User manual JBSYSTEMS LIGHT BT-36II

[. . . ] Locate the fixture in a well ventilated spot, away from any flammable materials and/or liquids. Don't cover any ventilation openings as this may result in overheating. Make sure the area below the installation place is free from unwanted persons during rigging, de-rigging and servicing. Always unplug the unit when it is not used for a longer time or when you start servicing. [. . . ] This secondary safety attachment should be installed in a way that no part of the installation can drop more than 20cm if the main attachment fails. The device should be well fixed; a free-swinging mounting is dangerous and may not be considered!Don't cover any ventilation openings as this may result in overheating. The operator has to make sure that the safetyrelating and machine-technical installations are approved by an expert before using them for the first time. The installations should be inspected every year by a skilled person to be sure that safety is still optimal. REMOTE CONTROL INPUT: Used to connect a simple CA-8 hand controller while the unit is used in standalone or master/slave mode. SENSITIVITY: Used to adjust the sensitivity of the micro when the unit is used in standalone or master/slave mode. To select any of the pre-set functions, press the MENU button up to when the required one is shown on the display. After 8 seconds the display will automatically return to the main functions without any change. Once the correct address shows on the display, press the ENTER button to save it. (or automatically return to the main functions without any change after 8 seconds) To go back to the functions without any change press the MENU button again. Once the mode is selected, press the ENTER button to setup (Or automatically return to the main functions without any change after 8 seconds. ) To go back to the functions without any change press the MENU button again. Show Mode Used to choose the Show mode when used in standalone or master/slave mode. Once the right mode shows on the display, press the ENTER button to save it. (or automatically return to the main functions without any change after 8 seconds) To go back to the functions without any change press the MENU button again. Show 3 mode - Fixture is placed on a podium, in front of the audience The spot is always projecting to the audience's direction; i. Tilt movement angle: 90° (60° above horizon; 30° below horizon. Tilt movement angle: 90° (vertically, front 75°; back 15°) Slave Mode Used to make the slave unit work in opposite to the master or to work in complete sync. (or automatically return to the main functions without any change after 8 seconds) To go back to the functions without any change press the MENU button again. Sound Mode The unit works to rhythm of the beat when used in standalone or master/slave mode Press the MENU button until is shown on the display. (or automatically return to the main functions without any change after 8 seconds) To go back to the functions without any change press the MENU button again. [. . . ] Grâce au pilotage 400Hz cette lyre LED convient parfaitement pour une utilisation en studio TV (pas d'interférences avec les caméras) Choix de l'angle d'ouverture du faisceau grâce aux lentille interchangeables (standard=25° + 15° et 45° disponnible en option) Commande par 8 ou 15 canaux DMX: o 8 canaux: pan * tilt * strobo * rouge * vert * bleu * master dimmer * fonction spéciale o 15 canaux: pan * pan fin * tilt * tilt fin * vitesse pan/tilt * macros pan/tilt * macro vitesse * fonction spéciale * master dimmer * strobo * rouge * vert * bleu * color chenillard/fondu * vitesse chenillard/fondu. Every information is subject to change without prior notice You can download the latest version of this user manual on our website: www. Ce symbole représente la distance de recul minimum à respecter, c'est-à-dire, la distance minimum entre le projecteur et la surface à éclairer. Rien ne sera branché à son entrée DMX et son Led « master » sera constamment allumé, le Led « sound » clignotera au rythme de la musique. [. . . ]