User manual KORG RADIAS

[. . . ] Owner's Manual E 2 Precautions Location Using the unit in the following locations can result in a malfunction. · In direct sunlight · Locations of extreme temperature or humidity · Excessively dusty or dirty locations · Locations of excessive vibration · Close to magnetic fields CE mark for European Harmonized Standards CE mark which is attached to our company's products of AC mains operated apparatus until December 31, 1996 means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC). Also, CE mark which is attached to our company's products of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/ EEC). Power supply Please connect the designated AC/AC power supply to an AC outlet of the correct voltage. [. . . ] Formant The formant waveform has a tonal character reminiscent of a human voice. Control1: Formant (Formant Width) [000. . . 127] Adjusts the volume of the audio input. Control2: Balance Adjusts the balance between the L channel (INPUT 1 jack) and R channel (INPUT 2 jack) of the input signal. If the P04­2: VOICE ­ UNISON tab page "Sw" is On, the audio input can be used as stereo, and certain parameters will be set automatically. · Regardless of the "Balance" (Control2) setting, the signal of the Int. Bus L or Ext. In 1 signal will be fixed at "Balance" = L63, and the signal of the Int. Bus R or Ext. In 2 signal will be fixed at "Balance" = R63. · The oscillator will be fixed at "2 voice" regardless of the "Unison Mode" setting. · If "Unison Spread" is set to 0, the L channel and R channel of the timbre output will both be set to a "PAN" of CNT (Center). If "Spread" is set to 127, the L channel and R channel of the timbre output will be set to a "PAN" of L63 and R63 respectively. Adjusts the frequency components that are characteristic of vocal formants. This is equivalent to changing the shape of your mouth (i. e. , changing the vowel sound). Control2: Offset (Formant Offset) [­63. . . +63] Moves the entire formant frequency spectrum upward or downward. "Control1" boosts the pitched component within the noise, and "Control2" adjusts the brightness. Control1: Resonance [000. . . 127] Adjusts the amount of resonance for the filter provided within the noise oscillator. Higher values will emphasize the frequency points for the pitched component within the noise. Control2: LPF/HPF [LPF63. . . CNT. . . HPF63] 2: Source [ExtIn, IntBus] Selects the audio input source. Use Control1 "Gain" to adjust the input volume, and Control2 "Balance" to adjust the balance. ExtIn The waveform received from the INPUT 1 and 2 jacks will be used. The input from the INPUT 1 jack is sent to the L channel of the oscillator, and the input from the INPUT 2 jack is sent to the R channel. If the P4­2: VOICE ­ UNISON tab page "SW" setting is Off, the sound will be mixed to monaural. The input from the L channel of the bus is sent to the L channel of the oscillator, and the input from the R channel is sent to the R channel. Adjusts the mix balance between the low-pass and high-pass filters; this will vary the brightness of the sound. SynthPCM This provides various PCM waveforms taken from acoustic instruments and digital synthesizers. For details on the PCM waveforms provided, refer to p. 156 "Voice Name List. " Control1: --- has no effect 83 Program parameters In order to use the internal bus, you must make settings in the P03­2: TIMBRE ­ OUT tab page to assign the timbre output to the internal bus. Unison Detune OSC1­1 3: OSC Mod OSC MOD [Waveform, Cross, Unison, VPM] Selects the modulation type for oscillator 1. You can't apply modulation if "Wave" is set to Formant, Noise, Synth PCM, Drum PCM, or Audio In. The maximum number of voices will change depending on the combination of "Wave" and "OSC Mod" settings. Waveform (Waveform Modulation) Use "Control1" to modify the waveform. For details on how the waveform will change, refer to p. 82 "Wave (OSC1 Wave) Ü WAVE [], [] á. " Cross (Cross Modulation) Cross Modulation uses the output waveform of oscillator 2 (the modulator) to modulate the frequency of oscillator 1 (the carrier) at high speed to produce a modulated sound. The waveform selected by "Wave" will be the carrier. Cross Mod Depth OSC1­2 OSC1­3 OSC1 Output OSC1­4 OSC1­5 If "Wave" is Saw, Squ, Tri, or Sin, you can adjust the following parameters for the selected waveform. Control1: Detune (Unison Detune) [000. . . 127] Adjusts the difference in pitch between the unison oscillators. Higher values will broaden the pitch difference between the oscillators, producing a richer sound. Control2: Phase (Oscillator Phase) [000. . . 127] Specifies the phase of each oscillator at note-on. [. . . ] 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Template Name Comb Pluck Syn Pizzo Stereo Arp ResonanceArp Perc Square Sonar VPM Bell Chord Hit Synth BD Synth Noise Synth HH Synth Perc Electric Tom Windstorm Explosion Metal Whip CrossModFall FeedbackBeep Category Guitar/Pluck Bell/Decay Bell/Decay Bell/Decay Bell/Decay Bell/Decay Bell/Decay Hit/Drum Hit/Drum Hit/Drum Hit/Drum Hit/Drum Hit/Drum S. E. S. E. *6: The 024: Init AudioIn program uses the audio input functionality. In order to make this program produce sound, you must connect a mic or external audio device to the RADIAS. Connecting the audio inputs ­ INPUT jacks") 165 Appendices Insert Effect No. [. . . ]