-Rack Here’s how you can connect the TRITON STUDIO and a TRITON-Rack via MIDI, and use the TRITON STUDIO to record exclusive messages received from the TRITON-Rack. 1 Connect the TRITON-Rack’s MIDI connectors (IN/OUT) to the TRITON STUDIO’s MIDI connectors (OUT/IN). On each TRITON, go to the Global mode MIDI Filter settings and check the Exclusive parameter. TRITON-Rack: GLOBAL 2. 1: MIDI, MIDI Filter (☞PG p. 112) TRITON STUDIO: Global P1: MIDI, MIDI Filter (☞PG p. 144) 2 On the TRITON-Rack, enter Program mode and select program A000: Noisy Stabber. (☞PG p. 50) 4 In “Track Select, ” choose Track 01 and begin recording. 5 On the TRITON-Rack, edit the “PROG P1. 1 Arp. Play: Pattern” parameters. 6 Stop recording. 7 On the TRITON STUDIO, select the Sequencer P5: Track Edit page menu command “Event Edit. ” In the Set Event Filters dialog box, check Exclusive and press the OK button. Event indication Location Each exclusive message is recorded at the location in the song where it began being received. 8 When you play back on the TRITON STUDIO, the changes you made in step 5 will be reproduced on the TRITON-Rack. Exclusive messages that can be realtime-recorded The following exclusive messages can be realtime recorded. • Exclusive messages received from an external MIDI device • Parameter changes in Sequencer mode (see table below) • Master Volume universal exclusive messages assigned to the foot pedal or a knob Parameter change messages that you can realtime-record in Sequencer mode Front panel/Page Front panel ARPEGGIATOR REALTIME CONTROLS Prog. 1-8/9-16 P0: Play/REC Mixer 1-8/9-16 Sampling/HDAudio OSC 1-8/9-16 P2: Trk Param Pitch 1-8/9-16 Other 1-8/9-16 P4: Zone/Ctrl Controller MOSS 1-8/9-16 Tone1. 2 1-8/9-16 P5: Track Edit Tone3. 4 1-8/9-16 Tone5. 6 1-8/9-16 Setup 1-8/9-16 P7: Arpeggiator Arpegg. A/B Scan Zone Routing 1-8/9-16 P8: Insert Effect Insert FX IFX 1/2/3/4/5 Master FX P9: Master Effect MFX 1/2 Master EQ “Arpeggiator Assign, ” “Arpeggiator Run A, B” “Pattern, ” “Octave, ” “Resolution, ” “Gate, ” “Velocity, ” “Swing, ” “Sort, ” “Latch, ” “Key Sync. , ” “Keyboard” “Top Key, ” “Bottom Key, ” “Top Velocity, ” “Bottom Velocity” “BUS Select, ” “Send1, ” “Send2” “IFX1”. . . “IFX5, ” “IFX1 On/Off”. . . “IFX5 On/Off, ” “Chain, ” “Pan, ” “BUS Sel. , ” “Send1, ” “Send2” All effect parameters “MFX 1, ” “MFX 2, ” “MFX1 On/Off, ” “MFX2 On/Off, ” “Chain, ” “Chain Direction, ” “Chain Signal, ” “Chain Level, ” “Return 1, “Return 2, ” “Low, ” “Mid, ” “High” All effect parameters “Low Cutoff, ” “Mid Cutoff, ” “Q, ” “High Cutoff, ” “Gain, ” “Low Gain Mod-Src, ” “High Gain Mod-Src, ” “Ctrl Ch” “Destination, ” “Value” Parameter [ON/OFF] key, [GATE] knob, [VELOCITY] knob [REALTIME CONTROLS] key “Category, ” “Program Select, ” “PLAY/MUTE/REC, ” “SOLO ON/OFF”*1 “Pan, ” “Volume” “Pan, ” “Volume, ” “BUS, ” “Send1, ” “Send2, ” “PLAY/MUTE, ” “SOLO ON/OFF” “Force OSC Mode, ” “OSC Select, ” “Portamento” “Transpose, ” “Detune, ” “Bend Range” “Delay, ” “Use Program’s Scale, ” “Type, ” “Key, ” “Random” “SW1, ” “SW1 Mode, ” “SW2, ” “SW2 Mode, ” “Knob 1-B”. . . “Knob 4-B” “Voice Allocation Reserve, ” “Reference Track” *1: “SOLO ON/OFF” is always controlled by events in the track, regardless of the play/mute status of that track. 35 Sequencer The maximum amount of exclusive message that can be recorded at once is approximately 320 Kbytes. This size will decrease if other events exist within the same measure. You cannot simultaneously record exclusive messages received from an external MIDI device and parameter changes produced by editing. If you record a parameter assigned to a control change such as “Pan” with the Global mode Global P1: MIDI, MIDI Filter settings “Enable Control Change” and “Enable Exclusive” both checked, edits you make during recording will be recorded both as control change data and parameter change data. These recorded events may not be reproduced correctly if you rewind