User manual FOSTEX 3011 DATA SHEET

[. . . ] 16-track simultaneous recording available using ADAT interface in addition to analog inputs s No compression recording to internal 3. 5" E-IDE hard drive (eg. 962 track minites available on a 5. 1 GB hard drive) s ±6% Pitch Control s 99 programs (songs) with program names s Align Point selectable when pasting a clipboard data s 7 Mark Point on the fly, 7 Edit Memory & 99 Event Memory s SCSI interface (for back-up) s . WAV file export and import via external SCSI media s Full MTC/MMC compliance DIGITAL MIXING s 16 input faders (8 x analog/track input + 8 x track input) and 1 x Master fader (stereo buss) - all 60mm s MIC/LINE trim pot on all analogue inputs. Input G & H feature balanced XLR connectors, phantom power and insert points. [. . . ] Input G & H feature balanced XLR connectors, phantom power and insert points. s Assignable channel compressors (ch 13 + 14 or ch 15 + 16 with effect off) & Master compressor sT wo effect sends and two AUX sends (pre/post switchable) s 3-band EQ on all 16 channels (HI parametric, shelving, LPF, MID parametric, LO shelving). Separate 3-band Master EQ s 100 mix scenes per program s 64 x 128 dot-matrix LCD display. digital effects DIGITAL RECORDING The 3011 features no less than 24 tracks with simultaneous 8 track recording, (16 when using ADAT interface) to an internal (user upgradable) E-IDE hard disc. And having those extra `ghost' tracks gives you real flexibility. For example; you've recorded a great guitar solo, but want to try another to see if you can improve the performance - no problem, just use another track for the new version. With this type of power you can record different versions of vocals, different drum grooves, different guitar parts, then choose which of the 16 tracks you wish to reproduce and mix. Once you've experienced this kind of flexibility it becomes a necessity. uncompressed digital audio. ASP DIGITAL EFFECTS Fostex's acclaimed A. S. P effects offer two independent digital effects processors. CHANNEL VIEW Channel routing to internal effects and external aux busses plus pan position is easy view. SAVE . WAV FILES Recorded audio can be exported as . WAV files for further editing via a PC. TRUE DIGITAL MIXING The amazing audio quality delivered by the 3011 is due only in part to the stellar recording engine. The digital mixer also plays its part in making the 3011 the most usable, best sounding multitracker out there. Firstly you get some real 60mm faders to play with on all 16 input channels and master. EASY OPERATION Fostex have made the 3011 incredibly easy to operate. Nice touches which you'll appreciate include; large illuminated buttons, 60mm faders and a clear backlit LCD display. . WAV file export / import 1 6 T R A C K D I G I TA L R E C O R D I N G & M I X I N G 4x analogue AUX send 1 6 T R A C K D I G I TA L R E C O R D I N G & M I X I N G Specifications DIGITAL MIXER SECTION Input (A ­ H) Input Impedance Rated Input Level Input (G/H) Input Impedance Rated Input Level Insert Load Impedance Rated Output Level AUX send (1/2) 8x ø6mm phone jack (unbalanced) >50k ohms -50dBV - +2dBV 2x XLR-3-31 type (balanced: 2-Hot) +48V phantom power >1k ohms -50dBV - +2dBV ø6mm TRS phone jack >10k ohms -10dBV ø6mm TRS phone jack >10k ohms -10dBV 2 x RCA pin jack >10k ohms -10dBV 2x ø6mm phone jack (unbalanced) >10k ohms -10dBV 1x ø6mm stereo phone jack >16 ohms 20mW (at 50 ohms) 2 x Optical ADAT optical / IEC60958 (S/P DIF) 2 x DIN 5 pin / MIDI standard 1x ø6mm phone jack (Model 8051) 1x D-SUB 50-pin (half pitch type) Protocol Transfer type Equalizer Peak, Shelving, LPF (HI) Peak (MID) Shelving (LOW) 500Hz - 20kHz variable ±18dB 500Hz - 20kHz variable ±18dB 100Hz (effective freq. ) ±18dB 20Hz - 20kHz SCSI-2, unbalanced transfer method Asynchronous 5 1 6 7 8 9 2 10 3 4 Load Impedance Rated Output Level Stereo Out Load Impedance Rated Output Level Monitor Out Load Impedance Rated Output Level Headphone Out Load Impedance Maximum Output Digital In/Out Format MIDI In/Out/Thru Punch In/Out SCSI 3011 INTERFACING Frequency Response 28 s Wet Hall s Stadium effect types for EFF1 38 effect types for EFF2 1 Inputs 1 - 6 unbalanced phone DIGITAL RECORDER SECTION Recording Media Recording format Save/Load format Sampling Frequency Quantization Recording time Internal E-IDE 3. 5-inch hard disk FDMS-3 (version 1) (Fostex Disk Management System SCSI, FDIO-1 44. 1kHz 16bit linear (non compressed) Dependent of disk size eg: approx. 1, 880 track minutes @ 16bit/44. 1kHz on a 10 GB disk Number of tracks Pitch control Crossfade Dynamic Range T. H. D. Crosstalk A/D converter (20bit) D/A converter (24bit) PHYSICAL Dimensions Weight Power Consumption 380 (W) x 98 (H) x 335 (D)mm approx. [. . . ] 1, 880 track minutes @ 16bit/44. 1kHz on a 10 GB disk Number of tracks Pitch control Crossfade Dynamic Range T. H. D. Crosstalk A/D converter (20bit) D/A converter (24bit) PHYSICAL Dimensions Weight Power Consumption 380 (W) x 98 (H) x 335 (D)mm approx. 4. 0kg 120V / 230V 15W 16 + 8 additional tracks ±6% (0. 01% step) 10ms 92dB 0. 01% (typical) > 60dB @ 1kHz Delta-Sigma 64x over sampling Delta-Sigma 128x over sampling 2 Inputs 7 - 8 balanced XLR or phone with +48V Phantom Power & inserts 3 Monitor Out 4 Headphone Out 5 Auxiliary Send 6 Master Stereo Out 7 MIDI IN, OUT 8 ADAT optical / S/P DIF In & Out 9 Footswitch 10 SCSI Interface EFFECT TYPES FOR EFF 1 Name s Normal Hall s Presence Hall s No E/R Hall s Lo-Freq Hall s Auditorium s Hallway s Normal Room s Dead Room s Presence Room s Drum Booth s Garage s Normal Plate s Old Plate s Presence Plate s Wet Plate s Digital Plate s Normal Vocal s Presence Vocal s Solo Vocal s Arena Vocal s Arena Chorus s Karaoke s Mono Delay-Hall s Mono Delay-Plate s Panning Delay-Hall s Panning Delay-Plate EFFECT TYPES FOR EFF 2 Effect 2 has the same effect types as EFF 1 and these additional types as well. 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