Detailed instructions for use are in the User's Guide.
[. . . ] DN540
Creative Quad Compressor Operator Manual
Klark Teknik, Klark Industrial Park, Walter Nash Road, Kidderminster. Tel: +44 1562 741515 Fax: +44 1562 745371 Email: info@midasklarkteknik. com Website: www. klarkteknik. com
DN540 Creative Quad Compressor -- Operator Manual DOC02-DN540 Issue B -- February 2011
© Red Chip Company Ltd. In line with the company's policy of continual improvement, specifications and function may be subject to change without notice. E&OE.
IMPORTANT SAFETY INSTRUCTIONS
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. [. . . ] No additional time constants are applied to the meter, so that the actual envelope speeds can be easily seen. The gain reduction meter continues to function normally when the DN540 is set in bypass. The bypass indictors are illuminated boldly to signal this fact to the user.
2
Control knob
GAIN
3
Control knob
RELEASE
4
Control knob
PRESENCE
5 6 7 8
Pushbutton LED (orange) Control knob LED meter
HARD Not applicable RATIO ATTEN
9 10
Control knob Pushbutton
THRESHOLD BYPASS
Adjusts the operating point of the compressor. Removes the compressor/dynamic filter from the signal path.
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Switch section
Item 11 12
Type LED (red) LED meter
Label Not applicable LEVEL
Function On/off status indicator for the BYPASS pushbutton. The meter has +18dB, +12dB, +6dB, 0dB, -6dB and -12dB LEDs for displaying the output signal level (default). When the MTR I/P pushbutton is on, the meter displays the input signal level.
Switch section
The switch section has four switches for: changing the compressor mode; switching the signal level meter from output signal to input signal; external sidechain; and channel linking.
8 7
1 2
6 5
Item 1 2 3 4 5 Type LED (green) Pushbutton LED (yellow) Pushbutton Pushbutton Label Not applicable MTR I/P Not applicable LINK EXT Function On/off status indicator for the MTR I/P pushbutton. Switches the LEVEL meter to monitor the output signal (off) or the input signal (on). (There is no LINK button on channel 4. ) When this button is off, the sidechain signals are sourced from the incoming compressor signal, as normal. When this button is on, these signals are sourced from elsewhere via the external sidechain input connector (rear panel). On/off status indicator for the EXT pushbutton.
3 4
6 7
LED (yellow) Pushbutton
Not applicable AUTO
Selects the compressor mode, where manual mode = off (default) and auto mode = on. On/off status indicator for the AUTO pushbutton.
8
LED (green)
Not applicable
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Chapter 4: Front Panel
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Chapter 5: Rear Panel
The rear panel of the DN540 (shown below) has a mains input section and four channel connector sections.
Mains input
Four channels
Note: Although the rear panel of the DN540 has cutouts for two solo bus connectors, these are unused on this unit and are therefore blanked off.
Mains input
The mains input section has a mains IEC socket, below which is a fuse drawer. Printed just to the right are the mains supply voltage and fuse details. The mains input is an auto voltage sensing, switch mode power supply that operates where normal mains voltage is in the range 100V AC to 240V AC.
Mains IEC socket
Fuse drawer
The fuse drawer houses the mains fuse at the rear of a two-compartment drawer. Always replace the mains fuse with one of the same type of and rating, as printed to the right of the fuse drawer.
Channel connector section
There are four similar channel sections on the rear of the DN540. Each section comprises a male (output) and a female (input) XLR chassis connector, and a 1/4" TRS connector. These are for connecting to external line level signals, such as a mixing console's insert connections.
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Chapter 5: Rear Panel
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Chapter 6: Compressor Control Functions
This chapter explains the control functions of the DN540 compressor.
Attack
Attack is the time it takes for the compressor to respond once the threshold has been exceeded. Attack may be set so that the initial transient of the instrument passes through unaltered, or set to a faster value so that the very start of the sound is compressed. Particularly with drum sounds, careful adjustment of attack time can make the sound more punchy and driving.
Make up gain
As compression reduces the gain (level) of the signal, the gain control lets you add a fixed amount of make up gain, so as to achieve an optimum output signal level.
Release
Release is the time the compressor takes to recover after the programme material falls back below threshold. Both attack and release also respond to changes in programme level that remains over threshold. For example, a signal that reduces in level but remains above threshold will still trigger a release. However, in this case it will only be a partial release because the compressor is still required to generate gain reduction, albeit for the new lower signal level.
Input signal Threshold
Signal level
Output signal
Fast release Input signal Threshold
Time
Signal level
Output signal
Slow release
Time
Figure 2: Compression fast and slow release signal envelope graphs
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Chapter 6: Compressor Control Functions
Release time plays a very important role in compression. When the signal level falls below the threshold, the gain will increase at a rate determined by the RELEASE control knob. [. . . ] However, in practice the electrical noise on both cables will never be identical, and the degree to which it is reduced is measured by the common mode rejection ratio (CMRR). The electronically balanced input and output connections of the DN540 have the benefit of high common mode rejection (CMR), which eliminates externally induced interference such as mains hum etc. CMR is the ability of a balanced input to reject the part of the incoming signal that has the same amplitude and opposite phase on both input terminals, referenced to ground. As a specification, CMR is usually stated as a dB ratio, called CMRR, at a given frequency. [. . . ]