User manual FOSTEX DMT8 V 2.0

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FOSTEX DMT8 V 2.0: Download the complete user guide (288 Ko)

Manual abstract: user guide FOSTEX DMT8V 2.0

Detailed instructions for use are in the User's Guide.

[. . . ] You Will find the DMT-8 Owner's Manual and this supplemental manual, which explains the extended functions of Version 2. Before using the DMT-8, please read both manuals thoroughly to understand the correct operation of the unit. Refer to the main Owner's Manual for functions other than those referred to in this supplement. Pasting data to any individual track, as well as pasting to multiple tracks simultaneously. [. . . ] ) When you are performing a new digital recording session (or input monitoring), abnormal digital signals ("DIGITAL IN" is blinking) may cause the digital signals to from loops and oscillate internally, leading to possible damage to the external speakers. It is prohibited by law to record and use any piece of music for which copyright is possessed by a third party for commercial purpose - such as contents, broadcasting, and sales - any purpose other than for your personal pleasure. Using "dG out" of Setup menu, you can assign any of analog outputs 1-8 to digital output L or R. Select any one combination from "1-2", "3-4", "5-6", "7-8", and "s t" (DMT-8 stereo output L/R). This assignment will allow you to record digital data from the DMT-8's DATA OUT to an external digital device (such as CD, MD, etc. The display will change to something like this, and the current value will appear. The letter "cH s t" on the display will blink, and you can now edit the value. Use the JOG dial to select from "1-2", "3-4", "5-6", "7-8", and "s t". If the external digital device has only coaxial connectors for digital input, use an optical COP-1 (optical/coaxial converter). Pressing the STORE key while holding down the HOLD/> key allows you to select an output Program. If you select tracks "1-2", "3-4", "5-6", "7-8", the add number track will be assigned to digital output R channel. When recording is completed, press the STOP button on both the DMT8 and the digital device. "rESoLu" in Setup menu allows you to turn Display Resolution mode on and off. When you are storing the In/Out points in real-time while using the "BAR/BEAT/CLK" Time Base, you can store them in steps of beats if the "rESoLu" (Display Resolution mode On/Off ) in Setup mode is "ON". When this resolution mode is "ON", the CLK value will be rounded up or off to "00" (at the beginning of the beat) as soon as you press the STORE key. This function is useful when you wish to use the Copy & Paste or Move & Paste function in setup of beats. This setting will be shared by all Programs and maintained after you turn off the power. * For example, if you to store value "001 BAR", "1 BEAT", "46 CLK" as the copy start point, and "002 BAR", "4 BEAT", "51 CLK" as the end point while using the BAR/BEAT/CLK Time Base, these value will be stored as follws when they are held if Display Resolution mode has been set to on: The following example uses a signature of 4/4. The display will change to something similar to this, and the current value will appear. Letters "oFF" on the display will blink, and you can now edit the value. Turning the JOG dial counter-clockwise will select "oFF", and turning it clockwise will select "on". The "SLAvE" option in the Setup menu allows you to turn Slave mode on and off. [. . . ] If data in the clipboard is for move paste or there is no valid data in it, it will reply will "32 45 (<edit message=14 (void data)>). " 22 46: copy paste status request The command inquiring execution status of copy paste editing. When this mode is ON, not only "tales" made by various sound editing or AUTO PUNCH IN/OUT but "takes recorded by simultaneous pressing of the PLAY and RECORD buttons (direct recording) will always be possible to UBDO (However, free disc memory space equivalent to the recording length will always be required), This is same function of switching between "undo:ALL (Nondes. 22 4D: move clip status request The command inquiring the clipboard status. [. . . ]

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