User manual KORG TRINITY

[. . . ] Introduction --------------------- 1 Features of MOSS-TRI ----------------- 1 Program Edit P3 -------------------- 45 3–1: Mixer -------------------------- 45 3–2: Filter 1 ------------------------- 47 3–3: Filter 1 SUB ------------------ 50 3–4: Filter 2 ------------------------- 52 3–5: Filter 2SUB ------------------- 52 Program Edit P4 -------------------- 53 4–1: Amp --------------------------- 53 4-2: Amp EG ----------------------- 55 Program Edit P5 -------------------- 57 5–1: EG 1 ---------------------------- 57 5–2: EG 2 ---------------------------- 59 5–3: EG 3 ---------------------------- 59 5–4: EG 4 ---------------------------- 59 Program Edit P6 -------------------- 60 6–1: LFO 1 -------------------------- 60 6–2: LFO 2 -------------------------- 62 6–3: LFO 3 -------------------------- 62 6–4: LFO 4 -------------------------- 62 Program Edit P7 -------------------- 63 Program Edit P8 -------------------- 63 2. Bank M Program Structure -- 2 Program structure ------------------------ 2 Editing -------------------------------------- 3 Characteristics of each oscillator ---- 4 3. Parameters ---------------------- 5 Program Play Mode --------------------- 5 Program Play P1 ---------------------- 5 1–1: Program Play ------------------ 5 Program Edit Mode --------------------- 6 Program Edit P1 ---------------------- 6 1–1: Prog Basic ---------------------- 6 1–2: OSC Basic -------------------- 10 1–3: OSC 1 Pitch ------------------ 12 1–4: OSC 2 Pitch ------------------ 13 1–5: Sub Pitch --------------------- 13 Program Edit P2 -------------------- 14 2–1: OSC ---------------------------- 14 01: Standard ----------------------------------- 14 02: Comb Filter ------------------------------- 17 03: VPM ---------------------------------------- 19 04: Resonance --------------------------------- 21 05: Ring Modulation ------------------------ 23 06: Cross Modulation ----------------------- 24 07: Sync Modulation ------------------------ 25 08: Organ Model ----------------------------- 26 09: Electric Piano Model ------------------- 28 10: Brass Model ------------------------------- 30 11: Reed Model ------------------------------- 33 12: Plucked String Model ------------------ 36 13: Bowed String Model ------------------- 40 4. Data ----------------------------- 64 Retrigger Controller List ------------ 64 Modulation Source List -------------- 64 Precautions ------------------------------ 65 Additional message ------------------- 65 2–2: OSC 2 -------------------------- 42 2–3: Sub/Noise ------------------- 43 INTRODUCTION 1. [. . . ] With low settings, the pickup will be placed in the center of the vertical vibration of the tone generator, causing the second partial to be emphasized and the fundamental to be less audible. AMS (Alternate Modulation Source) [OFF…MIDI (CC#83)] Selects a modulation source (page 64 of this manual) that will control “Position. ” Intensity (Pickup Position AMS Intensity) Specifies the depth and direction of the effect of “AMS. ” [–99…+99] 2–1e: Low EQ Makes settings for a Low EQ (shelving type) that will adjust the output signal. Frequency (EQ Frequency) [0…49] Specifies the cutoff frequency of the Low EQ (shelving type) that will be applied to the output signal. Edit P2 2:1 OSC 1 (10: Brass Model) 10: Brass Model This oscillator is a physical model which simulates lip-reed instruments such as a trumpet or trombone. By using key velocity or modulation wheel to modulate the Pressure (the force of breath blown into the mouthpiece) you can produce performance expressions that are very similar to those of an actual lip-reed instrument. The parameters are as follows: Inst Type determines the model which simulates the bore length and shape of the instrument, Breath Pressure indicates the force of breath that is blown into the mouthpiece, Lip Character produces the tonal changes that result from lip position or tension, Bell Character produces the tonal changes that result from the shape of the end of the bore, and Peaking EQ performs a final tonal adjustment. Signal Flow Brass Model Peaking EQ Strength Brass Model Lip (Character) Specify tonal change produced by lip position Inst Type Select a model which simulates the bore length and shape of various instruments Bell Specify the shape of the end of the bore breath that is blown { Pressure Specify the force of of breath noise into the mouthpiece Noise Specify the amount This oscillator allows you to choose from two types of pitch bending: jump bending using a mode jump as on a trumpet (by varying the bore length), and smooth bending produced by sliding the length of the bore as on a trombone. For some parameter settings, the pitch may not change