User manual KORG TRITON-RACK BASIC GUIDE

[. . . ] E 3 To ensure long, trouble-free operation, please read this manual carefully. Precautions Location Using the unit in the following locations can result in a malfunction. · In direct sunlight · Locations of extreme temperature or humidity · Excessively dusty or dirty locations · Locations of excessive vibration Power supply Please connect the designated AC/AC power supply to an AC outlet of the correct voltage. Do not connect it to an AC outlet of voltage other than that for which your unit is intended. Interference with other electrical devices This product contains a microcomputer. [. . . ] If this parameter is set to Gch, the MIDI channel of the timbre(s) will always match the global MIDI channel even if you change the global MIDI channel. On some preloaded combinations that use the arpeggiator, timbres assigned to the arpeggiator may not have a "Status" of INT and "MIDI Ch" of Gch. The reason for this is that these settings are for timbres that sound only when the arpeggiator is on. This is a very useful technique for creating combinations that use the arpeggiator. Refer to "Arpeggiator settings in Combination and Multi modes" (p. 87, PG p. 43), and study the relationship between arpeggiator assignments, "Status, " and "MIDI Channel. " Transpose, Detune (BPM Adj. ) These parameters adjust the pitch of the timbre. · In a layer-type combination, you can set two or more timbres to the same program, and create a richer sound by using "Transpose" to shift their pitch apart by an octave or by using "Detune" to create a slight difference in pitch between the two. · In split-type combinations, you can use "Transpose" to shift the pitch (in semitone units) of the programs specified for each key zone. · If you wish to change the playback pitch of a drum program, use "Detune. " If you change the "Transpose" setting, the correspondence between notes and drum sounds will change. 53 Combination mode Basic functions Settings for status, MIDI channel, and playing mode 3. 1: Ed­Param1 OSC Select Adjusting the BPM of multisamples or samples created in Sampling mode If a timbre program uses multisamples or samples that you created in Sampling mode (or loaded in Disk mode) to a specific BPM value, you can use the "Detune BPM Adj. " utility with a specified BPM value. Timbre 1 and timbres 2/ 3 are split between the B3 and C4 note numbers. Timbre 3 Timbre 2 Timbre 1 Strings Brass Piano C­1 B3 C4 G9 As an example here, we will explain how to create a combination like the one shown above. 1 In 1. 1: Play or 2. 1: Ed-Prog/Mix, select the programs that timbres 1­3 will use. Note timing and scale settings 3. 2: Ed­Param2 Other page Select a piano program for timbre 1. 2 In the MIDI page of 3. 1: Ed-Param1, set "Status" to INT for all the timbres that you wish to use, and set "MIDI Channel" to either Gch or to match the global MIDI channel (a "G" will be displayed after the channel number). 3 In the Key page of 3. 3: Edit-Key Zone, set "Top Key" and "Bottom Key. " Delay [ms] Specifies the timing at which the program of each timbre will sound. Select the preload combination INT­A127: One FingerTVShow, and play a single note on a connected MIDI instrument. If you select KeyOff for this parameter, the timbre will sound when the note is released. Use Prog's Scale, Combi's Scale Specifies the scale for each timbre. If you check "Use Prog's Scale, " the scale specified by the program will be used. Timbres for which this is not checked will use the "Combi's Scale" setting. Set timbre 1 to a "Top Key" of G9 and a "Bottom Key" of C4. Set timbres 2 and 3 to a "Top Key" of B3 and a "Bottom Key" of C­1. You can also enter these values by holding down the [ENTER] key and playing a note on a connected MIDI instrument. Slope page Here you can specify the range of keys over which the original volume will be reached, starting at the top key and bottom key. In the case of the above example, you could set the key zones so that a portion of timbres 1 and 2 overlaps (i. e. , is layered) with timbre 3, and set "Top Slope" and "Bottom Slope" so that the sound changes gradually, instead of changing suddenly between B3 and C4. Layer and split settings 3. 3: Ed­Key Zone Indicates settings such as layer, split, and keyboard crossfade. Velocity switch settings 3. 4: Ed­Vel Zone Here you can make settings for velocity switching and velocity crossfading. Key page Specifies the range of notes that will sound each timbre. By setting key zones, you can create a combination in which different programs sound in different areas of the keyboard. By combining key zones specified for each timbre, you can create layered or split combinations. [. . . ] Correctly insert a 3. 5 inch 2HD or 2DD floppy disk (with its write protect hole covered) into the disk drive, and format it once again. Can't record a pattern in Multi mode · In the GLOBAL 1. 1: System, Preference page, is the "Multi" check box unchecked for "Memory Protect"?(PG p. 110) · Make sure that the GLOBAL 2. 1: MIDI "MIDI Clock" parameter is set to Internal. (PG p. 112) Can't load data from a floppy disk · Is the floppy disk inserted correctly?· Is the floppy disk formatted correctly? Can't input values or move between pages · In MULTI 5. 1: RPPR, the "REC" or "START/STOP' button may have been pressed, so that the 104 Can't save data to a floppy disk · Is the floppy disk inserted correctly? [. . . ]