or fastforward during playback. If you want to record such events, check only one of these two “Enable” settings in Global mode MIDI Filter. MIDI system exclusive parameter changes Sequencer mode track parameters and effect parameters can be controlled by MIDI system exclusive parameter change messages. When an external sequencer is connected and you use the TRITON STUDIO in Sequencer mode as a 16-track multi-timbral sound module, you can control these parameters via MIDI. The parameters in the table below can be edited individually using system exclusive parameter change messages. Parameters that can be edited using system exclusive parameter change messages in Sequencer mode Front panel/Page Front panel ARPEGGIATOR REALTIME CONTROLS Prog. 1-8/9-16 P0: Play/REC Mixer 1-8/9-16 Sampling/HDAudio MIDI Ch 1-8/9-16 P2: Trk Param OSC 1-8/9-16 Pitch 1-8/9-16 Other 1-8/9-16 MIDI 1 1-8/9-16 P3: MIDI Filter MIDI 2 1-8/9-16 MIDI 3 1-8/9-16 MIDI 4 1-8/9-16 Key Z 1-8/9-16 P4: Zone/Ctrl Vel Z 1-8/9-16 MOSS 1-8/9-16 Controller Tone1. 2 1-8/9-16 P5: Track Edit Tone3. 4 1-8/9-16 Tone5. 6 1-8/9-16 Setup 1-8/9-16 P7: Arpeggiator Arpegg. A/B Scan Zone Routing 1-8/9-16 P8: Insert Effect Insert FX IFX 1/2/3/4/5 Master FX P9: Master Effect MFX 1/2 Master EQ “Arpeggiator Assign, ” “Arpeggiator Run A, B” “Pattern, ” “Octave, ” “Resolution, ” “Gate, ” “Velocity, ” “Swing, ” “Sort, ” “Latch, ” “Key Sync. , ” “Keyboard” “Top Key, ” “Bottom Key, ” “Top Velocity, ” “Bottom Velocity” “BUS Select, ” “Send1, ” “Send2” “IFX1”. . . “IFX5, ” “IFX1 On/Off”. . . “IFX5 On/Off, ” “Chain, ” “Pan, ” “BUS Sel. , ” “Send1, ” “Send2” All effect parameters “MFX 1, ” “MFX 2, ” “MFX1 On/Off, ” “MFX2 On/Off, ” “Chain, ” “Chain Direction, ” “Chain Signal, ” “Chain Level, ” “Return 1, “Return 2, ” “Low, ” “Mid, ” “High” All effect parameters “Low Cutoff, ” “Mid Cutoff, ” “Q, ” “High Cutoff, ” “Gain, ” “Low Gain Mod-Src, ” “High Gain Mod-Src, ” “Ctrl Ch” “Destination, ” “Value” Parameter [ON/OFF] key, [GATE] knob, [VELOCITY] knob [REALTIME CONTROLS] key “Category, ” “Program Select, ” “PLAY/MUTE/REC, ” “SOLO ON/OFF” “Pan, ” “Volume” “Pan, ” “Volume, ” “BUS, ” “Send1, ” “Send2, ” “PLAY/MUTE, ” “SOLO ON/OFF” “Status, ” “MIDI Channel, ” “Bank Select” “Force OSC Mode, ” “OSC Select, ” “Portamento” “Transpose, ” “Detune, ” “Bend Range” “Delay, ” “Use Program’s Scale, ” “Type, ” “Key, ” “Random” “Enable Program Change, ” “Enable After Touch, ” “Enable Damper, ” “Enable Portamento SW” “Enable JS X as AMS, ” “Enable JS+Y, ” “Enable JS-Y, ” “Enable Ribbon” “Enable Realtime Control Knob1”. . . “Enable Realtime Control Knob4” “Enable SW1, ” “Enable SW2, ” “Enable Foot Pedal/Switch, ” “Other Control Change” “Top Key, ” “Top Slope, ” “Bottom Slope, ” “Bottom Key” “Top Velocity, ” “Top Slope, ” “Bottom Slope, ” “Bottom Velocity” “Voice Allocation Reserve, ” “Reference Track” “SW1, ” “SW1 Mode, ” “SW2, ” “SW2 Mode, ” “Knob 1-B”. . . “Knob 4-B” 36 3. Put Effect Setting to Track The page menu command “Put Effect Setting to Track” places effect settings into a track as exclusive events. As an example, we will use the preset template song “Acid Jazz” to explain how to use the “Put Effect Setting to Track” page menu command. [. . . ] The drum pattern tempo will become slightly faster. Meaning: You attempted to play back or record a WAVE file that is saved on a medium other than hard drive. Action: WAVE files saved on a medium other than hard drive cannot be recorded or played back as an audio track. You must copy the corresponding WAVE file to a hard drive and then reassign it to the audio track. Source file is not 44100 Hz or 48000 Hz Can’t convert Meaning: When executing the Disk mode page menu command “Rate Convert” or the Edit WAVE page menu command “Rate Convert, ” you selected a WAVE file whose sampling rate was other than 44. 1 kHz or 48 kHz. Action: WAVE files other than 44. 1 kHz or 48 kHz cannot be converted. [. . . ]