User manual FUJICA ST601

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Manual abstract: user guide FUJICA ST601

Detailed instructions for use are in the User's Guide.

[. . . ] l t comes w i th a 1Oy magni fi cati o n macro-zoom l ens, and thi s al one w i l l l et you shoo t i n most si tuati ons, but i t w i l l al so take w i deangl e and telephoto lenses to let you shoot wide scenes from short distances as well as close-ups of distant subjects. Thi s camera can al so be mounted on mi croscopes, endoscopes and other optical instruments for taking pictures of objects too small to see with the naked eye, for taking pictures of the insides of the human body, etc. fts other features include 72 Íps high speed shooting for taking slow-motion movies, single-frame exposure for taking trick shots, easy-to-see return mirror viewfinder for an extra-clear view of the subject, simultaneous recording of lip-synchronized sound and pi cture, and di gi tal frame counter for simplified shooting of lap-dissolves, superimposed pi ctures and ti me-l apse shots. NAMES OF PARTS @Fractional Exposure Control @Frame Rate Selector OBattery C @Battery Case Lock S hutter Indi cator @Finder Screen In-Out Lever @Viewfindet Eyepi @Eyesight Adjustment Ring @Eyesight Adjustment Screw @Remote Control Socket @ DlN 8p P l u g @Tape Control Socket @Forward-Reverse Button @Run-Lock Button @Frame Counter @Variable Shutter Lever @Grip Shutter Release Button @Handstrap Adjusting Screw @Accessory Attachment StoPPer @Synchro Coupler @Tripod Socket @Footage Counter @Take-up S pi ndl e @Film Speed Setting Pin @Feed Spindle @Accessory Socket @Fi l m C hamber @Accessory Shoe @Macro-focusing Lever @Aperture Control Ring @Lens S e t t i n g M a r k s @Foc us i n gR i n g @Fi l m C hamber Lock @Film Gate C hamber D oor @Fi l m C hamber Wi ndow @Gri p S ecuri ng S crew @Body Shutter Release Button @Zoom Lever @Gri p (hol ds batteri es for hi gh speed photography) @Battery Compartmenl Cover @ B at t er y C o m p a r t m e n t Cover Screw 4. V ari abfe S hutter l ever and frame counter. . . . . . . . . . . . . . . . . . . . . . . . . . . 23 . . . . . . . . . . . . 24 5. [. . . ] lt greatly simplifies making lap-dissolves and shooting animated pic\gstrrtt"t \openlnç @Frame\ rate \ ro oPENì, , . ^ . , o r Slro u / l/27 l/40 l /5 4 o (120') 1 /4 0 se c l/6 0 se c. z (80 ) se c. 4 (40" ) l /108sec. . When the V a ri abl e Shutter Lever is set at OP E N , the F rame Counter automatically returns to zero and will not count even if the fi l m i s advanc i ng. oA t S (w i th cl i ck), the shutter will remain fully open but the Frame Counter will begi n counti ng the number of f rames exposed. . The shutter openi ng becomes gra dual l y smal l er as the V ari able Shutter is moved tow ard C L OS E , but the Frame Counter will keep on countIng. 12 fps. t/1 2 0 sê c | / 240sec. l/80 sec. l /l 6 0 se c. o Variable Shutter Lever 23 5-F A DING The Variable Shutter Lever greatly simplifies fading out from one scene and Í a d i n g i n i n t o a n o t h e r . As you near the end of the cut, mov e t he lev e r s l o w l y f r o m O P EN to CL OSE. Stop shooting when the lever reaches C LO S E . Fade-i n Fade-out eh\ \ \\sxuil{ \--. , 'túsr\ì\ /I/oPn0rrilo ilil10y/ v i ç^ \-:ZLost\\'\ ///ontt 0 r rr or ü r r oy/ \ \\sr u r Ìr N / (Fade-in) Set the Variable Shutter Lever at CLOSE. Squeeze the Shutter Release Button to take your picture, and simultaneously move the Variable Shutter Lever slowly toward OPÊN. After the lever reaches OPEN, keep on sh oot ing unt i l y o u f i n i s h t h e c ut. N ot e: l f you are c o u n t i n g t h e n u m b er o f fr a m e s, stop the Variable Shutter Lever at S (with cl i c k ). the Footage Counter will return to zero. v ffi v 24 6. HOW T O REW I N DT H E FILM To wind ba c k t h e f i l m f o r m a kin g la p - d isso lve s and, superimposed pictures, set the ForwardReverse Button @ at R, the Variable Shutter L ev er @ at C L O S E , a n d p r e s s d o wn th e Sh u tte r ReleaseButton. Be s ides be i n g u s e f u l i n s c i e nce , m e d icin e , a n d m a n y o th e r fie lds, macropictures of small, familiar objects can be of tremendous intere s t t o y our h o m e m o v i e a u d i e n ce . The proc ed u r e f o r t a k i n g m a cr o p h o to g r a p h s is e xp la in e d in th e fol l o wing. (1)P ull up t h e M a c r o - f o c u s i n gL e ve r @ a n d p u sh it a ll th e wa y to the left. Set the lens in the vicinity oÍ 2Omm with the Zoom Lever @ T his f oc a l l e n g t h w i l l l e t y o u b r in g th e ca m e r a u p a s clo se to the s ubjec t a s t h e l e n s w i l l p e r m it. ( Pr e cisefo cu sin g i s dif f ic ult u n l e s sy o u u s e t h e scr e e n . ) fo cu s th e le n s with e ith e r th e Z o om (3 )S êt t he F o c u s i n gR i n g @ a t -, Lever or the Macro-focusing Lever and press down the Shutter Releas eB u t t o n . N ot e: lt do e s n ' t m a k e m u c h d iffe r e n ce wh e r e th e F o cu sin gRin g @ is set, but to be on the safe side, set it at 6 Aperture: f/8 In thi s case, everythi ng from 1 . 02m to i nÍi ni ty w i l l be i n sharp fo c us . (See the sector overprinted with red ink in the depth of field table. ) o f:7. 5mm rò @ 1 . 8 0. 9 0- 4 . 57 1. 18 -- @ 1. 54 1. 83 2. 01 2. 23 rc @ @ @ @Aperture @Distance 2 . 8 0 . 7 3 @ 4 0. 72 - 0 . 8 4 0 . 9 i @ o 5. 6 0. 49 0. 56 0. 63 0. 67 0. 69 0. 72 @ @ @ rc @ @ 8 0. 38 * @ tl 0. 29 ^- @ t6 0. 2?f : l2mm 0. 18 - o t. 5 2 . 5 5 . 0 1 . 19- 2 . 03 1. 73 4. 44 1. 6 9^ - 0. 85 @ m l . 14 @ 0. 58 0. 68 0. 79 0. 86 0. 89 - @ @ @ @ @ 0. 45 0. 45 0. 57 * 0. 60 - @ @ @ o 0. 36 0. 39 0. 43 0. 45 - @ rc @ Òo 2 . 68- 4 0. [. . . ] Pr o visio n fo r s i n g l e - Í r a m ee xp o su r e b y r e m o te co n tr o l a n d t i m e - l a p se p h o to g r a p h y. L o cka b l e a t 1 6 0 "( 0 ) , 8 0 ' 1 2 \ a n d 4 0 ' l4 \. T T L s t o p p e d - d o wn m e te r in g with p r o visio n f o r 2 x a nd 4 x fr a ctio n a l e xp o su r e co n tr o l. S i mul taneous sound-pi cture recording System Gri p Type P rovi si on for fi l m-tape start synchroni zed recordi ng of sound and pi cture. 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