according to the notes that are played on the keyboard. In some cases, high-pitched notes may have a lower volume, or may not sound at all. 2–1a 2–1b 2–1c 2–1d 2–1e 2:1 OSC 1 (10: Brass Model) 2–1a: Inst Type Inst Type [Brass 1, Brass 2, Brass 3, Horn 1, Horn 2, Reed Brass] Selects the instrument type which will determine the bore length and shape of the simulated instrument. Jump Bend (+X) Specifies how the pitch will change when the joystick is moved in the +X direction (toward the right). If this is checked, the pitch will rise by in steps by changing the resonance of the bore, as on a trumpet. If this is unchecked, the pitch will rise smoothly, as on most synthesizers. Jump Bend (–X) Specifies how the pitch will change when the joystick is moved in the –X direction (toward the left). If Jump Bend (+X) and Jump Bend (–X) are checked, notes may not sound depending on the position of the joystick and the pitch range setting. For details on setting the pitch range of the joystick, refer to “1-2c: Bending. ” 2–1b: Breath Pressure EG Selects the EG which will control pressure. For details on the settings for each EG, refer to “Program Edit P5” for EG 1—4, and “4-2: Amp EG” for Amp EG. [EG 1…EG 4, Amp EG] Intensity (Pressure EG Intensity) [–99…+99] Specifies the depth and direction of the effect that the “EG” will have on the pressure. AMS. 1 (Alternate Modulation Source 1) [OFF…MIDI (CC#83)] Selects a modulation source 1 (page 64 of this manual) that will control pressure. If you select After Touch, pressing down on the keyboard will produce the effect of the instrument being blown strongly. If you select Joy Stick(X), rotating the Joy Stick in the + direction will produce this effect. In this case, setting “Intensity (Pressure EG Intensity)” to 0 will allow you to completely control the breath pressure by operating the specified controller. Intensity (Pressure AMS. 1 Intensity) [–99…+99] Specifies the depth and direction of the change in pressure controlled by “AMS. 1. ” AMS. 2 (Alternate Modulation Source 2) [OFF…MIDI (CC#83)] Selects a modulation source 2 (page 64 of this manual) that will control pressure. Intensity (Pressure AMS. 2 Intensity) [–99…+99] Specifies the depth and direction of the change in pressure controlled by “AMS. 2. ” Breath Noise [0…99] Specifies the volume level of the breath noise. Since this uses the signal from the noise generator, the filter of the noise generator can be used to modify the tone of the noise. Edit P2 Parameters 2–1c: Lip Character Lip [0…99] Specifies the tonal change that is produced by lip position and tension. Higher settings of this value will produce a harder (more firmly blown) sound. Lower settings will produce a softer tone. AMS (Alternate Modulation Source) [OFF…MIDI (CC#83)] Selects a modulation source (page 64 of this manual) that will control “Lip. ” Intensity (Lip Character AMS Intensity) Specifies the depth and direction of the effect of “AMS. ” [–99…+99] 2:1 OSC 1 (10: Brass Model) 2–1d: Bell Character Tone [0…99] Specifies the tone of the bell. [. . . ] These LFOs can be used as modulation sources for parameters of other sections, to create cyclic changes in the sound. 6–1: LFO 1 AMSource 6–1a 6–1b 6–1c 6–1d 6–1a: Wave Form/Key Sync Wave Form Settings for the general-purpose LFOs [Triangle 0…ExpSawDown] 0: Triangle 0 5: Saw Up 180 10: Random2 (Vector) 14: Step Saw 6 1/2 cycle 1: Triangle 90 6: Saw Down 0 Random 2 changes in a straight line toward a value which is determined randomly every 1/2 cycle. 15: Exp Tri 2: Tri Random 7: Saw Down 180 11: Step Tri 4 16: Exp Saw Up When Key Sync=ON, the starting phase will vary randomly. 8: Square 12: Step Tri 6 17: Exp Saw Down 3: Sine 9: Random1(S/H) 4: Saw Up 0 Amplitude and the duration at which each level is held will both change randomly (sample & hold). 13: Step Saw 4 6-1: LFO 1 Key Sync [OFF/by TIMBRE/by VOICE] Use the radio buttons to select the key sync setting (i. e. , whether or not the phase of the LFO waveform will be returned to its initial state when a note-on occurs). by TIMBRE : Key sync will occur for the LFOs of all voices at the time of the first note-on that occurs in a state when no keys are on. by VOICE :Key sync will occur independently for the individual LFO of the voice for which note-on occurred. Key Sync SW = byTIMBRE / byVOICE Note-On Note-On Key Sync SW = Off Note-On Note-On 6–1b: Frequency If you used the radio buttons to select Frequency, set the following parameters to specify the LFO frequency. F (Frequency) Specifies the frequency of the LFO. [0(0Hz)…199(60Hz)] Parameters AMS. 1 (Alternate Modulation Source 1) [OFF…MIDI (CC#83)] Select a modulation source 1 (page 64 of this manual) that will control the LFO frequency. [. . . ]